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Iraq

THE LAST CALIPH

Ataturk dissolved seven centuries
of the Sultanate and the British
cloaked-and-daggered the aging Sultan
by sea to San Remo and exile.
Ataturk made the Sultan’s middle aged
cousin, Abdülmecid II, Caliph.
He seemed to carry his descent, as it were,
from the Prophet as lightly as a Pope
from the Saviour. He liked the pomp
and the public circumstance of the role
so much Ataturk sent him packing too.

Classical composer, husband of four wives,
painter, lepidopterist, gardener,
a Victor Hugo fan and of Montaigne’s
Essays – especially perhaps ‘By
Divers Means Men Come To A Like End’ –
he went into exile on The Orient
Express en famille and lived in Paris
and Nice. ‘He may be seen strolling with a mien
of great dignity along the beach,’
wrote a foreign correspondent, ‘attired
in swimming trunks only, carrying
a large parasol.’ He died in his bed
in his house on Boulevard Suchet
as Paris was freed from the Nazis –
his beard, of which he was proud, still resplendent.
He was buried in Medina – Madinat
Al-Nabi, City of the Prophet –
as, officially, the last of the line.
It could have been worse. His seems to have been
a charmed, perhaps even charming, life –
with an enviable retirement, due,
in large part, to Ataturk’s shrewdness.

What would either of them have made of
caliphate proclamations from the deserts
of Syria and Iraq; stage-managed
beheadings broadcast worldwide; Semtex strapped
to the gut and the heart?

 

 

 

LABOR DAY

I  was invited to go power boating

on the Illinois River on Labor Day.

My elderly hosts were retired.

He had been a builder, she a teacher –

caring folk looking out for a stranger.

They had Scottish ancestry, they told me,

and confessed, laughing, that they had spent

the previous night imbibing Drambuie.

We spoke warmly of the water of life.

‘But no drinking on board!’ they chorused.

Old Glory hung limply in their yard

in the soupy Mid-West September air.

 

While the wife fixed lunch in the galley,

I stood next to the husband at the wheel

while the boat bucked and slapped and dodged.

‘We’d be goners if we hit the driftwood.’

The forests on either side were pristine,

he explained. ‘There were Indians here.’

 

‘Come and get it!‘ He steered towards the bank

and a moorage. He turned to me, speaking

softly. ‘Our youngest boy, Callum, died…

in Iraq last December. Just so you know.’

 

 

 

MOST WANTED, MOST NEEDED

David Selzer By David Selzer0 Comments2 min read1.5K views

I

 

We know what happened to ‘the end of history’

and ‘the peace dividend’ but what will we do now

that Osama sleeps with the fishes? Gladly, there

is no shortage of men, for they do tend to be

men, for the role of bogeyman. The myth of the

ruthless, devious, almost supernaturally

efficient enemy endures, for all wars make

money for some and wars of choice – Afghanistan,

Iraq – make even more for the same some, so war

with Iran is probably, definitely not ‘if’ but ‘when’.

 

How many of us dare to publicly expose

our leaders’ new clothes, reveal courageous death and

injury under fire as pointless, immoral,

unnecessary, avoidable, in this still

bellicose and jingoistic nation with its

tinsel patriotism of drums and flags muffling,

obscuring reason – its manipulation

of so much righteous anger and genuine grief!

 

 

II

 

According to legend, Hafiz of Shiraz, Fars,

Persia – the Sufi mystic and lyric poet,

an exact contemporary of Geoffrey Chaucer,

and popular still with speakers of Farsi

in Afghanistan and Iran, who learn his work

by heart as proverbs, sayings – was summoned

by Timur Leng aka Tamburlaine, who ruled

an empire that stretched from the Black Sea to China

and south from Kazakhstan to the mud flats of Sindh,

whose conquests, it is estimated, caused the deaths

of seventeen million men, women and children.

 

‘How could you prefer the mole on your lover’s cheek

to Bokhara and Samarkand, cities of gold,

the very jewels in my crown?’ questioned Tamburlaine,

making reference to one of the master’s ghazals.

‘I am profligate,’ replied Hafiz, ‘so am poor.’

The tyrant paid the poet many gold dinars

for his diplomatic wit. So let there always

be war by any other means, by doing what

we do best. The last couplet of the lyric reads:

‘O Hafiz, you have made a poem, so recite it well!

Be rewarded with the pearls of the firmament.’[1]

 

 

 

 



[1] The last two lines have been adapted from ‘TEACHINGS OF HAFIZ’ translated by Gertrude Lowthian Bell, 1897.