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irony.

THE BATTLE OF THE SOMME

William the Conqueror’s fleet – of perhaps

five hundred long boats – assembled

in the Bay of the Somme. ‘History’

more or less rhymes with ‘irony’. The river

flowed through the flat bottomed chalky valley

steadily then and the years of the battle.

As the world has warmed, the water table

has risen, creating fens and marshes –

calm, bosky stretches catching the empty sky.

 

***

 

Numbers, for the most part, are abstract, even

of the British dead and wounded that first day –

slightly less than fifty eight thousand,

the population of present day

Aldershot, Bebington, Tunbridge Wells.

 

What is concrete is that those undernourished

young British men (my age or less when I

first read about them) climbed the ladders

up the trench walls, crossed no-man’s-land, marched

in lock step to death each carrying –

in addition to their Lee-Enfield rifle –

an entrenching tool, two gas helmets,

two grenades, two sandbags, two hundred

and twenty rounds of ammunition,

a pair of wire cutters, and extra rations

of corned beef, condensed milk and hard tack.

 

***

 

Innumerable raindrops still course beneath

the unanswered roll-calls of cemeteries

whose white grave markers parade in lock step,

a permanent muster of ignorant,

frail, oblivious boys.

 

 

 

MARJORIE BEEBE’S BOTTOM

For Ian Craine

‘Marjorie Beebe is the greatest comic possibility that ever worked in my studio. I think she is destined to become the finest comedienne the screen has ever seen.’ Mack Sennett

 

Her bottom was a serious matter:
the butt, as it were, of numerous pratfalls
in many Mack Sennett two reelers – like
The Chumps, Campus Crushes and The Cowcatcher’s
Daughter – in which she was a capricious,
lubricious Columbine with witty eyes
and good teeth and various Harlequins,
who ended invariably as losers.
From Kansas City, her mother took her
on the Yellow Brick Road to Tinsel Town.
Beebe and Sennett became lovers, despite
or because of the thirty year difference,
so he knew her asset first hand so to speak.
From silents to talkies, slapsticks to wise cracks,
her Mid West accent playing well, then Mack goes bust
and Marjorie gradually disappears.
Was it the booze? She was certainly
a toper. Or, more likely, The Hays Code:
irony suppressed, vulgarity outlawed,
Puritan America triumphant!

 

Note: The poem was first published on the site in June 2011.

 

LA PIÈTA

Bernini’s colonnades lead to the centre

of the known world – of hewn porphyry,

of granite kept in its place, of usury.

Irony turns each illuminated page,

celebrates the dissemination

of the word, funds the seeding of Europe

beyond oceans, in jungle, across pampas,

over sierra.  Only the clash of

vultures and the seas’ predictable tides

can erase carrion from argent sands.

How light the Saviour is! The Virgin seems

to hold him with such ambivalent ease:

a supplicant offering a sacrifice,

a rescuer carrying a corpse.

 

 

Note: the poem was originally published on the site in August 2009.

 

 

 

WHO LAUGHS LAST

David Selzer By David Selzer2 Comments2 min read569 views

At Tatton Park, Cheshire – where herds of red and fallow deer

graze studiously beneath the take-off path

of Manchester Airport and are seemingly deaf

to climbing Airbuses and 737s – the so called Tenants’ Hall

was previously the last Lord Egerton’s private museum,

its four walls adorned with mounted heads of,

for example, wildebeest, giraffe, black rhinos, lions –

all killed by Maurice himself.

 

In the ‘20s, with the Tatton rents keeping the jackals,

as it were, from the door, he settled permanently

in Kenya’s Central Highlands.

 

He settled for the game, the social life, the deferential servants

and the perfect climate for agriculture,

with its plentiful rain, clement days, cool nights –

something the unsurprisingly resentful Kikuyu had known

for the many generations they had been settled there.

 

He founded the Egerton Farm School – for white youths keen

to till and own the African earth – now Egerton University

for black, mostly affluent, students.

 

He was a natural member of the Happy Valley Set –

that well-bred, well-heeled, history-free and somewhat

unhinged club of cocktail racists, profoundly deaf to irony.

 

He built a six bedroomed house and invited his – to this day,

seemingly unknown – English fiancée. She decried the place as

‘small as a chicken coop or a dog’s kennel’.

 

Over the next sixteen years – 1938 to 1954 –

he built the fifty three roomed Egerton Castle

with imported stone, oak panelling and tradesmen

and invited her (apparently the same one) again.

And still she spurned him – ‘a museum.’

 

He was eighty. From then, all women, chicken and dogs

were forbidden, literally on pain of death, irrespective

of class or ethnicity. Notices were posted, on appropriate trees,

to that effect.  He dined alone – and continued to play tunes

by Vivian Ellis and Ivor Novello on the Steinway grand

in the castle’s unpeopled hall for his remaining four years.

 

Heirless, he left the castle and the school to the Colonial Office

and his Cheshire estates to the National Trust and the county council.

Perhaps he realised the game, as it were, was up – despite

the brutally illegal suppression of the Mau Mau  –

and saw the empire and all its varied works as finished.

As usual, he would not have been wholly wrong or entirely right.

 

Egerton Castle is now a wedding venue – like Tatton, where,

for all such events, floor-to-ceiling net curtains

are drawn across the stuffed, severed heads.

 

 

 

MARJORIE BEEBE’S BOTTOM

Marjorie Beebe in 'The Farmer's Daughter' 1928

 

 

For Ian Craine

 

 

‘Marjorie Beebe is the greatest comic possibility that ever worked in my studio. I think she is destined to become the finest comedienne  the screen has ever seen.’  Mack Sennett

 

Her bottom was a serious matter:

the butt, as it were, of numerous pratfalls

in many Mack Sennett two reelers – like

The Chumps, Campus Crushes and The Cowcatcher’s

Daughter – in which she was a capricious,

lubricious Columbine with witty eyes

and good teeth and various Harlequins,

who ended invariably as losers.

From Kansas City, her mother took her

on the Yellow Brick Road to Tinsel Town.

Beebe and Sennett became lovers, despite

or because of the thirty year difference,

so he knew her asset first hand so to speak.

From silents to talkies, slapsticks to wise cracks,

her Mid West accent playing well, then Mack goes bust

and Marjorie gradually disappears.

Was it the booze? She was certainly

a toper. Or, more likely, The Hays Code:

irony suppressed, vulgarity outlawed,

Puritan America triumphant!

 

NOTE: The poem has been posted today to celebrate Marjorie Beebe’s birthday – 9th October 1908. The poem has been previously published twice before on the site – https://davidselzer.com/2011/10/marjorie-beebe%E2%80%99s-bottom-2/ and https://davidselzer.com/2011/06/marjorie-beebe%E2%80%99s-bottom/ – and has been one of the most visited pieces. In addition, it has been published on http://thirdsundaybc.com/2012/06/

 

 

 

A VIRTUOUS CIRCLE

In an ex-pat’s yard – Flemish or Dutch

the name on the gate suggests – the guinea fowl

panic. Two Booted Eagles are circling

down the valley from the ancient forest

of verdant oaks and chestnuts, sectoring

the yellow fields of maize and sunflowers

toward Monléon Magnoac, a village

now but once, before the Black Death, a new town

on a fortified hill top, one of more

than a thousand to soothe the wilderness

of Aquitaine, Languedoc and, here, Gascony

then English aka Norman crown estate.

Yet this was Basque country long before Norsemen

sailed through the Bosporus or up the Volga.

 

Northern Europeans have returned

as tax paying owner occupiers

rather than liege lords – an irony

which nobody appears to acknowledge.

 

After a night of rain, the river Gers,

rising in the Pyrenean foothills,

chases through the valley bottom.

It will broaden across the Magnoac

Plateau and flow into the Garronne,

and so into the Bay of Biscay,

Bizkaiko Golkoa in Basque – a gulf

of legendary storms and shipwrecks.

 

Impervious, as yet, to the almost

all determining past, she has found

a clayey puddle. She stamps and jumps.

The rich, pearly water rejoices.