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Kabul

DEPRAVED HEARTS: IMPERIAL PATHOLOGIES

David Selzer By David Selzer2 Comments2 min read580 views

Somewhere in our house – built in the same year that

the British-Indian army retreated

from Kabul, and an Act of Parliament

outlawed women, girls and boys under ten

working underground in collieries –

The Boss aka Bruce Springsteen is singing of

‘The Streets of Minneapolis’, a song in that

unyielding tradition: ‘My Land Is Your Land’,

‘Sometime I Feel Like A Motherless Child’.

 

***

 

In Antiquity and the Dark Ages

hundreds of thousands were bought and sold each year.

The city of Venice became an Empire

because of the riches slavery brought.

In the Renaissance and the Enlightenment

ten million were taken from Africa

to the Americas. All were branded.

In Great Britain mill owners and bankers,

monarchs and cotton merchants grew rich.

The word ‘slave’ is from ‘Slav’ – whole communities,

entire peoples enslaved. ‘A’ is for ‘Auschwitz’.

 

***

 

Massacres at Wounded Knee, Amritsar,

and Martyr’s Square, Tehran, for example,

are imperious spasms, the arteries

of kindness hardened by othering;

bridges demolished – in Karaj, Iran,

Mostar, Bosnia, over the Litani

in Lebanon – solely out of spite,

to make burdened lives more burdensome;

the sanatorium assailed in Otwock’s

ghetto, hospitals in Hiroshima

and Dresden, ambulances in Gaza, in Beirut,

to show who matters and who does not.

 

***

 

Patrick Henry, conflicted slave owner,

was one of the two Founding Fathers

who would not ratify the Constitution,

which ‘would give a felon the chance to make

one bold push for the American throne…’

 

And two hundred and fifty years later

a convicted felon squats on that throne

as emperor. However, there might be

some small comfort in the thought that empires,

in due course, as Arnold Toynbee wrote, ‘die by

suicide not murder’.

 

 

 

 

CIA HQ, AFGHANISTAN, 2021

In a compound some two miles square, surrounded

by razor wire and guard towers, on a hillside

three miles north east of the airport and six

from Kabul’s centre, are rows of burnt out cars

and pick-ups. Beneath the vehicles

are solidified pools of molten metal.

Elsewhere in the compound are the ruins

of a mock-up village used to train

operatives to carry out night terror raids.

The recreational block is intact.

Inside are unfinished meals and abandoned

games of chess. The detention block too

is intact. Inmates gave it the soubriquet

‘the dark prison’, the cells having

no natural light – nor electric except

when the torturers came.

THE FOURTH ANGLO-AFGHAN WAR

‘You have been in Afghanistan, I perceive’,

observed Holmes to the astounded Watson,

having noted that the doctor’s face spoke

‘of hardship and sickness’. He had seen action

in the Second Anglo-Afghan War, which,

like the First was all about The Great Game

and Russia, and both, like the Third, all

about the British Raj, that Jewel in the Crown,

and Afghan monarchs that might be cajoled

with sufficient treasure or sufficient blood,

while the true rulers, the tribal elders

of the ethnic groups, parleyed with all sides.

 

The Great Game continues, and with new players:

America, China, Iran, Pakistan,

Saudi Arabia. Are Taliban –

who, as some predicted never went away,

but fought a twenty year insurgency –

aka Mujahideen aka

‘freedom fighters’ (to quote Margaret Thatcher),

and the well-funded, so-called Islamic State –

that movable terror, that mobile nihilism –

pawns in the new game,

useful idiots in the exploitation

of the country’s many mineral fields?

 

Those who brought Enduring Freedom chose

not to eradicate polio

but supplied electricity throughout

enabling scenes of havoc and mayhem

to be broadcast on WhatsApp and Instagram.

So, record the lies about Afghanistan –

hypocritical, self-serving untruths,

which ignore the torture at Bagram Air Base,

which prioritise the lives of dogs. Record

that the liars are mostly privileged,

sanctimonious, nostalgic, white

imperialists, some moonlighting as hacks.

 

The Fourth war has masqueraded under

two different euphemisms,

Operation Herrick and then Toral,

and been fought with allies – with Nato,

and the erstwhile Afghan Army and Police –

and achieved no discernible victories,

no battle honours only body bags,

only more of the maimed and the desperate,

only incompetence and abandonment –

against lightly-armed zealots on Chinese-made

Honda motor bikes with a seemingly

endless supply of imported fuel

financed by hectares of exported drugs,

and for whom aspects of criminality,

particularly towards women and girls,

appear a brutal and sacred duty,

in a poor country corrupted with money,

a Ponzi scheme for foreign consultants.

 

Although its capital city, Kabul,

remains the only one in the world

without a railway station, the trade

in opium and hashish has blossomed,

Afghanistan becoming the world leader –

which might have rendered even Holmes speechless.

 

 

 

 

HEAR THE DRUMS

This full length stage play focuses on Jamila, a sixteen year old girl of mixed Afghani and English parentage: on her struggle to determine her cultural identity, her longing for her father whom she has been brought up to believe is dead but whom she discovers, by chance, is alive and a prisoner of the Americans in Afghanistan – and her confronting the lies and misunderstandings that have had such tragic consequences for her family.

You can download the main text as a pdf:

HEAR THE DRUMS MAIN TEXT

A list of characters, information about where and when the action is set and acknowledgements are also available as a pdf:

HEAR THE DRUMS – CHARACTERS, LOCATION, ACKNOWLEDGEMENTS ETC.

 

 

Note: the play was a prize winner in the Sussex Playwrights’ Club 2009 Full Length Play Competition.