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'Kidnapped by Robert Louis Stevenson

THE TOPOGRAPHY OF THE HEART

David Selzer By David Selzer3 Comments2 min read2.1K views

After the massacre at Culloden

the Crown and its lackeys impoverished

the Highlands – forbade the language and the kilt,

began the Clearances, the diasporas.

By Victorian times all that had become

the background of fiction – as in ‘Kidnapped’,

Robert Louis Stevenson’s adult novel

about bigotry, pride, loyalty and friendships,

masquerading as a boy’s adventure yarn

set among the lochs, the glens, the heather.


Young David Balfour – a Protestant

lowlander – is traduced, kidnapped, shipwrecked,

outlawed, redeemed. He becomes a killer

with a flintlock by force of circumstance.

Before he must take to the heather –

with his alter ego, Alan Breck

of the king’s coat with silver buttons –

he takes the ferry from Mull to the mainland.


The ferry is ramshackle. Nevertheless

the Sound is still, the day is bright, all

– passengers and boatmen – take turns at the oars

to a song in Gaelic, ‘Heel yo ho, boys!

Bring her head into the weather!’,

and David Balfour, although he understands

not a word, shares in the fellowship.


As they approach the mouth of Loch Aline

they see a ship at anchor, a coffin ship

destined for the American colonies,

and skiffs, plying between the ship and the shore,

full of people, and the shore crowded

with men, women, children – and, closer,

they hear from land and water a keening,

and one of the singers on the ferry

begins a lament, in which the others join.

Our hero, though he has none of the Gaelic,

is struck to the heart.