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King’s School Chester

TREASON OF THE CLERKS

I have lived most of my life in the suburbs

of the ancient city of Chester, with its

walled centre of Roman, Saxon, and Norman

ramparts of cut sandstone. Even though

the city, a Royalist stronghold, was besieged

during the English Civil War, the walls

remained more or less intact until

the road traffic demands of commerce.

 

I went to a school in the old city,

a coveted school with two entrance exams.

It was one of many such establishments

in market towns across England created

by Thomas Cromwell from the assets

of the monastic abbeys his master,

King Henry, had seized: schools to manufacture

Protestant clerks to collect the King’s taxes.

The building, as our head master – himself

an Anglican cleric – used often to say,

was ‘in the shadow of the cathedral’ once

an abbey church. Was that pulpit rhetoric,

or an unintentional irony?

 

The city’s four main streets follow the routes

of the thoroughfares of the Roman Camp,

each leading to one of the four main gates.

The meet at The Cross. Nearby, in Northgate Street,

there used to be a tobacconist who sold

small Cuban cigarettes in packets of five.

 

Armed with supplies we doughty band of smokers

would leave the school premises each break,

cross Abbey Square (past the Bishop’s House),

down Abbey Street (past the Dean’s and Archdeacon’s),

and onto the walls near the Kaleyard Gate –

a postern, originally for the monks

to daily access and tend their rows

of vegetables outside the city walls.

Come shine or rain, tourist crowd or none

we would walk quickly to Phoenix Tower,

which has a phoenix – then the  emblem

of the Painters’ Guild – carved above the door.

 

The tower is popularly known as

King Charles’ – for Charles I is said to have

stood on the roof and watched his cavalry

routed by the Roundheads on Rowton Moor.

More likely he had climbed the narrow, spiral

staircase in one of the cathedral’s towers

to get the best view. After the regicide,

the Dean and Chapter, no doubt, made up

the story about the Phoenix Tower

 

I am sure we spoke of little else but

the Reformation and its aftermath –

the doomed monarch, the brief Commonwealth,

the cynical Restoration, those

centuries of violent bigotry in these

Celtic Islands, and England becoming

a global trading power – as we stood there,

privileged white boys in striped ties and blazers,

hurriedly inhaling cheap tobacco

from the Caribbean.

 

 

 

 

OTHER PEOPLE’S FLOWERS Ian Craine: Writer

David Selzer By David Selzer2 Comments2 min read1.1K views

I’ve known David for a very long time. We were at school together, King’s School, Chester. We weren’t close then, four of five years apart, a huge difference at that age. David, the elder of us, wrote shimmering poems for the School Magazine, full as I recall of Greek mythology and other allusions. I was very impressed. It’s no exaggeration to say that David Selzer is one of the major influences on my becoming a writer of sorts myself. Though I knew him he would not at that stage have known of me. That came later, first around the bar of Chester Little Theatre, and again much later when I discovered this site. By then I had written half a dozen screenplays for cinema, as well as a number of poems, short stories, flash fiction and life writing. Novels remain beyond me. But here’s a small selection of the shorter pieces.

 

1) PANAMA REACHES: Life Writing – the title of the piece will become clear in the reading. This is a farrago of things that have interested me in my long life, things I have experienced, and over which I have pondered. There is a gossamer thin linking thread almost hidden within the seemingly arbitrary diversions.

 

2) POET DYING: Short Story – at its core a sad tale but with some fun and games along the way. A tale for all those who have spent too much time drinking in pubs at four o’clock in the afternoon when only the committed foregather.

 

3) SEVENTH CHILD: Poem – my variation on an old trope, this one perhaps about (authors not always being the best interpreters of their output) parental affection and intimacy in a less fluent time.

 

4) PALIMPSESTS: Poem – this was written to order for a Holyhead writing group as part of a project linking various ports on either side of the Irish Sea. Towards the end I fear it becomes a little boastful about the place, like a town crier in the marketplace. But poems are written for various audiences, and this, a recent exercise, confirmed at least that I could still string portentous words together – and at speed. No mental lingerings as with the others – this was turned around from concept to full realisation within 24 hours.

 

©Ian Craine 2023