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lavender

THE RECLINING GARDENER

On the first spring day of prolonged clear sunshine

she mows the lawns, weeds the paths, hoes the borders,

counts the figs, admires the honesty,

tends the low, lavender hedge – then relaxes

on a lounger in front of the gazebo,

framed by clematis and magnolia blooms.

 

She sleeps, safe in the garden’s ivy clad

chambers – the alfresco rooms she has made

from soil ravaged by lime and gravel.

If she lies too long she will catch the sun –

a curious, promethean turn of phrase

yet right for a gardener who has acquired

from the air itself wild strawberries,

welsh poppies, common columbine, even

honesty. Perhaps I should not let her sleep –

but waking her seems always an intrusion

into the private solitude of dreams.

 

We have been in love for more than fifty years –

doppelgänger, alter ego; boxing hare,

comedy partner; devil’s advocate,

critical friend; anxiety’s balm, pearl

irritant; good companion, turtle dove.

She stirs – wakened, no doubt, by that slow passion

of plants – before I can rouse her with a kiss,

like any common or garden prince or frog.

 

Note: The poem was originally published on the site in August 2016.

 

THE DEARTH OF HONEY

Where the mortar between old bricks has crumbled

in the weathers, where the felt of a flat roof

has lifted, beneath slates above a gutter

through a gap the height of a feather,

among cascades of ivy on a high wall

topped with broken glass, wild bees are about

their business, crowding buddleia, bending

stalks of lavender, devoted subjects

of their queen, diminutive beside

dying cousins. On their fragile wings

we, republican or monarchist, depend,

each flight an errand of life, the music

of warmth, the gentle drone of summer, once

gone never returning.

 

 

 

THE RECLINING GARDENER

On the first spring day of prolonged clear sunshine

she mows the lawns, weeds the paths, hoes the borders,

counts the figs, admires the honesty,

tends the low lavender hedge – then relaxes

on a lounger in front of the gazebo,

framed by clematis and magnolia blooms.

 

She sleeps, safe in the garden’s ivy clad

chambers – the alfresco rooms she has made

from soil ravaged by lime and gravel.

If she lies too long she will catch the sun –

a curious, promethean turn of phrase

yet right for a gardener who has acquired

from the air itself wild strawberries,

welsh poppies, common columbine, even

honesty. Perhaps I should not let her sleep –

but waking her seems always an intrusion

into the private solitude of dreams.

 

We have been in love for more than fifty years –

doppelgänger, alter ego; boxing hare,

comedy partner; devil’s advocate,

critical friend; anxiety’s balm, pearl

irritant; good companion, turtle dove.

She stirs – wakened, no doubt, by that slow passion

of plants – before I can rouse her with a kiss,

like any common or garden prince or frog.

 

 

 

OF LEAST CONCERN

David Selzer By David Selzer1 Comment1 min read1.7K views

A young wood pigeon, not much more than a

nestling seems, at first, to be sheltering,

from the almost Mediterranean heat,

in the short shadows cast by the pots

of lilies and lavender.  But, closer,

I see it is limping, its left foot damaged.

Seeing me, it hobbles out of sight

into an exotic, Sleeping Beauty-type

border of camellia, crocosmia,

rhododendron. Later, an adult bird

lands, walks the edge of the border,

its head bobbing, then flies away. Next morning,

the young bird lies dead by the side gate.

 

I bury it behind the gazebo

in an undergrowth of ferns and roses

by the back wall, where we have interred –

over forty years – a budgie, a young swift,

a crippled rat, a female hen harrier,

a severed mouse and now the pigeon.

A low body count by any mark.

This time I say, ‘Come, little pigeon,’ as I

load the corpse, which the flies have already found,

on a spade. Someone may discover the sets

of bones, reconstruct the skeletons

and make up a story.

 

 

 

A POET IN WARTIME

Nuns clambered on the headland. Like scarabs,

they traversed the sage slope of limestone

to the hermit’s shrine. Marine creatures, landlocked,

awaited the sea’s coming. The poet

descended by funicular to the bay’s

elegant crescent of hotels. Mists

trailed the foothills of distant peaks. In saloons

of bevelled mirrors, his comrades sang

marching songs. A love poem formed like breath.

 

He crunched on innumerable pebbles.

Waves gasped and sighed, smoothing the wooden groynes.

Two aircraft, high, high above, dived, banked, climbed –

a predatory bond of whining vapour loops

interlocked like wire – until a spurt of flame.

In smoke, one spiralled like some gross leaf

under the horizon. By the sea wall,

a cormorant lay dead: nearby, a page

torn from Treasure Island. Unexpectedly,

he returned to childhood – holidays

in small rooms with giant wardrobes and tall beds;

a flying boat landing from beyond the blue,

feathering the briny; expensive strangers

embarking for Samarkand; at the Grand,

legerdemain. The sea flowed oyster.

 

Teatime arrived with its obligations,

allotments, chapels and a woman

methodically descending a ladder.

Drizzle suffused the geometrical skies

of barrack windows. The grey tide rasped.

The night was full of girls he would never see.

Nuns dreamt of scaling paradise. Fossils

and saint were locked in their diurnal chambers.

The poet approached sleep, dreaming of

water – purposeless, unmade, fulfilling –

and lavender seeds – in the small, azure

pomander, locked away, safe from winter –

changing slowly into air.