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Lewis Carroll

THE TECHNOLOGY OF CONJUNCTIONS

On October 15th 1851,

a Wednesday, in Hyde Park, London,

the Great Exhibition – official sponsor

Schweppes – closed. In Joseph Paxton’s Crystal Palace

of glass and wood and cast iron – incorporating

untouched the park’s trees, and itself perhaps

the chief exhibit – amid the palms and the lamps

and the rest of the world’s ingenuity,

the best of Britain’s design, engineering,

and manufacture had been displayed:

for example, Minton’s majolica

from Stoke, a papier maché piano

from Birmingham. Among the visitors

were Charles Dickens, Alfred Tennyson

and Lewis Carroll. Enclosing the park’s trees

had a cost. Sparrows flew as freely

as ever, despoiling all stands equally:

from Samuel Colt’s breech-loading revolvers

to Mathew Brady’s daguerreotypes.

Queen Victoria was concerned. ‘Sparrow Hawks,

Ma’am!’ advised the Duke of Wellington,

the veteran of diverse battlefields.

 

In London, three days later, the Saturday,

Herman Melville’s ‘Moby Dick or The Whale’

was published: that Odyssean tale

of an illimitable zealotry

and self-hatred, and of optimism.

‘I thought I would sail about a little

and see the watery part of the world.

It is a way I have to drive off the spleen…’

 

Is the closeness of significant events

zeitgeist, or merely haphazard happenstance –

human affairs, like leaves, falling where they may?

Making connections (as the Iron Duke did

and Schweppes), like the making of metaphors,

has made us even more successful than rats.

 

Here is a tale of the technology

of conjunctions: somewhere south of the Azores

the only sounds are the lap of the swell

on the clinkers, and the shearwaters mewing,

circling above…the harpoon readied…

the rope’s end lashed tight to the foot of the mast…

the men still, their breaths long, slow, pulses high…

waiting for the leviathan to rise

with its capitalist bounty – the oil

rendered from its blubber – the carcass

becoming noisome jetsam, brief pickings

for frenzies of seabirds…

 

 

MYTHS AND PHOTOGRAPHS

David Selzer By David Selzer0 Comments3 min read1.2K views

For Alex Cox

 

Alice was awake long, long after midnight

on the last day of that last summer

the family spent at the house on the shore.

She watched the moon rise above Penmaenmawr,

and silver the Conwy estuary,

all the way to the tumbled castle

and the walled town. The light lit the warren

in the sand dunes.  She imagined, lost somewhere

in the marram grass, a pocket watch glinting.

 

***

 

Henry Liddell was Dean of Christ Church, Oxford,

when he and his family first met Charles Dodgson/

Lewis Carroll in the cathedral church.

Dodo was photographing the white

perpendiculars of the Gothic nave.

All of the Liddells, but particularly

the children, immediately liked the tall,

willowy, slightly chesty Mathematics don

with his northern vowels and his stutter.

 

The Liddells spent one summer in Llandudno

at the newly opened St George’s Hotel,

with its hydraulic lift and water closets –

where, in time, Prince Otto Von Bismarck,

and Elizabeth of Austria would stay.

The Dean bought a large plot of land out of town

on the West Shore at the foot of the Great Orme,

not far from where copper had been mined

since the Bronze Age. A miner’s path rose,

at a gentle angle, up the steep slope

to an adit, out of which a spring,

from deep within the tunnels of the mine,

flowed down through the broom to form boggy ground

on the littoral, before seeping

into the sea – Pen Morfa, the place, ‘marsh hill’.

The Liddells took the name for their house.

 

Unusually for the time even among

the well-off all but one of the children

survived beyond infancy, so the Dean

designed the five storey holiday home

to be capacious enough for his growing

family of eleven with attendant

servants. (The gabled house would have graced

anywhere on the Woodstock Road, North Oxford).

They spent each summer and Christmas there –

until the Dean became Vice Chancellor,

and Alice and her sisters did the Grand Tour.

 

Alice was much photographed – as a child,

of course, by Dodo, as an adolescent

and a young woman, with her sisters,

by Julia Cameron, and later

as Mrs Alice Hargreaves, society

hostess and president of the Women’s

Institute. Her husband was a cricketer,

a magistrate, independently wealthy.

She spent all her married life and widowhood

near the New Forest, hunting land acquired

by William the Conqueror. She had three sons,

two of whom were killed in the Great War.

 

Henry Liddell first let then sold ‘Pen Morfa’.

It became ‘Gogarth Abbey Hotel’ –

“an hotel” the Liddells would have called it –

though the nearest (ruined) abbey was

at least a good fifty miles away.

The connection with Alice in Wonderland

was promoted so successfully locally

and nationally that it became accepted

Lewis Carroll had frequently stayed

with the family, and, during one

long vacation, had written the book

in the guest bedroom. On the public green

between the hotel and the pebbly beach

– where dunes and warren had been cleared away –

a marble statue of the White Rabbit

next to the rabbit hole was unveiled

by former prime minister, David Lloyd-George.

 

***

 

In the Gogarth’s dining room was a painting

of the Walrus and the Carpenter

on a strand swept clean, all the oysters eaten.

Sunrise would light the corridor connecting

the hotel’s two wings. In its metallic light

flock wallpaper and patterned carpet aged –

as the wrecking ball hit the kitchens below.

But recession left the demolition

half done, like some illusion from Wonderland,

like something half-glimpsed in a pier glass:

myths and photographs, reputations

and gossip, anticipation, love, loss –

that great wheel, gone down the coppery

galleries, rolling through the tunnels,

bouncing and bumping like a child’s ball.

 

 

Note: See Alex Cox’s THE GOGARTH ABBEY