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lovers

THE BELVEDERE

You and I with fifty valentines and

February’s sun pale on the glass!

We count the camellia’s crimson blooms –

and remember, last summer, our grandchild

shivering with ecstasy the day

she chased her daddy with the garden hose.

From here, the house seems sentient, our

remembrancer – the lawns and borders and

parts of neighbours’ houses an urban landscape.

In this wooden hexagon – a half-glazed

gazebo, its blind back turned to a high

Victorian wall festooned with ivy

and clematis – voices are naturally

intimate and revealing, privacy

in an open space. Is it remarkable

we have been friends and lovers so long?

Chance, choice, serendipity or willpower?

We opt for all four. Behind us, in shade

for most of a winter’s day, accidental

primroses are blooming.

 

 

 

 

 

 

 

 

THE SWELLIES, AFON MENAI, ST VALENTINE’S DAY

Lovers are as mariners, navigators

in crowded, intricate sea lanes of

momentary loathing and lasting passion.

Pilots guided vessels into the straits:

from the north, between Trwyn-du’s dark rocks

and the wicked sands of Dutchman Bank;

from the south, between Abermenai

and Fort Belan over the Caernavon Bar;

and then through The Swellies – Pwll Ceris,

‘Pool of Love’ – where the surging high tides whirl

round Ynys Gored Goch, the wild waves

tawny and their foam white as drifting snow.

Lovers are as sailors in insane storms

and intimate calms, ever watchful

for icebergs and mutinies, heading always

to the Hesperides, course set forever

westwards into the sun.

 

 

 

BEARINGS

David Selzer By David Selzer1 Comment1 min read451 views

They lie after loving in a shuttered room,

lit with an underwater vagueness,

replete with jasmine. They hear but

do not listen to the hoopoe calling

in the almond tree or the goats clinking

softly in the olive grove. They no longer

even hear the roar of the cicadas.

She lies in his arms. They sink into sleep,

lovers drowsing in a perfumed sea.


The spate plucks willows weeping from the banks

and careers them swirling, whether or not,

to waltz downstream with honeysuckle stems,

a bloated lamb. Do we change course, with charts

and signals, once, inexorably? Or

do we drift at wind’s and swell’s mercy,

unremarked and far into the night?


A lamp flickers. The mainland is mauve,

precipitous, its valleys covert, profound.

A flute moans in olive groves. Brief insects

chafe the night air. Behind them, waves

from Africa rush to shore. They have steered

for open seas yet homed on the past.

They will skirt the swamp. Upstream, where the river

is jade, beneath the invisible nets

swifts weave, on a low hill, are fate’s stone doors.

Priests and their chicanery resurrect

numberless tribes of the dead: old men and brides,

lovers and generals. The future

waits like an assassin.

THE WRECK OF THE ROTHESAY CASTLE

A dirty night in the Menai Straits…

a paddle steamer on a sudden sandbank –

pounding itself, pounding itself, pounding…

seas silencing the hullabaloo.

 

For the last time, the lifeboat pulls for the shore.

Two lovers, roped to the mast, drown their joy.

 

All turned to chalk on the dark sea bed.

Far, far above was the muffled cry

of gulls, the cormorant’s swift shadow.