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magnolia

THE RECLINING GARDENER

On the first spring day of prolonged clear sunshine

she mows the lawns, weeds the paths, hoes the borders,

counts the figs, admires the honesty,

tends the low lavender hedge – then relaxes

on a lounger in front of the gazebo,

framed by clematis and magnolia blooms.

 

She sleeps, safe in the garden’s ivy clad

chambers – the alfresco rooms she has made

from soil ravaged by lime and gravel.

If she lies too long she will catch the sun –

a curious, promethean turn of phrase

yet right for a gardener who has acquired

from the air itself wild strawberries,

welsh poppies, common columbine, even

honesty. Perhaps I should not let her sleep –

but waking her seems always an intrusion

into the private solitude of dreams.

 

We have been in love for more than fifty years –

doppelgänger, alter ego; boxing hare,

comedy partner; devil’s advocate,

critical friend; anxiety’s balm, pearl

irritant; good companion, turtle dove.

She stirs – wakened, no doubt, by that slow passion

of plants – before I can rouse her with a kiss,

like any common or garden prince or frog.

 

 

 

THE LAST CLOCK

David Selzer By David Selzer2 Comments1 min read1.8K views

As a wave breaking then breaking then breaking

and, finally, falling, dispersing on the sands,

the red azalea bloomed then the crimson

camellia, the purple magnolia

and the white weeping cherry – its blossoms,

the silk folds of its petals, April’s winds

and showers were scattering like snowflakes.

 

After, the unfolding flesh of the leaves,

contoured like malachite, sturdy as stone

seemingly, seduces. How can this surprise

more and more each year, as if unknown, unseen?

A grasping of life before the last clock

– tickety tock, tickety tock – strikes?