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Majdanek

ON THE RWANDA PLAN

David Selzer By David Selzer3 Comments2 min read657 views

One of the things that demonstrates how we are

a cut above lesser animals, even

our closest, primate cousins – in addition,

of course, to double entry bookkeeping –

is our ability to plan and manage

projects: like fox hunting and the Pyramids.

 

However, we should never forget

‘of mice and men’, ‘betwixt cup and lip’,

and ‘unintended consequences’ – like

throngs of tourists and urban foxes.

And take, for example, some of the proffered

solutions by European Powers

to the so-called ‘Jewish question’: Britain’s

Balfour Declaration, and the two

Madagascar Plans in the ’30s – the first

was Franco-Polish, the second German.

 

The first plan involved the voluntary

re-settlement of thousands of Polish Jews

in the island of Madagascar,

then a French colony; the second,

following the fall of France, the enforced

migration of all European Jews

to act as hostages to ensure their

‘racial comrades in America’ behaved.

Both proved unfeasible – the former

because of climate and poor infrastructure,

and the latter because, having lost

the Battle of Britain, the Nazis

abandoned the invasion of the UK.

The requisitioned British Merchant Fleet

was to have shipped the Jews to the island.

 

As the forces of the Third Reich conquered

Eastern Europe and entered Russia

a new plan developed: to move the Jews

and the Slavs to Siberia, to starve

or be murdered. When the Soviets refused

to be defeated the Final Solution

to that inadmissible question –

Die Endlösung der Judenfrage

was devised: the building of gas chambers

at Auschwitz, Belzec, Chelmno, Majdanek,

Sobibor, Treblinka.

 

 

 

WITNESS THIS ARMY

During the interval, after act three

of Glinka’s opera, ‘Ivan Susannin’ –

pre-revolution, ‘A Life for the Tzar’ –

Stalin would leave his box at the Bolshoi.

In the fourth act, Ivan, the peasant, lures

the Polish Army out of Smolensk

and into a profound, winter forest.

They are lost. In the last act, they kill him.

Deep in the Katyn woods near Smolensk, pines

darkened the clearing where thousands, thousands

of Polish officers turned to earth.

So many crimes unpunished, dead unnamed.

‘O, Polnische Kamerad, wo sind

der Juden?’ ‘Majdanek, Chelmno, Oswiecim.’

An epoch has the tyrants it preserves,

even for an eggshell.

 

 

Note: The poem was first published on the site in January 2010

WITNESS THIS ARMY

Majdanek 1945 Polish civilians and Russian soldiers
Majdanek 1945 Polish civilians and Russian soldiers

During the interval, after act three

of Glinka’s opera, ‘Ivan Susannin’ –

pre-revolution, ‘A Life for the Tzar’ –

Stalin would leave his box at the Bolshoi.

In the fourth act, Ivan, the peasant, lures

the Polish Army out of Smolensk

and into a profound, winter forest.

They are lost. In the last act, they kill him.

Deep in the Katyn woods near Smolensk, pines

darkened the clearing where thousands, thousands

of Polish officers turned to earth.

So many crimes unpunished, dead unnamed.

‘O, Polnische Kamerad, wo sind

der Juden?’ ‘Majdanek, Chelmno, Oswiecim.’

An epoch has the tyrants it preserves,

even for an eggshell.