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Manchester Arena

HOMEWARD BOUND

Our travelling companions, in their many

thousands, are mostly old or middle aged –

here from all parts of this divided land,

here where a local man set off a bomb,

in this utilitarian, concrete arena

magicked into a digital theatre.

 

‘The Mississippi Delta is shining like

 a National guitar,’ sings the elderly,

almost diminutive troubadour

from New York City, still centre stage

with his acoustic guitar, ironic

and lyrical, after all this time.

 

‘And she said losing love is like a window

in your heart. Everybody sees you’re blown

apart. Everybody sees the wind blow…

 

He has a young man’s energy. His voice,

nearly pristine, is rasped with wisdom.

Imagine Cole Porter and Irving Berlin

touring the world with their own orchestras!

 

‘And sometimes when I’m falling, flying,

And tumbling in turmoil, I say, Whoa…

 

He is accompanied by an off-stage host

of engineers, technicians and crew,

and backed by a multi-talented,

cosmopolitan band of angels.

 

‘…I’ve reason to believe we will all

be received in Graceland.’

 

 

YOUNG VOICES CONCERT, MANCHESTER, JANUARY 2020

The Arena has become an aviary.

As we walk along the narrow corridor

into the auditorium, the sound

of eight and half thousand young voices

all chattering simultaneously

with wonder overwhelms us like a blast

of tropical heat, like a wall of bird song.

 

The music starts, the house lights go down.

In unison, as they begin to sing

‘Ode to Joy’, each one of the thousands

of song birds switches on a white, bright beam,

which shimmers and waves, glides and twinkles.

 

When the floods and spots permit we can see her,

with the plastic binoculars bought

from a vendor, clearly, among her classmates,

on the far side of the Arena.

Even through lenses she seems a long way off

in all that air – which once more goes black.

The myriad of small beams glows, flickers.