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Marcel Proust

MADELEINE MOMENTS

David Selzer By David Selzer1 Comment2 min read1.6K views

‘And suddenly the memory returns. The taste was that of the little crumb of madeleine…’

REMEMBRANCE OF THINGS PAST, Marcel Proust

 

The day the season’s second Atlantic storm

was due there was I – after a sausage

and bacon bap with brown sauce and an Earl Grey

in the heritage station’s draughty café –

celebrating my 74th birthday

with my small family in a British Rail

standard compartment on the Santa Special.

 

We journeyed from Llangollen to Lapland

(aka Carrog) with mince pies, miniature Baileys

for the adults and juice for our granddaughter,

who gave me a cartoon sestych entitled

‘My Grandpa is amazing – he does…’.

She appeared with me in each frame as I

talked, shopped, word processed, cooked, travelled and read.

We passed pastel shaded December fields,

empty copses filled with russet leaves,

and bleak hawthorn hedge rows festooned with a wild

clematis – Travellers’ Joy or Old Man’s Beard.

 

Someone, despite the notices, had left

a window open in the corridor,

so, as we went through the long Berwyn Tunnel,

it yellowed with billowing sooty smoke

that seeped under the compartment’s door.

It was a madeleine moment: crossing

sulphurous bridges, waiting on ill-lit

platforms amongst gouts of steam and fog,

shuddering reflections in carriage windows.

 

As we climbed, we left the river – by turns

meandering through meadows then white water –

to still slowly gouge the valley bed,

and we had a visit from Santa himself,

with Elves, bearing gifts. Our granddaughter

was appropriately shy and polite

though she is calculatedly and/or

patronisingly agnostic about

F.C. – and reasonably sure God is

imaginary and certain there is

no such thing anywhere in the universe

as zero gravity. I am certain

I still believed when I was nearly 7.

The world seemed an obscurantist place.

 

At Lapland, we queued to pose with Santa

et al for a photo op on a sledge.

It began to drizzle. In the waiting room

a coal fire was burning in the grate.

My grand daughter hugged me. I felt gravely

light of heart and head, warmly welcome

in the universe – and thought suddenly

of a world garlanded with Old Man’s Beard.

 

 

 

1913

In an art deco theatre on the Avenue Montaigne

off the Champs Élysées – newly built, its exterior

(for style and mechanics in concrete) the interior

(gilt, lead paint and plush) still smelling fresh – there is a riot

on the evening of May 29th at the premiere

of the ballet, ‘The Rite of Spring’, by Igor Stravinsky,

Vaslav Nijinsky and Nicholas Roerich.

 

This is the year the House of Romanov celebrates

its three hundredth anniversary, the year there are two

Balkan Wars, Ford introduces an assembly line,

Pablo Picasso paints his Cubist ‘Guitar, Glass and Bottle’

and the first volume – ‘Swann’s Way’ – is published

of Marcel Proust’s ‘In Search of Lost Time.’

 

Proust and Picasso were in the first night audience – as were

Claude Debussy, Maurice Ravel, Gertrude Stein: luminaries

of a luminous city. The riot began, it is said,

with derisive laughter as the first notes were played.

Vegetables were thrown. The dancers could not hear the orchestra.

Nijinsky, dancer as well as choreographer,

called out the steps. Forty people were ejected – or maybe

no one was. The impresario, Sergei Diaghilev,

was a master of PR, hence, perhaps, the greengrocery.

Modernism in music was so successfully launched

on an eventually calm sea that Walt Disney used

the opening bars in ‘Fantasia’, conveyor belt art

in the year of the Blitzkreig. Yet art’s truth transcends as always.

How such fierce music and brutal dance overtured, by accident,

the sacrificial Eurasian violence of the rest of the century!