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migrants

POSTCARDS FROM BABYLON  

David Selzer By David Selzer1 Comment1 min read299 views

Here are postcards from captivity, written

in a childlike hand in Arabic,

Albanian, Igbo, Pashtu, Urdu,

Masalit, Yoruba, French, English…

 

Dear Mr People Smuggler, You lured me

across a dangerous sea with the promise

of Mickey Mouse and all my favourites

on the walls of the detention centre

where I am now. They have been painted over.

PS I know they were here. If I squint

I can just see some of Donald Duck’s beak…

 

Dear King Charles, I know you are an artist.

Please come here and repaint Mickey Mouse

when you have a moment in your busy

opening of flower shows and other things.

Thank you, Your Majesty. PS Someone here

has told me that, though you are Head of State,

you have no power. I cannot believe this.

I know you are a very, very rich man…

 

Dear God, On the television that plays

all day with no sound or subtitles high up

in the empty recreation room,

was a map of this country with dots

and photos of children my age with rickets.

How can this be here? PS Please send Angels

to bring Mickey and the others back to life…

 

 

 

ON THE NATURE OF BUTTERFLIES

Before I even enter the room I hear

the fluttering of tiny gossamer wings.

A butterfly appears to be hoping

that the window glass, at some point, will become

empty air. I fetch a tumbler, and place it

cautiously over the creature, which stills

as I lift it away and cover the top

with my palm. I can see now the butterfly

is a Painted Lady – that ubiquitous

migrant from North Africa – with its

variegated wings of black, brown, ochre,

olive and red, the subtlest of dazzles.

 

As if it were a primed grenade or rare,

exquisite crystal I carry the tumbler

circumspectly to the balcony.

The butterfly flies up, out, and not,

as I would have anticipated, hoped,

over jagged rocks and ragged seaweed

towards the meticulous horizon

across the bay – where a white hulled ketch

is anchoring, its starboard light pale

in the falling dusk – but back, over the roof,

where, out of sight, beyond a dry stone wall,

a wild bank rises of rosebay willowherb,

convolvulus and bracken, effulgent

beneath darkening sycamores and oaks.

 

 

 

 

DYSTOPIA: A WORK IN PROGRESS

David Selzer By David Selzer2 Comments2 min read1.9K views

When the British and the French almost

literally drew lines in the sand

to divvy up the Ottoman Empire –

tutored by romantic, wistful Arabists

at the Quai D’Orsay and the Foreign Office –

there was nothing left for the Yazidis,

the Druze, the Kurds… It was always about oil –

and then Sunni Arabs and Zionist Jews.

It is always about oil, diamonds,

timber, gold, slaves, coal — and useful idiots.

 

*

 

Saddam hanged, Gaddafi sodomized then shot.

Being careless about what you wish for

appears to bring bandits, to make Frankenstein

monsters out of mercenaries, assassins

out of mujahideen. Better perhaps

the secret police, with pensionable jobs,

than unofficial executioners?

Better restriction than chaos, repression

than havoc? Better to live in servitude

since death ends all chance of liberty?

 

*

 

The democratic chancellories

of Europe, its communes and councils are

panders soliciting votes from racists

to prostitute the body politic.

They make virtue of prevarication

and casuistry; extol cohesion

and nationhood; plead penury –

yet erect frontiers of razor wire

and bomb far-fetched ideologies,

making accidental martyrs and migrants.

 

*

Does only a fool or knave decry

the efficacy of aerial bombing?

Do only knaves or fools advocate peace?

Do only both call, ‘Follow the money!

It’s all about oil!’? Will it always be

about oil – until the earth has become

one unrelenting desert, one vast sea

and there is no one to care about money?

Tetchy, ironic, rhetorical

questions give no shelter, change nothing.

 

*

 

It is about oil and useful innocents

seeking exile, seeking sanctuary.

They run from the bullets at the border –

anonymous children, young men, women

in labour, grandmas – or wait, patiently

for the most part, as if despair were a crime,

as if anger were a fault, in the rain

and the smoke, or, duped, drown in silence.

Theirs has become a name, whoever they are,

to conjure pity and heart break – or lies.