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monkey

THE ARMENIAN MONASTERY, SAN LAZZARO, VENICE

San Lazzaro island was the city’s

leper colony until the Doge

gave the Armenians sanctuary, no doubt

to annoy the Turks. An antique engraved print

of the monastery, which occupies

the whole island, hangs on the wall above

the small table I use for my laptop.

The monks did the engraving and print.

Their library is Alexandrian in scope.

 

Gordon Lord Byron, escaping the

blandishments of Shelley’s sister-in-law,

took an apartment on the Grand Canal,

in the Palazzo Mocenigo-Nero,

with his attendants – including dog, fox,

wolf and monkey – for two hundred pounds

a year. As always bored and curious,

he visited San Lazzaro, learned

Armenian and helped with translations.

 

The second book of poetry I owned was

a hand-me-down, leather bound, well read,

complete works of Byron – my mother’s father’s.

He was dead of a heart attack years

before my birth: Welsh, from Swansea, bit of a

bully, a whisky drinker, a bibliophile,

a bombardier badly wounded at Mons,

a Post Office Telegram Manager,

a travelling classified ads salesman.

 

I have the other books that survived his

middle daughter’s arson of this auto-

didact’s library:  BP’s ‘The Matabele

Campaign 1896’, ‘The Greatest

Show on Earth,’ ‘The Makers of Florence’, Wilde’s

‘Salomé’, with the Beardsley graphics, a first edition,

‘The Story of Atlantis.’ Imperialist,

circus master, aesthete, voyeur, dreamer,

he died in a boarding house near Altrincham.

 

We caught the 15.10 vaporetto, watched

the white campanile with its onion

cupola draw near. The boat slowed, rolled

in the swell, engines into reverse

with a roar of gears. The tour encompassed

printing press (‘per souvenir’), church, library.

In one corridor, I smelt meat cooking, glanced

through an open window. In the kitchen yard

below, the monks were playing 5-a-side.

 

 

 

BETWEEN THE MONKEY AND THE SNAKE

We flew to Marrakech one January –

from dark, frosty, early morning Gatwick

to a view of the sun on the snow-topped

Atlas Mountains. Barely six hours from home,

we were in the Souk – ‘La shukran! Non merci!’ –

avoiding the blandishments, noting

the bartering and the credit cards. Relieved,

we emerged into the Jemaa el Fna,

the Marrakech Medina’s vast square,

with water-sellers, jugglers, magicians,

henna tattooists with their sample books,

peddlers of herbal medicines, dancing boys,

acrobats, story-tellers, traders of

mint, dates, olives, kumquats, lemons, cumin,

the ancient start and end of caravans

south and east across the Sahara.

 

Suddenly, in all that charivari,

you heard a charmer’s flute. ‘Cobras!’ you cried

and rushed unwarily away, me

hurrying after. You stopped – the flute now

out of earshot – only for a macaque

monkey, dressed in a powder blue suit

and a fez, to tap you on the shoulder.

 

The monkey was chained and the snake, no doubt,

de-fanged but I could not relieve your fear.

Love has its short term limitations.

You were lost and found and lost again

between the monkey and the snake.

Then the plangent notes of the mid-day call

to prayer sang from the city’s seven mosques

and you were found again in sudden beauty.

 

 

 

 

Note: The poem has subsequently been published at

http://thirdsundaybc.com/2012/03/18/vol-1-no-2/

 

 

UN DIMANCHE APRES-MIDI À L’ÎLE DE LA GRANDE JATTE

'A Sunday afternoon on La Grande Jatte', Georges Seurat, 1884



The trombonist will blow unnoticed. Much is absurd:

a monkey, women in bustles, the brass player.

The bourgeoisie reflects in post-prandial

tranquillity… Purges, coronations in Paris,

the metropolis of revolution, where Haussman’s

boulevards were an imperial stockade…

For two sous, the ferry transports Georges Seurat

across the Seine to the Ile de La Grande Jatte. Two years’

preparation, observation of colour, shape,

application of theory delineate an

historical moment, which never occurred.


In shade, a man with a clay pipe reclines, so self-

absorbed he breathes – like the infantry officers

striding this way. The vistas of shadows, sunlight,

water – each coruscating perspective – catch

the city’s portentous murmur… On the Champ de Mars,

Dreyfus is humiliated – in the Place de Grève,

Marie Antoinette… Northward, Prussian howitzers

position. From the Vélodrome d’ Hiver, the Jews

are leaving for Birkenau. Against the high wall

of Pêre Lachaise, the remnant of the Communards

is shot. The citizens are culled in this city

of bloody principle and virtuous

mayhem – thousands in La Semaine Sanglante…

He was of his epoch: diligent, self-

regarding, a scion of the bourgeoisie –

mistress and son secreted in Montmartre.

He conjugated art with science, measured

the golden mean by the chemistry of colour.

He died young of a weakened heart and was buried

in Pêre Lachaise. Light records nothing. Only words

describe past as history. Lozenges of paint

are ignorant of irony, are the colour

of time. One late and sunlit afternoon, a child

follows a butterfly into oblivion.