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monks

THE ARMENIAN MONASTERY, SAN LAZZARO, VENICE

San Lazzaro island was the city’s

leper colony until the Doge

gave the Armenians sanctuary, no doubt

to annoy the Turks. An antique engraved print

of the monastery, which occupies

the whole island, hangs on the wall above

the small table I use for my laptop.

The monks did the engraving and print.

Their library is Alexandrian in scope.

 

Gordon Lord Byron, escaping the

blandishments of Shelley’s sister-in-law,

took an apartment on the Grand Canal,

in the Palazzo Mocenigo-Nero,

with his attendants – including dog, fox,

wolf and monkey – for two hundred pounds

a year. As always bored and curious,

he visited San Lazzaro, learned

Armenian and helped with translations.

 

The second book of poetry I owned was

a hand-me-down, leather bound, well read,

complete works of Byron – my mother’s father’s.

He was dead of a heart attack years

before my birth: Welsh, from Swansea, bit of a

bully, a whisky drinker, a bibliophile,

a bombardier badly wounded at Mons,

a Post Office Telegram Manager,

a travelling classified ads salesman.

 

I have the other books that survived his

middle daughter’s arson of this auto-

didact’s library:  BP’s ‘The Matabele

Campaign 1896’, ‘The Greatest

Show on Earth,’ ‘The Makers of Florence’, Wilde’s

‘Salomé’, with the Beardsley graphics, a first edition,

‘The Story of Atlantis.’ Imperialist,

circus master, aesthete, voyeur, dreamer,

he died in a boarding house near Altrincham.

 

We caught the 15.10 vaporetto, watched

the white campanile with its onion

cupola draw near. The boat slowed, rolled

in the swell, engines into reverse

with a roar of gears. The tour encompassed

printing press (‘per souvenir’), church, library.

In one corridor, I smelt meat cooking, glanced

through an open window. In the kitchen yard

below, the monks were playing 5-a-side.

 

 

 

VALLE CRUCIS, LLANTYSILIO, LLANGOLLEN

David Selzer By David Selzer1 Comment1 min read1.8K views
Valle Crucis Abbey, Richard Wilson, circa 1760

 

 

Where willow stoops in curling shallows, May

stirs branches that creak like rigging or rub

like silk. The cuckoo sings its unsettling,

solemn roundelay. Sun gilds the abbey’s

west wall. The glassless rose window is a

blinded eye in a Romanesque skull –

indulgence in a wilderness. The Blood of

the Lamb coursed through the old ways of Keltoi,

Celtae, Celts. Time the dissembler leaches

the earth of language, artefact, intent.

 

A wall in the south transept was scorched by mishap

or mayhem. Dousing the flames, did the monks

break their vow? The Reformation empowered

even Trappists. Rulers destroy or endow

for glory. Defenders of parliament

effaced the cross (placed on a pagan mound)

carved to honour the Princes of Powys.

Even at the world’s furthest edge, even

beside an unkempt road through a valley,

was always a junction of opposites –

the classic, classical dichotomies

of the cerebellum and the soul, of

carapace and substance, tyranny and

learning. An oak tree, shaped like a brain, spins

the sun’s threads and is cleft, halved – fire and leaf.