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Moscow

AMONG THE BARBARIANS

Not long before Vladimir Putin was first

crowned president in the Kremlin cathedral

where the Romanovs had been coronated

Tzars, we were lunching in a self-service

restaurant near Red Square – with vodka shots

for a rouble by the till. As we finished eating

a young man on his own at the next table

leaned over and spoke: ‘May I speak English

to practise, please?’ He was a Japanese

political science graduate student,

he said. He had flown from his home city,

Kyoto, to Vladivostok, and taken

the Trans-Siberian Railway to Moscow

(via Lake Baikal and Omsk) to study

the decline and fall of Boris Yeltsin –

and had stayed on temping as a translator.

He asked where we were from, and, when we told him,

“Chester”, expressed delight. He had visited

our ‘home city’ on a tour of Europe

with his parents. He remembered its central

thoroughfares following the pattern

of the Roman camp it was named for –

and described the first floor Victorian

shopping arcades, which line parts of those streets,

and which the last Kaiser had much admired.

The three of us shared our wonder at the world’s

smallness – and then were silent, thinking, no doubt,

of vastnesses travelled, and imperial

mishaps. This student of politics

exuded loneliness, but we had appointments

to keep at Lenin’s Mausoleum,

and so we wished him well.

ON THE ARBAT

The May that Putin was crowned for the first time,

in the cathedral the Tzars had used,

and made-men of the Russian mafia,

in blacked-out SUVs, were taking their kids

to private English-medium schools,

we walked in sunshine along the Arbat,

a pedestrianised, consumer street,

once the trade route from the Kremlin to Smolensk

and the Steppes, Moscow’s main thoroughfare,

featuring in Tolstoy’s WAR AND PEACE,

and where Pushkin, with his bride, rented

a small apartment: ‘Better the illusions

that exalt us than ten thousand truths’.

 

We had the modern traveller’s currency

of choice, dollar bills, the lingua franca

of secure world trade. Young Muscovites,

in smart-casual attire, were queuing

outside the newly opened McDonalds.

Almost directly opposite, in the shade,

between Timberland and Shake Shack, dressed

as if for winter, a bespectacled babushka

was begging, her hand held out for kopeks.

 

THE LITHOGRAPH

David Selzer By David Selzer1 Comment1 min read436 views

The pandemic was daily news last year,

often from someone’s kitchen or study.

Once, behind a British virologist’s

talking head, was a black and white lithograph

from the same series of a hundred

as one we have: ‘Berezy’, ‘Birches’,

ours bought in Moscow’s Izmailovsky Market –

the May Putin was first crowned – from the artist’s

son, the father an emigré in New York.

 

Uncle Vanya and the Three Sisters

might stray into the etching’s romantic

melancholy, its stillness, its almost

ominous quietude, its imminent

sense of loss – as if the hawser taut

across the quarry in ‘The Cherry Orchard’

were about to snap at any moment.

Through a tangled thicket of leafless birch trees

a stretch of water gleams: beyond, a low rise

with a pale fence, and a wooden dacha small

against an alabaster sky.

 

 

OTHER PEOPLE’S FLOWERS: Monsieur D’Atouffe, Tortoise of Taste – words by Sylvia Selzer, illustrations by Evie Chapman

SYLVIA SELZER I wrote part one of Monsieur D’Aouffe more than forty-five years ago to entertain my nine year old daughter Sarah on a rainy Sunday afternoon. Many years later, a friend working for a well known childrens’ publisher, advised that, extended, and illustrated by a colleague, it would stand a very good chance of being published. I wrote part two and completed the piece. Sadly, the publisher reduced staff and projects at this time and D’Atouffe was abandoned.

This year, while researching material for OTHER PEOPLE’S FLOWERS, David rediscovered the forgotten file and suggested that our granddaughter, eleven year old Evie, would be the perfect illustrator – and my interest in the piece was rekindled.

On the writing of Monsieur D’Atouffe, I have absolutely no idea where the story came from. I have spent my professional life in education as a teacher, head teacher and university lecturer. During that time, I wrote plays for and with young people. I also was an active board member and in-house photographer of Action Transport Theatre where I had the opportunity to have a short play professionally produced. I have also written a full length screenplay. All this time I have been surrounded with children and young people and their enthusiasms.  

Monsieur D’Atouffe is my first poem…

 

 

EVIE CHAPMAN I have been interested in art for as long as I can remember. I mainly enjoy doing drawings, though I am still interested in doing other forms of art such as painting or online artwork. However, even as I do enjoy most types of art, I do not have a specific art role-model to look up to. I see different artworks that to me are anonymous and I get my inspiration from them.

I have enjoyed working on Monsieur D’Atouffe firstly because it has been my first ever time illustrating for a book, and secondly I have no other experiences to compare it to. Nevertheless, I know in the future it will always be an experience that stands out to me.

In my illustrations of Monsieur D’Atouffe the materials I used were various watercolours, pencil (for the sketches), graphic markers for the line art and a gold pen.

 

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SYLVIA SELZER
PHOTOGRAPHER STORYTELLER
www.sylviaselzer.com

 

©Evie Chapman 2021

©Sylvia Selzer 2021

HINDSIGHT

From Moscow to London, Stockholm to Venice

the world froze at 10, 12, 15 below

for three months. Wine froze in bottles, cows in byres,

and wolves came down to villages scavenging.

Tree trunks shattered. Church bells once rung fractured.

Travellers crossed the Baltic on horse-back,

skaters glided under the Rialto.

 

The War of Spanish Succession was paused

for more clement weather – and regiments

of Swedish soldiers died in Russian blizzards,

ceding victory in the Great Northern War

to Peter the Great almost by default.

(Both Napoleon and Hitler ignored

that hard lesson about Russian winters).

 

Climatologists cannot agree

on what caused the Great Frost: the prolonged absence

of sunspots, perhaps, or volcanic ash

from recent eruptions, Vesuvius,

Santorini. Trade stopped. Hundreds of thousands

perished in a flu pandemic, or starved

to death. Louis XIV ordered bread

be given to the poor. Even the Sun King,

at his new palace in Versailles, felt obliged

to try to save the lives of mere strangers.

 

***

 

In The Gulag Archipelago’s Preface

Solzhenitsyn quotes a peasant proverb:

‘Dwell on the past and you’ll lose an eye.

Forget the past and you’ll lose both eyes’.

 

He opens the Preface with an anecdote,

a story he encountered in a magazine.

Political prisoners, from one

of the many Kolyma labour camps

in the Siberian tundra, by chance

dug up a frozen subterranean stream,

with fish preserved in motion for tens

of millennia. The prisoners

broke the ice, ate the fish.

 

 

 

ALWAYS WITH YOU

On a snowy January Saturday

we were delayed for six hours or so

at Ferenc Liszt airport, Budapest.

Except for the purchase of a Pick sausage

and a small box of Gerbeaud chocolates

in Heinemann Travel Value/Duty Free

we spent our time in the Leroy Bistro

with its international fast food cuisine

from nigiri sushi to Wiener Schnitzel.

 

From my seat in the bistro I could see

continually an advert, a fifteen

by forty feet video with, on the left,

Budapest’s Chain Bridge superimposed

on its Parliament with the Danube bluely

flowing beneath and blue bird sky above

stretching to the right, from east to west,

as the river’s embankment became

China’s Great Wall, and the slogan read

in red ‘Bank of China Always With You’.

 

We watched, as day darkened into night,

flakes change from grey to white then stop,

and perimeter lights become sharp.

Snow ploughs cleared the runway, planes took off

to Amsterdam, Istanbul, Tel-Aviv –

from this terminal of ironies, with its

foreign investors and its destinations,

in this nation obsessed still with ‘racial

hygiene’ and yet in which so very much

of Eurasia has miscegenated.

 

We were the penultimate flight to leave.

While we taxied to the runway we saw

the last flight – for Moscow – being boarded.

As we flew west I thought of the other craft’s

rapid journey over distances

the Magyar tribes took many years to cross –

and that, beyond the broadest tract of land

untempered by the sea, the sun was rising

on the Bank of China.