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Nantwich

DESTINATIONS & DESTINIES

Driving on education business to Crewe,

a quarter of a century ago,

I stopped for petrol on the Nantwich Road,

and there in a rack with Blur, Celine Dion

and Bon Jovi was Fred Astaire, Volume 2.

How my life changed! So many favourites

on one disc! I put the CD in the slot,

drove off the forecourt, and pressed the switch.

‘Heaven, I’m in heaven, And my heart beats

so that I can hardly speak, And I seem

to find the happiness I seek When

we’re out together dancing, cheek to cheek…’

and the track finished with his immortal feet

tap dancing in my company car.

 

I thought of Israel Beilin – as I parked

at the college to provide advice

on pedagogical strategies –

leaving school at eight to sell the New York

Daily News on the Lower East Side,

plugging songs at eighteen in Tin Pan Alley,

becoming Irving Berlin, auto-didact,

maestro of the music and the lyrics,

making witty, eclectic American

art from those spirited, Yiddisher streets.

 

When I drove away the car filled again

with Astaire’s light, pellucid voice: ‘Before

the fiddlers have fled Before they ask us

to pay the bill And while we still have that chance

Let’s face the music and dance.’

 

 

 

SERENDIPITY

Pursuing our Holy Grail of finding
four balloon back Victorian dining chairs
in good condition, we drove, to furthest
Cheshire – near where the motorway grows
and the villages have Anglo-Saxon names –
the second Saturday before Christmas
to an antique centre once a dairy farm.
In seven erstwhile milking sheds, covering
fifty thousand square feet, were displayed
a range of products of the industrial
revolution – A Hornby train set,
a tractor seat, a Singer sewing machine,
a framed, signed photo of Edwina Currie,
a Parker-Knoll chair, a room full of plastic
Disney figurines, etcetera,
etcetera. We ate an over priced
toasted sandwich each and left chairless.

Heading home, we stopped, on a whim, in Nantwich –
one of Cheshire’s three ancient salt towns –
where you had spent your early adolescence.
This was the pub your parents ran, there
was where the Girl Guides met, here where you
and your best friend Joan took each other’s snaps
with a Kodak Brownie. We entered
St Marys, the fourteenth century
parish church – grand as a cathedral – Joan
had ten years later been married in.
A choir was rehearsing a Christmas concert.
We sat in the loud stillness churches make.

As we drove to Chester on the A51,
twelfth century Beeston Castle was
silhouetted in ruined splendour
against a sunset of streamers of pink
tinged with grey. We talked of the singing
we had chanced upon and, almost wistfully,
of that long, eclectic tradition
seemingly transcending time and fashion
as if it were something substantial not
a trick of stone or shadow.

 

 

 

WATCHING THE LAMBS

David Selzer By David Selzer3 Comments1 min read656 views

From the Ackermans’ seat near the lift bridge
on the Llangollen Canal – tree-lined
for the most part but open here – the view
has become a perennial favourite.
We watch cyclists, joggers, walkers pass,
and the narrow boats that have journeyed
from Nantwich, Dudley, Worcester – and we nod and smile.
But best of all in late March/early April
are the lambs on the pasture opposite
that rises, with occasional oaks,
gently to an escarpment that ends
beneath high limestone cliffs that sever the sky.

This part of Wales was once near the South Pole –
and has variously been: deep-sea mud,
crumpled, fractured by the movements of the earth;
a shallow, fertile tropical sea;
a swamp with giant mosses; a vast, hot,
featureless desert inundated by the odd
flash flood; an ice sheet shaping the landscape.
All gone in the shake of a lamb’s tail…

The ewes chop grass as if they were on piece work.
Their offspring thrust at them for milk or stare
at something new or lounge in the sun
or explore the barbed wire edges of our,
oh, so temporary world.