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North Sea

THE ATLANTIC ARCHIPELAGO

David Selzer By David Selzer3 Comments3 min read2.6K views

It is an archipelago of small lakes,

streams, and rivers. I watch black headed gulls

at low tide flock westwards, seawards,

following the water courses – where eels

and salmon thrived – to the vast estuaries

of the Dee and the Mersey barely a league

apart. Rains – falling on the Welsh Mountains

and the Peak District, on Rowton Heath and Chat Moss,

on the Wirral Peninisula that divides

the two rivers’ mouths – comingle forever

in the Irish Sea with currents from the south,

the Caribbean, the Gulf of Mexico.

 

When I was a child the map was a picture

of an old man with hair wild in the wind,

his nose sharp, his jutting chin, riding a pig,

and following, chasing a large balloon.

Now I see the long North Atlantic seas

founder on the rocky, indented coasts

of Ireland and the Hebrides to merge,

north of Cape Wrath, between the Orkneys

and Shetland, into continental waters,

breaking from the North Sea and the Channel

on atlased cliffs and strands, on endless inlets

and promontories, perpetual coasts.

 

This archipelago of six thousand

surprising, shifting islands – for the most part

uninhabited by human beings,

still mostly green from space in daylight –

abounds with saints’ names, and with hallowed places.

Yet how the English aka Normans,

Plantagenets, Tudors, and Stuarts

took the name of Jesus Christ in vain

so as to scourge their nearest neighbours –

Oliver Cromwell at Drogheda,

William III at Glencoe – nowhere

too small or modest for lethal bigotry!

Later the English anglicized the place names

in Celtic lands. Their army engineers

built single track bridges in the Highlands

so gun carriages could cross, and surveyed

the entire kingdom in case of uprisings.

 

The chalky, pebbly English Channel ports

appear to have been stuck strategically

on England’s rump so our masters may face down,

with florid rhetoric, through sunshine

and moonlight, mist and storm, perfidious

foreigners in occasional dinghies.

Yet here are infinite coasts of landfall:

Celtic warriors, Roman villas,

Saxon kingdoms, Viking settlements,

Norman castles, French speaking courtiers,

Latin in law courts and cathedrals,

and German dynasties on the throne!

 

The Celts were harried westwards into Wales.

There were Highland Clearances, the Great Hunger,

and English Enclosures of common land.

Wherever there were forests they were felled

to build ships. Wherever there were valleys

and streams floors of clattering, rumbling looms

were built. Wherever there was coal the earth

was torn open, and its history burned.

Canals were dug, iron rails laid, roads tarmacked,

and cities – with their civic halls, their squares,

museums, libraries, and back-to-back slums –

grew large on the Slave Trade and Empire,

as the English with their aiders and abetters

coloured the atlas pink with murder and greed.

When it all fell apart, they invited those

who had been servants and slaves to take jobs

in the archipelago, work the natives

would not or could not do. So the cities

have become celebrations of diversity,

testaments to there being one human race.

How the self-pitying nativists hate that!

What should be a welcoming commonwealth

is riven with squabbling, petty abstractions,

exploited by would-be demagogues,

and media-megaphoned by aged billionaires –

spiteful, mendacious citizens of nowhere!

 

I saw, one early August afternoon

on Lindisfarne aka Holy Island,

a tidal island off England’s north east coast,

home once of St Aidan and St Cuthbert –

a coach party from Newcastle about

to disembark. There were children, mothers,

grandmas – the women in hijabs. Suddenly

a cold sea mist – known locally as a haar

from the Middle Dutch for a cold, sharp wind –

blew in from the North Sea. They shook their heads,

sighed, laughed, and, speaking Urdu and English,

got back on the bus to have their picnic

in the warm and dry, bright mist swirling round them.

 

 

SNOWDROPS

In a weathered flower pot, its dark green glaze

inscribed with abstractions, are four snowdrops,

carefully planted like the four points

of a weather vane, their blooms, as yet

still tight, unopened, like paper lanterns

on long curving poles – as if in the lush heat

and humidity of some miniature,

ornamental, oriental garden

replete with palm fronds, and liana,

and distant gongs. In an easterly wind –

that has been blowing for days from the tundras

of Siberia, over the vast lowlands

of the European Plain, and the grim

North Sea, across the moorlands of the Peaks,

and the clayey fields of the Cheshire Gap –

they are trembling slightly.

 

 

SIC TRANSIT GLORIA MUNDI

David Selzer By David Selzer0 Comments1 min read1.4K views

Passengers feel the train brake before they see,

from the embankment above the hectares

of marshes, the landscape begin to slow.

The many acres of grasses and flashes

have snipe, little ringed plover, lapwing,

water shrew, otter – and cattle grazing

at their edges. The River Sow flows

through the wetlands, and, far beyond the town,

joins the Trent, Ouse, North Sea. Between sedges,

low over pools in summer, swallows hunt.

 

We pass under the M6 viaduct,

its traffic relentless, silent above us.

On a low rise is the ruined Norman keep.

The annual Shakespeare festival

takes place with the castle as backdrop.

One of the Earls of Stafford was also

Duke of Buckingham, Richard Crookback’s

ally, implicated in the murder

of the young princes in the Tower.

Shakespeare has Richard, now King, ask the Duke,

– suspecting his betrayal – ‘What’s o’clock?’

 

Lastly Stafford’s two blocks of high rise flats

come into view, and the brick towers

of its nineteenth century prison.

Lesser figures from the Easter Rising,

Michael Collins among them, were held

in the gaol. There is a photo of them,

in civvies, suits and ties, crowded together

on a walkway, taken from below,

Collins fifth from the right at the back.

Someone has put a cross above his head.

 

 

 

ALL THIS IS BUT A DREAM

For Barbara and John Huddart

 

On this calm summer evening the North Sea falls

unheard on the wide sands below the castle

in whose inner ward the play is set – and we

(an eclectic collection of friends)

have brought folding chairs, prosecco, pop,

and fish suppers from Seahouses nearby

along this coast of raiders and saints.

 ‘My bounty is as boundless as the sea,

My love as deep; the more I give to thee,

The more I have, for both are infinite,’

says Juliet, a canny lass – though all

four players are canny lasses in this

very British, outdoor, touring ‘tale of woe’.

 

In the interval the sun sets like fire,

a titian furnace stretched across The Borders,

out-performing any artifice –

and when, in the last act, beyond the charmed

arena of spots and floods, night falls

and the air chills, bats, out of ancient crevices,

flitter between the words and over the shore.

 

 

Note: See The Handlebards.

CROSBY

Another Place ©SCES 2008

We crunch through razor shells and squelch through

blackish silt – there is coal in the drenched sand –

to reach the artist’s cast iron avatars.

They are steadfast against anglers, vandals,

local Tories, jet skiers, the Coastguard,

and the RSPB – but not the wind

or the sea. Some are rusting deeply,

some barnacled already, some sinking

or rising – others missing on this

shifty shore. They have watched the North Sea.

Now, from here, they can see Snowdonia,

The Skerries, Queenstown, the New World –

and, some, when the tide is in, sea creatures

in their wilderness of oblivion.

Above, ships pass and the wind farm turns.