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Ohio

EMPIRE STATE

Before the viewing galleries were encased

in bullet-proof glass from ceiling to floor

there was wire mesh – with interstices

big enough through which to aim a lens,

and for Manhattan’s airs to freely pass.

Wannabe jumpers were deterred and jokers

keen to fly a kite above Fifth Avenue.

 

Late one sunny October afternoon,

when the leaves had begun to turn, we saw,

as felons might in an exercise yard,

the islands – Roosevelt, Staten, Liberty,

Ellis, and Manhattan itself – reduced,

and the sun begin to set over Jersey,

Ohio, the imperial geometry

of the states, a sentient jigsaw –

and imagined, as prisoners might,

autumnal prairie grass in Kansas,

eagles above the snow-line in the Rockies,

neon-lit diners on Sunset Boulevard.

 

 

EZRA POUND IN VENICE

‘But the worst mistake I made was that stupid suburban prejudice of anti-semitism.’ Ezra Pound

 

Sitting in a traghetto, Olga Rudge

from Ohio and Ezra Pound from

Idaho – together fifty years,

from concert violinist to poet’s helpmate,

poet maker to fascist propagandist,

he, typically, with stick, wide brimmed hat,

floppy collar, she, wearing woollen gloves,

left hand clutching a large, canvas bag, right hand

a carefully folded scarf, dressed, like any

elderly woman, for a chilly day –

look away separately into the distance.

 

Five years before Pound’s death, Allen Ginsberg,

from New Jersey, on a sort of Grand Tour,

kissed him on the cheek and forgave him,

on behalf of the Jews, for his ‘mistake’.

‘Do you accept my blessing?’ asked Allen.

‘I do’, said Ezra. What closure! What chutzpah!

 

Held in a cage in Pisa, lit day and night,

jeered at as a traitor and a coward

by GIs who had battled from the south,

he wrote: ‘What thou lovest well remains,

the rest is dross’.

 

 

Note: first published on the site in June 2009.

 

 

 

MONKS’ MOUND, CAHOKIA, ILLINOIS

The river valleys – Missouri, Ohio,
Illinois, Mississippi – are thronged
with prehistoric earthen mounds. Monks’ Mound
was lived on briefly by Trappists, hence
its English soubriquet. The city
of Cahokia – the name means ‘Wild Geese’ –
was six miles square, had more than eighty mounds.
At its thirteenth century zenith,
it was as populous as any city
in the then contemporary Europe.

The Trinculos and Stephanos came:
mockers and con men – drunken, violent,
slaughtering bison, fencing the prairie –
satraps of Washington and the railways,
converting, through alcohol, to the true faith
of dependence and destitution,
those whom they determined were Caliban.

Monk’s Mound is one hundred feet high. Westwards,
beyond the black slums of East St Louis,
over the river, on the waterfront,
is St Louis’s Gateway Arch – six hundred
and thirty stainless steel feet to celebrate
the final subjugation of the land.

 

 

 

 

EZRA POUND IN VENICE



‘But the worst mistake I made was that stupid suburban prejudice of anti-semitism.’ Ezra Pound


Sitting in a traghetto, Olga Rudge

from Ohio and Ezra Pound from

Idaho – together fifty years,

from concert violinist to poet’s helpmate,

poet maker to fascist propagandist,

he, typically, with stick, wide brimmed hat,

floppy collar, she, wearing woollen gloves,

left hand clutching a large, canvas bag, right hand

a carefully folded scarf, dressed, like any

elderly woman, for a chilly day –

look away separately into the distance.



Five years before Pound’s death, Allen Ginsberg,

from New Jersey, on a sort of Grand Tour,

kissed him on the cheek and forgave him,

on behalf of the Jews, for his ‘mistake’.

‘Do you accept my blessing?’ asked Allen.

‘I do’, said Ezra. What closure! What chutzpah!

Held in a cage in Pisa, lit day and night,

jeered at as a traitor and a coward

by GIs who had battled from the south,

he wrote: ‘What thou lovest well remains,

the rest is dross’.

 

 

 

 

 

Note: The poem has subsequently been published at

http://thirdsundaybc.com/2012/03/18/vol-1-no-3/

 

EZRA POUND IN VENICE

‘But the worst mistake I made was that stupid suburban prejudice of anti-semitism.’ Ezra Pound

 

Sitting in a traghetto, Olga Rudge

from Ohio and Ezra Pound from

Idaho – together fifty years,

from concert violinist to poet’s helpmate,

poet maker to fascist propagandist,

he, typically, with stick, wide brimmed hat,

floppy collar, she, wearing woollen gloves,

left hand clutching a large, canvas bag, right hand

a carefully folded scarf, dressed, like any

elderly woman, for a chilly day –

look away separately into the distance.

Five years before Pound’s death, Allen Ginsberg,

from New Jersey, on a sort of Grand Tour,

kissed him on the cheek and forgave him,

on behalf of the Jews, for his ‘mistake’.

‘Do you accept my blessing?’ asked Allen.

‘I do’, said Ezra. What closure! What chutzpah!

Held in a cage in Pisa, lit day and night,

jeered at as a traitor and a coward

by GIs who had battled from the south,

he wrote: ‘What thou lovest well remains,

the rest is dross’.