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Oscar Wilde

CELEBRITY

David Selzer By David Selzer6 Comments2 min read1.7K views

Bought for the Coronation,  our first TV

had a nine inch screen. It stood in a corner

of the front room. My grandmother, who

had outlived two husbands, two World Wars,

and once had tea with Buffalo Bill,

thought that those appearing on ‘the box’

could see those watching, so was discerning

about whom she chose to watch, and when.

 

She particularly liked ‘What’s My Line?’, an import

from America, in which a panel

of four TV ‘personalities’ guessed

what a range of guests did for a living.

It was broadcast early Sunday evenings.

An hour before she would heat her curling tongs

in the small range in the kitchen. The house

would fill suddenly with the smell of singed hair.

 

Her favourite panellist – she thought him ‘refined’ –

was Gilbert Harding: a choleric,

Cambridge graduate; a poorhouse orphan,

prematurely middle aged; a good

BBC voice with the proper vowels,

a hint of tobacco. The Corporation

kept his secret, when ‘the love that dare not

speaks its name’ risked penal servitude.

 

Outed by the tabloids ‘as the rudest man

in Britain’, he was recognised in the street.

He described himself as a ‘tele-phoney’,

and recounted a journey on the Tube

from Russell Square to Oxford Circus

when he was pointed out, and fêted,

while, at the other end of the carriage,

T.S. Eliot was ignored. Old Possum,

another smoker, feared ‘the television

habit’, thought the word itself ‘ugly

because of foreignness or ill-breeding’.

Eliot, a confused anti-Semite,

and Groucho Marx were mutual fans.

As the latter might have said to the former

on the one occasion they ate together,

‘Tom, just because you’re a genius,’

flicking cigar ash, raising an eyebrow,

‘doesn’t mean you’re not also a schmendrick!’.

Harding lived for many years in Brighton,

whose bus company named a bus after him –

i.e. ‘bus’ as in short for ‘omnibus’.

 

My grandmother filled part of my childhood

with tales of her girlhood in Liverpool

from some sixty years before: the bloody

sectarian skirmishes; the frequent

prophecies of the end of days; the hulks

beached and rusting on the Cast Iron Shore

at the bottom of her steep street; and the boy

next door gone to America, and lost.

I can still recall his name six decades on –

and many decades since he sailed to Boston –

Johnny Flaws, Johnny Flaws.

 

 

 

 

WILLIE AND THE HARE

David Selzer By David Selzer2 Comments2 min read1.6K views

One had a lovely face,

And two or three had charm,

But charm and face were in vain

Because the mountain grass

Cannot but keep the form

Where the mountain hare has lain.

‘Memory,’ W.B. Yeats

 

Thomas Cubitt, London’s master builder, built

Woburn Buildings (on the Duke of Bedford’s land);

a pedestrianised street from Woburn Place

to what is now Euston Road, and abutting

St Pancras New Church with its caryatids

and ionic columns. Late Georgian London

on the up. Cubitt noted that hares came south

from Primrose Hill and from The Regent’s Park,

in the evenings, to rest on the paving stones.

 

W.B. Yeats, Willie to friends

and family, moved to the second floor

of number 18 ‘to be close to

the people’ or, rather, to further his

short-lived affair with his married mistress.

(That year Oscar Wilde chose not to cut

and run, and so found himself disgraced).

Willie noted a ‘handsome old grey hare’

resting beneath number 6’s bow window.

 

Two more London adoptees, Ezra Pound,

who brought T.S. Eliot, attended

Willie’s Monday ‘At Homes’, where Ezra

soon made himself indispensable,

dispensing his host’s Bushmills and Sweet Aftons,

then becoming his secretary,

marrying his mistress’s daughter

and dumping her in Paris with their son –

meanwhile making Yeats a modern poet.

 

Two geniuses and their mentor, mere

human beans all three, ambitious, amorous,

apprehensive, came and went – past

the shoemaker’s shop on the ground floor,

the workman and his family on the first,

and gossiped about art beneath the attic

where a pedlar painted water colours.

All are lost like the hares. Perhaps the bricks,

the pavings remember.