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Overton Hill

THE CITY AND THE RIVER

David Selzer By David Selzer1 Comment1 min read1.7K views

From Woodside to the Pier Head by ferry

is a mile and a bit on waters

that smell always of mud and oil. Eastwards

is Overton Hill, the sandstone ridgeway –

westwards the Liverpool Bar Lightship,

Liverpool Bay and the Irish Sea,

and, far, far beyond, the widening

Atlantic skies where the weathers are made.

 

The Saxons named the river – a boundary

between kingdoms –  the Vikings the place,

with their numerous settlements on the heights.

Cotton and molasses and slavery

laid its Victorian foundations –

avenues, mansions, slums, alleyways –

a city of barbarism and grandeur.

 

My grandmother told her stories as

a litany of parables, wonders.

Each July 12th, the Green and the Orange

brawled murderously. Her father captained

a ‘coffin ship’ to Boston – her mother

took to drink. Johnny Flaws, a neighbour,

died in Arizona. Other neighbours

rushed from their houses for Armageddon –

others flitted late at night or early dawn.

The Cast Iron Shore at the Dingle was rust red

with residue from the scrapped, beached hulls.

 

Many decades ago, when the river

thronged with craft and was polluted, ships,

at midnight each New Year, would blow their horns,

for five minutes or more – a raggedy

wind ensemble of strangers wishing

strangers well. Now, in summer, the docks throng

with translucent, pink-tinged Moon Jellyfish.

 

 

 

THE MEMORIES OF SLAVES

On Overton Hill, an obelisk

in local sandstone marks the parish war dead.

Fresh graffiti partly obscure Worrall,

Egerton, Massey – names of Cheshire gentry,

villages, labourers. There is a solace

in landscapes, remorseless historians.

Below the hill, the town becomes a toy.

To the horizon, are laid out the pricey,

strategic illusions: refineries

distilling forests and the wide, poisoned

river narrowing to an ashen,

urban haze of broken streets, redundant wharves,

the memories of slaves.