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Prague

MERRY-GO-ROUND

Our hotel was a dozen or more tram stops

from Prague’s city centre. Converted

from a Soviet-era apartment block

to cater for the influx of tourists

after the Velvet Revolution,

it faced a large rectangle of open ground,

flat and bare. On the other three sides

were similar blocks, but still used for families.

In the middle was a small carousel

and, to one side, a mobile shop selling

alcohol and cigarettes – Freedom’s

enterprising dividends. The hotel

welcomed groups – like the excited party

of Israeli High School students and teachers,

with their Mossad minders, jackets bulging,

waiting in the foyer, as we arrived,

for coaches to take them to the Ghetto.

                               ***

Hitler declared that the Ghetto be preserved –

once Prague had been pronounced wholly ‘Judenrein’ –

as if an exhibit in a museum.

In the Old Jewish Cemetery,

along the horizontal edges 

of the tomb of the scholar and mystic

Rabbi Judah Levai ben Bezalel

aka Rabbi Loew small stones rest.

According to German Jewish folklore

the Rabbi could conjure, in times of trouble,

a redemptive golem out of the mud

and clay of the wide Vlatava close by.

When the city was part of the Habsburg

Empire, because of its many gilded

cupolas, it was ‘Das Goldene Stadt’.

                                 ***

Our room overlooked the open ground.

Adults were queuing at the shop, and

children turning on the roundabout. We could hear

its generator’s wheezy chug-chug,

and the tinkling of a waltz. On its roof

were clumsy images of clowns painted

in a faded yellow. The street lamps came on.

Snow began to fall as the coaches returned,

their passengers subdued.

A VIEW FROM THE CASTLE

It is not the winter-grey Danube flowing –

hundreds of feet below – fast to Budapest,

nor the suspension bridge – with its high rise

circular restaurant – commemorating

the failed uprising against the Nazis,

nor the outline of the Vienna Alps

fifty miles away, nor the wind turbines

covering the plain between, but the concrete

Soviet era apartment blocks

now painted white and some in pastel shades

that first catch the eye from this stronghold

on a rocky hill far above the town

on the second day of 2018.

This must be Europe’s centre: liberated,

Catholic, polyglot; in Magyar,

German, Slovak; Pozsonyi Vár,

Pressburger Schloss, Bratislavsky Hrad.

 

As we descend the narrow, cobbled street

that turns with the hill’s contours, gusts of wind

whirl into the air small strips of gold paper,

detritus of New Year’s Eve celebrations,

and a party of Australian tourists

comes round the corner their resolute guide’s

tartan umbrella flapping unsafely.

 

*

 

The runway faces east so the plane

must bank westwards to fly by Vienna,

Prague, London to land at Manchester.

On the right are the Little Carpathians

with vineyards on the slopes and at their heart

wildernesses of beasts and plants still intact –

left, below, river, castle, tower blocks

reduced to perfection.

 

 

 

A BIT LATE TO THINK OF KAFKA

His new apartment was in a converted

eighteenth century farmhouse stranded

in a nineteenth century coastal town that,

as is the way of things by the accident

of geography, had become a prosperous port

and then declined. The back way in was along

a sloping path through an unkempt garden

then down narrow steep slate steps – slippery

that day with leaf mould. In the twilight,

two Waitrose bags-for-life in each hand,

he slipped, falling neatly on his  backpack.

However, dignity, he felt, impelled him

to rise before some neighbour found him

so he lifted himself up by twisting

his left leg as one might a tourniquet.

 

He lay on the sofa, one bag of frozen

broad beans on his ankle, another

on his calf, sipping a large Zufanek gin

with ice and lemon, studying his print

of Chirico’s ‘The Uncertainty

of the Poet’, understanding as always

the express train on the horizon,

the headless, armless, legless, twisting

female torso but puzzled as usual

by the bunches of ripening bananas.

 

The row of arches prompted him to think

of the Charles Bridge over the Vltava

in Prague; of Kafka’s married sister’s house

(where Franz wrote) in Golden Street near the Castle;

of the writer’s birthplace on the Ghetto’s edge

near the automated clock – and only then,

only then did he remember Kafka’s

Gregor Samsa: waking as some sort of

monstrous verminous insect; realising

he was late for work; lying there observing

his many legs moving like a multitude

of dysfunctional, spindly, brown bananas.