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regicide

THAT MEMORABLE SCENE

At the eastern end of the Banqueting House –

which the deposed tyrant Charles Stuart had had

the architect Inigo Jones design

with its Rubens ceiling centre piece –

wooden steps were constructed from the stone floor

to the window sill, and wide enough so that

the condemned and two soldiers might climb abreast.

The scaffold was built against the outside wall,

and level with the sill so the long windows

could be opened like a pair of doors.

The platform extended almost half way

across the street so that all could clearly see

what it meant to kill a king, to be

no longer bound subjects but free citizens.

 

On that January Tuesday the poet,

Andrew Marvell, attended the beheading:

 

He nothing common did or mean

Upon that memorable scene,

But with his keener eye

The axe’s edge did try;

Nor call’d the gods with vulgar spite

To vindicate his helpless right,

But bowed his comely head

Down as upon a bed.

 

Charles’s head was severed with one blow.

It was lifted by its hair and shown

to the crowd, as custom dictated,

by the masked executioner, who threw it

to the soldiers below.

 

 

 

THE EMBRACE OF NOTHING



i

Rome’s legionnaires quarried its sandstone cliffs

and Ptolemy put the Dee on the map.

William the Conqueror, in winter,

force-marched his army over the Pennines

to reach the river and waste the town – the last

to submit.  For eighteen years, Prince Gryfyd

ap Cynan, shut in the keep, heard only

the river’s voice, dyfrdwy, dyfrdwy.

Parliament’s forces sent fire rafts downstream

to purge besieged citizens. On its banks,

King Billy’s infantry was camped

while, in the silting estuary, his fleet

provisioned for Ireland.

ii

The winter I had scarlet fever

my mother read me Coral Island.

While I was deliriously admirable –

with Ralph, Jack, Peterkin – Mao’s Red Army

crossed the Yalu. One person’s commonplace

is another’s Road to Damascus.

When the Apprentice Boys shut fast the gate,

they had the Pope’s blessing.

iii

Standing on the leads of Phoenix Tower

(eponymously, King Charles’), he saw

his cavalry routed on the heath, scattered

through its gorsey hollows and narrow lanes.

Watching Twelfth Night,  Charles crossed out the title

on his programme and wrote, ‘Malvolio –

Tragedy’. He was a connoisseur of

defeats. ‘I’ll be revenged.’

iv

On a Whit Monday, long before bandstand,

suspension bridge and pleasure steamers,

two watermen rowed an outing of girls.

When one of the men threw an apple,

they jostled to catch it. Shrill scrambling

upturned the boat and drowned them, lasses and men…

A school acquaintance, bright, admired, sculling

late on a December afternoon,

somehow – where the river curves like a sickle

round meadowland – upset the skiff and drowned

beneath that ‘wisard stream’.

v

Even here are Principles and the Sword.

Two Christian martyrs share one monument

on Richmond (then Gallows) Hill: George Marsh,

John Plessington, Protestant, Catholic –

distanced by three monarchs, a civil war,

a regicide and a little doctrine –

each burnt by the others’ brothers in Christ.

When Bobby Sands had starved himself to death,

some houses flew black flags.

vi

In the ten minutes or so it took me,

one bleakly raw February-fill-the-Dyke day,

to cross the ‘twenties suspension bridge,

pass the Norman salmon leap and weir,

return across the 14th century

three arch sandstone bridge to where I started,

by the bandstand with cast iron tracery,

the rising river – awhirl with the debris

of factories,  mountains, centuries

– had covered the towpath.

 

 

 

THE EMBRACE OF NOTHING

Chester, View from a Balloon, John McGahey, 1855

i

Rome’s legionnaires quarried its sandstone cliffs

and Ptolemy put the Dee on the map.

William the Conqueror, in winter,

force-marched his army over the Pennines

to reach the river and waste the town – the last

to submit.  For eighteen years, Prince Gryfyd

ap Cynan, shut in the keep, heard only

the river’s voice, dyfrdwy, dyfrdwy.

Parliament’s forces sent fire rafts downstream

to purge besieged citizens. On its banks,

King Billy’s infantry was camped

while, in the silting estuary, his fleet

provisioned for Ireland.

ii

The winter I had scarlet fever

my mother read me Coral Island.

While I was deliriously admirable –

with Ralph, Jack, Peterkin – Mao’s Red Army

crossed the Yalu. One person’s commonplace

is another’s Road to Damascus.

When the Apprentice Boys shut fast the gate,

they had the Pope’s blessing.

iii

Standing on the leads of Phoenix Tower

(eponymously, King Charles’), he saw

his cavalry routed on the heath, scattered

through its gorsey hollows and narrow lanes.

Watching Twelfth Night,  Charles crossed out the title

on his programme and wrote, ‘Malvolio –

Tragedy’. He was a connoisseur of

defeats. ‘I’ll be revenged.’

iv

On a Whit Monday, long before bandstand,

suspension bridge and pleasure steamers,

two watermen rowed an outing of girls.

When one of the men threw an apple,

they jostled to catch it. Shrill scrambling

upturned the boat and drowned them, lasses and men…

A school acquaintance, bright, admired, sculling

late on a December afternoon,

somehow – where the river curves like a sickle

round meadowland – upset the skiff and drowned

beneath that ‘wisard stream’.

v

Even here are Principles and the Sword.

Two Christian martyrs share one monument

on Richmond (then Gallows) Hill: George Marsh,

John Plessington, Protestant, Catholic –

distanced by three monarchs, a civil war,

a regicide and a little doctrine –

each burnt by the others’ brothers in Christ.

When Bobby Sands had starved himself to death,

some houses flew black flags.

vi

In the ten minutes or so it took me,

one bleakly raw February-fill-the-Dyke day,

to cross the ‘twenties suspension bridge,

pass the Norman salmon leap and weir,

return across the 14th century

three arch sandstone bridge to where I started,

by the bandstand with cast iron tracery,

the rising river – awhirl with the debris

of factories,  mountains, centuries

– had covered the towpath.