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Roman

STAPLETON COTTON 1ST VISCOUNT COMBERMERE

Stapleton Cotton 1st Viscount Combermere’s

equestrian statue, surrounded now

by traffic, would grace any capital.

For more than a hundred and fifty years

set before Chester Castle he rides south

towards Thomas Harrison’s Grosvenor Bridge

– once the longest single-span arch in the world –

opened by Princess Victoria.

The Viscount – soldier, politician,

diplomat – holds his feathered bicorne

at his side as if just removed in salute.

 

Though Combermere’s seat (once an abbey, now

a wedding venue) was a day’s ride away,

and Earl Grosvenor was the Roman city’s

capo di tutti capi, Chester’s

mercantile citizenry raised the cash

to have the statue designed and made

by Queen Victoria’s favourite sculptor,

Carlo Marochetti, whose Richard

Coeur De Lion holds his sword aloft

outside the Houses of Parliament.

 

However, like the Earl and the Viscount,

the merchants were knights of the chequered square,

and Stapleton Cotton – Valenciennes,

Salamanca, Bharatpur, c-in-c

West Indies then India – helped make

the British Empire safe for their dividends.

 

 

 

PAPHOS: THE OLD HARBOUR

The thirteenth century’s major earthquake

resulted in a tsunami that buried

a bishop and his congregation, razed

the castle – a Byzantine fort – broke

the Roman breakwater, leaving rocks

like cracked teeth, rendered the harbour useless

for sea going vessels and reduced this once

capital city to a fishing village

which the odd traveller would visit

for the lustrous mosaics nearby.

 

On the corniche, watched by strolling tourists

and two armed Port & Marine policemen,

museum attendants on their lunch break

and taxi drivers between fares line fish.

The breakwater is like a uneven row

of shark fins against the silver waters.

 

The Greek Colonels invaded Cyprus,

in my thirties, then the Turkish ones. Atrocities

were committed, old neighbourhoods deserted.

In my youth, near here, in a villa

with a high white walled garden, British

Military Intelligence attempted

to deter young would-be terrorists

and waterboarded Cypriot teenagers.

The impromptu fishermen reel in

occasional gilt head bream and red mullet.

Whoever holds the rod, it seems, or pen

gets to make history.

 

 

 

TEATRO DEI RIUNITI

The Tiber’s olive waters curve past

Umbertide or, rather, the town curves

to the river in this limpid valley

alive with oak trees, willows, poplars

and millennia of settlements,

monuments – Etruscan, Roman, Lombard.

 

To impede the German’s retreat northwards,

the Allies bombed the bridge across the river

successfully and, collaterally,

razed a block of tall, narrow houses –

and many of their inhabitants.

 

The house numbers are brass inlaid in the setts

of what is now a car park in this

medieval town with its Via Papa

Giovanni XXIII, its Via

Kennedy, its Piazza Carlo Marx.

 

The Eighth Army built a bailey bridge

on the ancient arches – which was still there

when we performed Shakespeare, in English,

at the theatre. Unused and derelict

because of the war, the baroque theatre

was renovated by an alliance

of Communists and Christian Democrats,

I Riuniti. It had been a gift

from the town’s most famous son, Domenico

Bruni, a castrato, emasculated

for the usual reasons – poverty, greed.

A celebrity acclaimed and enriched,

he sang in Rome, Naples, Milan, London

and St Petersburg for Catherine the Great.

 

He might have stood by the deep canal

that channels the winter torrents through the town

from the mountains into the Tiber.

Our play was The Comedy of Errors,

in which one of the lads from Syracuse says,

‘He that commends me to mine own content

Commends me to the thing I cannot get.’

 

 

 

THE SILVER SCREEN

Let be be finale of seem.The only emperor is the emperor of ice-cream.’

THE EMPEROR OF ICE CREAM, Wallace Stevens

 

I try to imagine your childhood as if

it were mine – not just the steep terraced street

called ‘Coronation’ and the ice cream

factory round the corner at the bottom

but the cinema twenty feet away

showing double features every night

except Sunday and Saturday matinées

with The Three Stooges and Roy Rogers.

 

Ours minds were full of an America

that shimmered, that was large and echoed loudly

in the street – of love, anger, laughter, justice.

Our ears were filled with the roar of aircraft

from the local base. Behind the hall –

in the unlit entry where projectionists

took a smoke and couples courted after shows –

someone daubed in black paint, ‘Yanks Go Home!’,

and it is still there almost pristine! ‘Ars

longa, vita brevis,’ as some Roman wrote.

 

You shoot from the hips like Jane Russell,

utter coruscating one-liners

like Hepburn, whisper sweet everythings

like Veronica Lake. What sort of man

would I be now if I had slept only

yards from such magic! Perhaps a maker

of ice cream,  an emperor of seeming?

 

 

 

VIA SALITA GIAFARI

The street is built into the steep mountainside,

hence ‘salita’, ‘slope’. It is a wide street of steps –

edged with granite, inlaid with pebbles

and set in cement bordered by brick.

 

***

 

From our balcony, there is an impassive,

inscrutable vista of the old town’s

semi-circular, interlocking

clay roof tiles of varying shades of

terracotta and the occasional

Moorish-style chimney – finally

the public gardens’ umbrella pines and

the Ionian Sea becoming sky.

 

***

 

At dusk, Arab street sellers climb the steps

slowly, their wares in torn sheets on their backs.

When the street light comes on a gecko appears

on the wall opposite and waits. Each time

a new video appears on the large

plasma screen in Piazza Vittorio

Emanuele walls even here flash blue.

 

***

 

Ten thousand residents of Taormina,

two million tourists each year – beginning

with Goethe – and such sounds… the commune’s band

on the Corso Umberto – brass playing

nostalgia, drums braggadocio;

enthusiastic French tourists in step

on the Via Don Bosco; petulant,

throaty Vespas on the narrow ring road;

dogs, out of sight in walled yards or hidden

by oleanders, yelping, baying;

a blackbird’s solitary ‘chook, chook’,

beneath the lemon trees and plumbago

on a neighbouring terrace; a quick bell

rung a dozen times for matins; the cruise ships’

sirens sounding, sounding… Tennesse

and Truman with their paramours laughing

freely on the terrace of the Caffé

Wunderbar; Taylor breaking a guitar

over Burton’s head in the Hotel

San Domenica; D.H. Lawrence

beating up Frieda just down the road from us

in the Villa Vecchia Fontana…

 

***

 

We have neighbours: the elegant woman,

opposite, with the basset hound, in a house

with raised grills on the windows and an ornate

wooden door set in an arch of marble;

someone, whom we never see, in the apartment

above, who whistles Vivaldi on the stairs;

in the apartment below, the Arab traders

smoking hash, talking quietly into the night –

their tee-shirts and cut-offs on an airer

outside their front door to dry in the dark;

the elderly owner of the Summer

Bazaar near the beach, who complains of Africans

selling their wares on the gritty sand,

and climbs down eighty steps and back each day

to descend and rise in the Funivia;

the beautiful girl, who, each morning

walks down to work at the alimentari

on the Via Timeo beside

the ruins of the Roman theatre…

***

 

A cloud burst brings water centimetres deep –

and laden with particles of pumice

from the mountain – cascading down the steps.

‘Giafari’ is a variant of

‘jafar’, Arabic for stream. Below us,

by the Arco Dei Cappucini,

a fountain flows from the rock – and watching

over us on the mountain’s edge are

the shrine to the Madonna of the Rock

and the walls of the Saracens’ Castle.

 

 

 

THE EDGE OF HISTORY

From the holiday cottage near the top

of Allt Goch Bach – Little Red Hill – west

and south is ancient woodland of ash, oak,

beech and holly. North, down the steep incline,

is Beaumaris – with its redundant castle,

gaol and quays, its narrow streets and low,

thick walled houses. East are the Menai Straits,

the A55 and the Carnedd range.

 

Some say the ‘red’ was the blood of the last

of the Druids – or the Royalists.  Now

the hill is covered with spacious ‘80s

bespoke bungalows for wealthy pensioners.

From here, there is a landscape of invasion:

Roman, Saxon, Viking, Plantagenet

(Norse, of course, by any other name) –

and, last, the so-called ‘English’ (residents

and tourists), accidental imperialists.

Inland, Welsh thrives. Here, it is seldom heard.

 

On Sundays, stray notes and chords from the town’s

brass band drift up – Italian opera,

a Methodist hymn. I cherish this place:

the hill; the town; the changing beauty,

shapes and colours of the tidal straits

and treeless mountains; the sense of being

always on the edge of history.

Where I live, over the mountains, far away,

is now a disunited kingdom – violent,

corrupt, gangrenous with injustice and greed.