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Rome

THE BRIDGE

David Selzer By David Selzer1 Comment1 min read1.9K views

Where the Menai Straits are at their narrowest,

between two bluffs, Thomas Telford chose to build

his one span suspension bridge, high enough

for tall ships to pass. The two towers,

exposed to the tides, were built of limestone blocks

from the Penmon quarries on the coast

north of here. Caernavon Castle had been built

from Penmon stone – and blocks were shipped to Dublin

to line the Liffey with wharfs and quays.

 

Telford, the ‘Colossus of Roads’, was reared

in penury – a stone mason by trade,

a self-taught engineer, begetter of

the A5 coaching road, erstwhile Watling Street;

the London-Holyhead trunk from Marble Arch

to Admiralty Arch by the Irish Sea.

 

Built a generation later, a mile south

and within sight, is Stephenson’s railway bridge.

Two British industrial colossi

so close in space and time! So much investment,

ingenuity, innovation, to keep

the Catholic colonies of Ireland,

those reserves of navvies and wheat, in thrall!

 

Between the bridges are The Swellies

around Fish Trap Island – Ynys Gorad Goch –

whirling at high tide, lake calm at low water.

The Druids, deemed Rome’s enemies, were hunted.

They crossed here in coracles, felt safe at last

on Ynys Môn, Mam Cymru.  They watched the soldiers

swim like dogs across the sacred waters.

Rome’s mercenaries ran them down like boar,

skewering them among the flowering gorse.

 

 

 

 

ICONS

David Selzer By David Selzer3 Comments2 min read2.1K views

From the restaurant terrace on the cliff top

at Agios Giorgios, Cape Drepanos,

we can see the small harbour below,

its sea wall curved like a scythe and, opposite,

the flat topped, steep sided, uninhabited

islet of Yeronisos, ‘Holy Island’ –

set today in that special, placid blue.

Folk tales have Greeks, after the fall of Troy

and exiled from home, land there and build

a temple to Apollo. Excavations

suggest the sanctuary was founded

by Cleopatra for Caesarion,

her son by Julius Caesar, the heir

she hoped, to Rome – Apollo being the god

of archery, knowledge, medicine, plague.

A few miles south on what, before the hotels

and villas came, was a deserted shore,

Colonel Grivas, Greek Cypriot ‘hero’

or ‘terrorist’, landed one November night

in ’54 to expel the British.

 

The restaurant is packed with middle class

local families in their Palm Sunday best.

After our mezze, fish fresh from the harbour,

we tourist St George’s church along the cliff –

a modern chapel-sized basilica

with its own square and drinking fountain.

We light a candle, as we always do,

more ‘good deed in a naughty world’ than faith.

A steady footfall of true believers

kisses the glass fronted icon of the saint.

A votive pink baby doll hangs from it.

Fifty yards inland, where there are ruins

of a Roman city, is a medieval shrine

to the saint – once a prayerful place for those,

Greek or Muslim, before Partition,

seeking love or strayed goats and donkeys.

 

On the fountain is a crude mosaic

of the Roman Soldier/Christian Martyr

slaying a dragon with its devil’s breath –

in Palestine, perhaps, or Syria.

Three leagues south is Aphrodite’s Rock

where the goddess was born among the spume.

Nowhere full of myth and history,

of irony and contradiction,

delineated by paint on wood

or finds in the earth or words in the air

is far from here over the bluest,

most changeable of seas.

 

 

 

 

TEATRO DEI RIUNITI

David Selzer By David Selzer1 Comment1 min read1.9K views

The Tiber’s olive waters curve past

Umbertide or, rather, the town curves

to the river in this limpid valley

alive with oak trees, willows, poplars

and millennia of settlements,

monuments – Etruscan, Roman, Lombard.

 

To impede the German’s retreat northwards,

the Allies bombed the bridge across the river

successfully and, collaterally,

razed a block of tall, narrow houses –

and many of their inhabitants.

 

The house numbers are brass inlaid in the setts

of what is now a car park in this

medieval town with its Via Papa

Giovanni XXIII, its Via

Kennedy, its Piazza Carlo Marx.

 

The Eighth Army built a bailey bridge

on the ancient arches – which was still there

when we performed Shakespeare, in English,

at the theatre. Unused and derelict

because of the war, the baroque theatre

was renovated by an alliance

of Communists and Christian Democrats,

I Riuniti. It had been a gift

from the town’s most famous son, Domenico

Bruni, a castrato, emasculated

for the usual reasons – poverty, greed.

A celebrity acclaimed and enriched,

he sang in Rome, Naples, Milan, London

and St Petersburg for Catherine the Great.

 

He might have stood by the deep canal

that channels the winter torrents through the town

from the mountains into the Tiber.

Our play was The Comedy of Errors,

in which one of the lads from Syracuse says,

‘He that commends me to mine own content

Commends me to the thing I cannot get.’

 

 

 

THE GATES OF MERCY

‘…Their lot forbade: nor circumscrib’d alone
Their growing virtues, but their crimes confin’d;
Forbade to wade through slaughter to a throne,
And shut the gates of mercy on mankind…’
Thomas Gray, Elegy Written in a Country Churchyard.

 

When I was a pre-pubescent boy, I read
The Eagle – having graduated from
the seditious slapstick of The Beano
and The Dandy – a comic with Christian
values, though the masthead did not say so.
Its heroes were square-jawed with no moral flaws:
Dan Dare, Storm Nelson, PC 49,
Harris Tweed and Tommy Walls – ice cream
and woven cloth, such product placements!

The centre pages showed cutaways of
torpedo boats and aircraft carriers.
The prevalent villain was the Mekon
from Venus, with his hydrocephalic head,
riding some technological wizardry.
But worthiness would always triumph.
The lives of St Patrick and St Paul
featured, if I remember – citizens
of Rome and brothers in Christ triumphant.

I thought of those evolutionary charts,
beloved of late Victorians, showing
homo sapiens – upright, striding forth –
ascending left to right from ambling apes,
thought progress inevitable
when, adolescent and idealistic,
a young man and political, I believed
we could build Jerusalem, make it
as clean as Dan Dare’s London, make it
out of kindness and justice and children
ascending but we are slamming fast – even
unto the third and fourth generation –
the gates of mercy.

 

Note: The poem has been featured in ‘INTO AN UNCERTAIN FUTURE WITH DAN DARE’ – http://kjohnsonnz.blogspot.co.uk/2015/10/into-uncertain-future-with-dan-dare.html?utm_source=twitterfeed&utm_medium=linkedin

 

CAER LÊB, YNYS MÔN

David Selzer By David Selzer0 Comments1 min read1.5K views

A blackbird is singing in a distant oak.
Now that the may blossom has fallen
the hawthorn is festooned with a white,
wild clematis – traveller’s joy or
old man’s beard. Hereabouts, people have
hunted, gathered, built, farmed, worshipped,
imagined – and some, undoubtedly, thieved
and murdered – in a continuing commune
for at least six thousand years and more,
longer than Babylon, longer than Rome.

It is nothing compared with the stars,
which most of them will have marvelled at,
but, nevertheless, it seems worth noting.
As well as the exactitude of books,
history is written in earth works,
standing stones, a copper coin and a mound
of periwinkle shells.

 

ROME

At the crossing of Madison Avenue
and 42nd Street, you can see, east
and west, the Hudson. On Brooklyn Bridge,
three Hispanic girls sell mineral water.
An Asian man sleeps on the A Train between
Washington Square and Columbus Circle.
Down Fifth Avenue, from Central Park East
to St Patrick’s, the black top is obscured
by constant yellow cabs. From the Empire State
the land stretches for days and days. All roads
lead here – to the template of the gridiron
cities of this imperial republic.
Who would not, in the known world, have some
notion of this Rome? It is the power
that enhances, corrupts. Its ruins are
unimaginable.