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Russian

A FAR AWAY COUNTRY

David Selzer By David Selzer1 Comment1 min read1.6K views

When the images caught on someone’s iPhone

of a shelled apartment block in a Kyiv

suburb and a woman sweeping up

shards of glass on a balcony that has

only been partially destroyed, or the piles

of rubble in Kharkiv city centre

that might be Aleppo, Fallujah, Dresden,

change to scorched family cars on littered roads

with snow falling, sometimes on the skyline

are deciduous trees and, clinging

to their leafless branches, silhouetted,

near perfect spheres of mistletoe, ‘omela’

in Ukrainian and in Russian. Each spring,

the mistle thrushes, impervious,

return for the berries.

 

 

 

 

 

RESURRECTION

David Selzer By David Selzer0 Comments1 min read1.4K views

Our house, the street’s first, was built epochs ago

on Cheshire pastureland. There has been nothing

for history to note here – only births, deaths,

the occasional fire and break-in,

and marriages at the Methodist Church

almost opposite us. Empires collapsed

from within – Austro-Hungarian,

British, French, German, Ottoman, Russian,

and Soviet. Here only the seasons came,

and bed-sits, then gentrification.

 

Now the St Petersburg Resurrection

A Cappella Choir – founded post-Gorbachev

to sing the liturgy in concert halls –

performs this autumn night in the church feet

from our front door. So powerful is this octet

the first three rows are kept entirely empty.

The utilitarian space fills with that

Russian Orthodox polyphony

guaranteed to make even an infidel’s

neck hairs tingle – plangent, sonorant, soulful.

I think of Tolstoy’s novel ‘Resurrection’,

his last – the hypocrisy of suppression,

the injustices of poverty,

the long path to redemption through cold, dull wastes.

 

During the interval, like a scene

from some implausible cold war movie

three Russian men in DJs – the two basses

and the conductor/founder of the choir

quietly, almost surreptiously, leave

the building, and go into the shadows

of the small, bushy garden. Matches flare.

Three cigarette ends glow.

 

 

 

 

THE PROMONTORY

David Selzer By David Selzer1 Comment1 min read1.5K views

At the landward end of the bronze age site

is a six storey apartment hotel;

right a broad sandy beach with amenities,

left, behind palms, cypresses and olives,

another hotel, vast as a cruise ship,

hiding the property development signs

in Russian and Chinese on the main road.

 

A peloton of young German students,

when we arrive, is being lectured

at the entrance to the museum –

an architect-designed, circular space,

subtly engineered into the sandstone,

with a green dome and copper plated doors.

A Cypriot copper oxhide ingot

is one of the exhibits. They were standard

in weight – and shaped always like a stretched

animal skin – throughout the eastern sea.

 

Precursors of the fictional Ulysses,

exiles, refugees from Mycenae

found this safe haven – with its thirty foot

sandstone cliffs and a fresh water spring

and its crow’s nest view of the sea, north to Troy,

south to Egypt, west to the Hesperides –

three thousand years ago. They survived pirates,

a fire, built defensive walls, stone houses,

but stayed for only two generations

before Hellenising the island,

exploiting its copper.

 

 

 

A GOOSE IN THE BAMBOO

David Selzer By David Selzer5 Comments2 min read1.9K views

Catching a charter flight from Manchester,

the family eases through security

but I am detained – there are traces

of explosive in my backpack: poems

on the hard drive? The scanner is at fault.

 

At Nikos Kazantzakis Heraklion –

the only airport named for a writer –

one of our cases arrives broken

on the single baggage carousel

and one of the gent’s toilets has backed up

but ‘Zorba’s Dance’ is playing somewhere,

the sea beyond the runways could be almost

‘wine-dark’ and the oven heat warms old bones.

 

Our hotel room overlooks a valley

charmed by Cretan sun in early June, washed

in El Greco shades and citrus colours,

with the usual eclectic small holdings

among the scrub – olives, vines, tomatoes

and bananas; hens and cock scratching;

three nanny goats clanking; two black dogs caged;

a stand of bamboo. On our balcony

with our granddaughter we play ‘I spy’

– but we cannot see the goose that honks

periodically in the bamboo

and sets the watch dogs barking.

 

There are activities throughout the day

round the pool for children of all ages.

It is water polo time and chaps

from England, Poland, Germany play

boisterously but amicably.

The French study their screens, a quartet

of middle aged Israeli men is aloof,

two British Asian families remain

circumspect. We came last time in early May –

the Great Patriotic Holiday

enjoyed by affluent ethnic Russians.

Our granddaughter swims endlessly like a shrimp

in the cosmopolitan waters.

 

At Heraklion the security

is seasonal, part-timers attired

in G4S finery complete

with white lanyards so there is role play –

queues are long and scrutiny relaxed.

At Manchester, in the EU passport queue

we shuffle along, without music,

with passengers from Islamabad

to the ID scanner – and chuckle,

thinking of all the closet racists

who would swallow their tongues in such a queue.

At the scanner, a witty, local lass

in a hijab helps us. O brave new world

that has such! ARRIVALS is threatening

with armed police, loud with distant honking.

A car has been parked in the wrong place.

We have flown from attic comedy to low

farce, goosed in the process.

 

 

 

 

 

 

 

 

 

 

ENNUI

I received a call from a literary friend

late some evening in the ‘70s –

I forget the year and the day – to tell me

Yevtushenko would be reading his poems,

the following evening, in Lecture Room 35

at Liverpool Polytechnic.

It was confidential. If they knew,

Zionists would protest

on behalf of the refuseniks.

I thought of his ‘Babi Yar’ –

‘I see myself an ancient Israelite…

And that is why I call myself a Russian!’

Either way, I took no action.