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sacrifice

AUGUST 4TH 2014

An exceptionally sunny, cloudless day

has packed Benllech Beach at low water

with hundreds of gaudy strangers. Meanwhile,

the pomp begins and ‘sacrifice’ is talked of

as if the lambs themselves had chosen it.

 

On the clear horizon, container ships

and oil tankers are hoved to, waiting

for high water so they can safely clear

the Liverpool Bar – a compacted sandbank –

something I have seen many times but

only now recall a great grand father,

retired from sailing ‘coffin ships’ to Boston,

was captain of the Bar lightship. He died

before the century turned so never saw

his oldest son earn his Master’s Ticket

nor learn he had chosen to go down

with his ship, torpedoed off Cape Verde.

 

As the waters rise the fainthearted leave.

The inexorable ships steer east.

The day will end with Sir Edward Grey’s

metaphor of the lamps made fatuous.

 

 

 

LA PIÈTA

Bernini’s colonnades lead to the centre

of the known world – of hewn porphyry,

of granite kept in its place, of usury.

Irony turns each illuminated page,

celebrates the dissemination

of the word, funds the seeding of Europe

beyond oceans, in jungle, across pampas,

over sierra.  Only the clash of

vultures and the seas’ predictable tides

can erase carrion from argent sands.

How light the Saviour is! The Virgin seems

to hold him with such ambivalent ease:

a supplicant offering a sacrifice,

a rescuer carrying a corpse.

 

 

Note: the poem was originally published on the site in August 2009.

 

 

 

A TERRIBLE PLACE

David Selzer By David Selzer0 Comments1 min read1.4K views

Posing for the camera’s long exposure,

his right foot firmly on the sledge, in bone

numbing, heart contracting temperatures,

was perhaps what brought that look into Scott’s eyes.

And the eyes always have it: his say,

I do not want to be here. Maybe that’s

twenty-twenty hindsight since we know

how it ends, with all the heroes dead.

 

Once this seemed to me a simple tale

of jingoism, derring do, class and

sacrifice, a prequel to The Somme.

Now, it’s all about him. That look speaks

of the loneliness of leadership,

the courage of enduring duty.

He was the last to die; his log’s last entry,

‘For God’s sake look after our people!’;

the last he saw of the world the tent’s

beating canvas lashed by the howling wind.

 

 

 

Note: The poem was first published in A JAR OF STICKLEBACKS – http://www.armadillocentral.com/authors/david-selzer.

 

SUMMERS OF VIOLENCE

David Selzer By David Selzer0 Comments1 min read1.4K views

He came in winter, buzzing by the stove.

She fed him crumbs and butter. She was very

lonely. She liked his talk of summer,

grew perceptive as a fly. But in June,

when she still saw nothing, she squeezed her fist

and heard him scream. “I am the universal

suffering man, a sacrifice in

an empty room, reduced to a shadow

on a public wall, tearing my way

to the top in the bathhouse.” She called him

Gabriel. The night she was born bombs blitzed seeds

in her brain,  a wild garden that flowered

in summers of violence.

LA PIETÀ

St Peter's Square, Bernini's colonnades, The Basilica 1910
St Peter's Square, Bernini's colonnades, The Basilica 1910
Bernini’s colonnades lead to the centre

of the known world – of hewn porphyry,

of granite kept in its place, of usury.

Irony turns each illuminated page,

celebrates the dissemination

of the word, funds the seeding of Europe

beyond oceans, in jungle, across pampas,

over sierra.  Only the clash of

vultures and the seas’ predictable tides

can erase carrion from argent sands.

How light the Saviour is! The Virgin seems

to hold him with such ambivalent ease:

a supplicant offering a sacrifice,

a rescuer carrying a corpse.

Michelangelo's Pieta, St Peter's Basilica
Michelangelo's Pietà, St Peter's Basilica