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Seine

17TH OCTOBER 1961

My first term at Liverpool. Tuesday morning.

The professor of Philosophy’s lecture:

“All metaphysical statements are false,

or platitudinous”. My memory

of that October is of soft sun,

and clement shadows in the breezy

pollution of the river city.

 

***

 

Today, I have realised, that morning,

not quite four hundred miles due south east,

near the Pont Saint-Michel, under orders

from their chief, Maurice Papon, a Vichy

collaborator, police were beating

Algerians demonstrating against

torture, and for freedom. Scores were thrown

into the river Seine, and drowned. Le Rafle

the Round-up. History as only rumour

for almost another forty years.

 

***

 

Though the world is all there is, and things

have no meanings beyond themselves, the busy

silence of that lecture room, before

the professor speaks, has been broken,

forever, with the cries of the beaten,

and the drowning.

 

UN DIMANCHE APRES-MIDI À L’ÎLE DE LA GRANDE JATTE

'A Sunday afternoon on La Grande Jatte', Georges Seurat, 1884



The trombonist will blow unnoticed. Much is absurd:

a monkey, women in bustles, the brass player.

The bourgeoisie reflects in post-prandial

tranquillity… Purges, coronations in Paris,

the metropolis of revolution, where Haussman’s

boulevards were an imperial stockade…

For two sous, the ferry transports Georges Seurat

across the Seine to the Ile de La Grande Jatte. Two years’

preparation, observation of colour, shape,

application of theory delineate an

historical moment, which never occurred.


In shade, a man with a clay pipe reclines, so self-

absorbed he breathes – like the infantry officers

striding this way. The vistas of shadows, sunlight,

water – each coruscating perspective – catch

the city’s portentous murmur… On the Champ de Mars,

Dreyfus is humiliated – in the Place de Grève,

Marie Antoinette… Northward, Prussian howitzers

position. From the Vélodrome d’ Hiver, the Jews

are leaving for Birkenau. Against the high wall

of Pêre Lachaise, the remnant of the Communards

is shot. The citizens are culled in this city

of bloody principle and virtuous

mayhem – thousands in La Semaine Sanglante…

He was of his epoch: diligent, self-

regarding, a scion of the bourgeoisie –

mistress and son secreted in Montmartre.

He conjugated art with science, measured

the golden mean by the chemistry of colour.

He died young of a weakened heart and was buried

in Pêre Lachaise. Light records nothing. Only words

describe past as history. Lozenges of paint

are ignorant of irony, are the colour

of time. One late and sunlit afternoon, a child

follows a butterfly into oblivion.