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silk

THE LAST CLOCK

As a wave breaking then breaking then breaking

and, finally, falling, dispersing on the sands,

the red azalea bloomed then the crimson

camellia, the purple magnolia

and the white weeping cherry – its blossoms,

the silk folds of its petals, April’s winds

and showers were scattering like snowflakes.

 

After, the unfolding flesh of the leaves,

contoured like malachite, sturdy as stone

seemingly, seduces. How can this surprise

more and more each year, as if unknown, unseen?

A grasping of life before the last clock

– tickety tock, tickety tock – strikes?

 

 

 

VALLE CRUCIS, LLANTYSILIO, LLANGOLLEN

Valle Crucis Abbey, Richard Wilson, circa 1760

 

 

Where willow stoops in curling shallows, May

stirs branches that creak like rigging or rub

like silk. The cuckoo sings its unsettling,

solemn roundelay. Sun gilds the abbey’s

west wall. The glassless rose window is a

blinded eye in a Romanesque skull –

indulgence in a wilderness. The Blood of

the Lamb coursed through the old ways of Keltoi,

Celtae, Celts. Time the dissembler leaches

the earth of language, artefact, intent.

 

A wall in the south transept was scorched by mishap

or mayhem. Dousing the flames, did the monks

break their vow? The Reformation empowered

even Trappists. Rulers destroy or endow

for glory. Defenders of parliament

effaced the cross (placed on a pagan mound)

carved to honour the Princes of Powys.

Even at the world’s furthest edge, even

beside an unkempt road through a valley,

was always a junction of opposites –

the classic, classical dichotomies

of the cerebellum and the soul, of

carapace and substance, tyranny and

learning. An oak tree, shaped like a brain, spins

the sun’s threads and is cleft, halved – fire and leaf.