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THE HARE AND THE STONE

And suddenly she is a hare, eyes bursting

with fear. Her husband snaps her neck. Fingers

smell of tea towels and dust. Their son gobbles

at her nipples, his father’s eyes unfocused.

She dreads the key in the lock. Sometimes,

she wakes to find him thrusting at her crotch.

She is a hare, paralysed on a cold,

edgeless ground…Even through windows stuck fast

with paint, dust whispers, gathering on lips.

If, like a surgeon, she were to cut him,

she would lay bare a pebble, smooth as glass,

nudging his heart. It is his ambition

sometimes to be a stone.

 

 

 

UN DIMANCHE APRES-MIDI À L’ÎLE DE LA GRANDE JATTE

'A Sunday afternoon on La Grande Jatte', Georges Seurat, 1884



The trombonist will blow unnoticed. Much is absurd:

a monkey, women in bustles, the brass player.

The bourgeoisie reflects in post-prandial

tranquillity… Purges, coronations in Paris,

the metropolis of revolution, where Haussman’s

boulevards were an imperial stockade…

For two sous, the ferry transports Georges Seurat

across the Seine to the Ile de La Grande Jatte. Two years’

preparation, observation of colour, shape,

application of theory delineate an

historical moment, which never occurred.


In shade, a man with a clay pipe reclines, so self-

absorbed he breathes – like the infantry officers

striding this way. The vistas of shadows, sunlight,

water – each coruscating perspective – catch

the city’s portentous murmur… On the Champ de Mars,

Dreyfus is humiliated – in the Place de Grève,

Marie Antoinette… Northward, Prussian howitzers

position. From the Vélodrome d’ Hiver, the Jews

are leaving for Birkenau. Against the high wall

of Pêre Lachaise, the remnant of the Communards

is shot. The citizens are culled in this city

of bloody principle and virtuous

mayhem – thousands in La Semaine Sanglante…

He was of his epoch: diligent, self-

regarding, a scion of the bourgeoisie –

mistress and son secreted in Montmartre.

He conjugated art with science, measured

the golden mean by the chemistry of colour.

He died young of a weakened heart and was buried

in Pêre Lachaise. Light records nothing. Only words

describe past as history. Lozenges of paint

are ignorant of irony, are the colour

of time. One late and sunlit afternoon, a child

follows a butterfly into oblivion.