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St Augustine

SOMETHING LOST IN TRANSLATION

We are in the thronging, discordant food hall
at Euston Station, London, sipping
a latte and an americano from Caffé Ritazza,
taking the first bite of our Upper Crust bagettes –
mozzarella & tomato, pastrami & emmental –
while looking out for the disabled pigeon
that hops, scavenging, under the tables,
when we are approached, politely, gently,
by a bearded man with a shabby shoulder bag
from which he presents us with
an asymmetrically trimmed piece of paper
comprising a printed list, which appears
as if processed on an Amstrad PC:
‘I am a deaf mute.
I have no work.
I have a family to support.
Please help me, for the love of God.’
He also leaves a professionally produced
Romanian (we think) prayer card.
We notice he has disseminated the sheets
and the cards to all the tables
in our vicinity. He returns for the harvest.
Some give, most do not. We contribute more or less
the tithe of our meal. He takes his printed sheet,
leaves us the card, nodding his unsmiling thanks.
He moves on. The cacophony returns.

On the Virgin train to Crewe, we log-on.
‘Maica Domnului’, the prayer begins
– Romanian, ‘Mother of God’. (The giver
may be Roma, we think – informed judgement
or prejudice). It is, we deduce,
St Augustine’s intercessory prayer.
On the front of the card an icon
of the Virgin and Child is reproduced.
Mother and son are appropriately doleful.
She points to him, as if saying, ‘He is the one’.
Perhaps we have been conned. Maybe
our meek beggar has an apartment at Canary Wharf,
with those other cartoon characters,
The Masters of the Universe, and our modest gamble
will not have paid off. In English, as in Romanian,
‘charity’ and ‘justice’ are Latinate words. The British,
like the Roman Empire, kept the concepts distinct.
Interestingly, in Hebrew, one word encompasses both.

 

 

 

COINCIDENCE…

the storyteller’s trapdoor: ‘And it so

happened…’ But it does sometimes. Aristotle

called them ‘accidents’ – and here’s a pile-up!

 

It is a Thursday night – and bell ringing

practice at the parish church we can see

from the long window on the half landing.

Our house was here years before the church

or the houses behind us or in our street.

The Shoulder of Mutton Field was bought

at auction and the first built was ours

more than a hundred and sixty years ago.

From the window, uninterrupted,

there would have been Cheshire countryside.

The first tenants were the Caldecotts,

one of whose sons was the illustrator

Randolph Caldecott. I attended

the same school he had done. The first grown up

poem my mother read me was Cowper’s

‘The Diverting History of John Gilpin’.

How I loved the drumming of the metre,

the slam-dunk of the rhymes and Caldecott’s

gaudy, storytelling illustrations!

 

A city infant, he was certain

the hedgerows, pasture, dew ponds of his boyhood

had inspired his art. He died, not quite forty,

in an unseasonably damp and cold

St Augustine, Florida, where, of course,

he had gone for his health. The cause of death

was the heart disease he had developed as

a child. I imagine him descend,

say on some early summer morning,

the wide, sunlit stairs, one hand carefully

on the banister, the other gripping

a pencil and sketch book; edge through the back door

kept ajar for the air, cross, as quickly

as he is able, the swept, cobbled yard,

lift the latch of the door in the high wall

and step through into the brightness of the fields…