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St. George

ICONS

David Selzer By David Selzer3 Comments2 min read2.1K views

From the restaurant terrace on the cliff top

at Agios Giorgios, Cape Drepanos,

we can see the small harbour below,

its sea wall curved like a scythe and, opposite,

the flat topped, steep sided, uninhabited

islet of Yeronisos, ‘Holy Island’ –

set today in that special, placid blue.

Folk tales have Greeks, after the fall of Troy

and exiled from home, land there and build

a temple to Apollo. Excavations

suggest the sanctuary was founded

by Cleopatra for Caesarion,

her son by Julius Caesar, the heir

she hoped, to Rome – Apollo being the god

of archery, knowledge, medicine, plague.

A few miles south on what, before the hotels

and villas came, was a deserted shore,

Colonel Grivas, Greek Cypriot ‘hero’

or ‘terrorist’, landed one November night

in ’54 to expel the British.

 

The restaurant is packed with middle class

local families in their Palm Sunday best.

After our mezze, fish fresh from the harbour,

we tourist St George’s church along the cliff –

a modern chapel-sized basilica

with its own square and drinking fountain.

We light a candle, as we always do,

more ‘good deed in a naughty world’ than faith.

A steady footfall of true believers

kisses the glass fronted icon of the saint.

A votive pink baby doll hangs from it.

Fifty yards inland, where there are ruins

of a Roman city, is a medieval shrine

to the saint – once a prayerful place for those,

Greek or Muslim, before Partition,

seeking love or strayed goats and donkeys.

 

On the fountain is a crude mosaic

of the Roman Soldier/Christian Martyr

slaying a dragon with its devil’s breath –

in Palestine, perhaps, or Syria.

Three leagues south is Aphrodite’s Rock

where the goddess was born among the spume.

Nowhere full of myth and history,

of irony and contradiction,

delineated by paint on wood

or finds in the earth or words in the air

is far from here over the bluest,

most changeable of seas.

 

 

 

 

THE KING’S WORKS IN WALES

David Selzer By David Selzer0 Comments2 min read1.5K views

Edward I’s decision, announced on 17 November 1276, to go against Llywelyn as a rebel and disturber of the peace, had, as not the least notable of its consequences, the inauguration in Wales of a programme of castle-building of the first magnitude.

THE HISTORY OF THE KING’S WORKS, HMSO, 1963

 

Maître Jacques, castle builder from St. George,

Savoy, walked the crag’s perimeter

two hundred feet above the breaking sea

that would ensure supplies during sieges,

and advised the king in what was due course then –

a relay of messengers riding to

wherever the court was – to build at Harlech,

Welsh heartland, dominate that long coast,

be grander even than Caernafon or Conwy.

 

Carpenters, charcoal burners, diggers, dykers,

plumbers, masons, sawyers, smiths, woodmen,

quarriers and labourers – all from England –

together with Master James have ensured

the elegant, sturdy walls and towers

have lasted beyond Glyndwr’s uprising,

the Wars of the Roses and Cromwell,

though some of the limestone from Penmon

and most of the steel and iron from Chester

have been snaffled over time by locals.

 

Victorian tourists, informed by guide books

in the grand tour style about ruins,

could catch the Paddington train to Oswestry

then the stopping train to Barmouth, alight here,

take the pony and trap up the hairpin road

to the Castle Hotel facing the keep.

 

The hotel has been refurbished: on two floors

luxury apartments; on the ground floor

the visitors’ centre with time lines, a/v,

museum shop, and café where there is

Fair Trade coffee, speciality teas,

paninis, scones – and all day full Welsh breakfasts

very popular with local builders.