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UN DIMANCHE APRES-MIDI À L’ÎLE DE LA GRANDE JATTE

'A Sunday afternoon on La Grande Jatte', Georges Seurat, 1884



The trombonist will blow unnoticed. Much is absurd:

a monkey, women in bustles, the brass player.

The bourgeoisie reflects in post-prandial

tranquillity… Purges, coronations in Paris,

the metropolis of revolution, where Haussman’s

boulevards were an imperial stockade…

For two sous, the ferry transports Georges Seurat

across the Seine to the Ile de La Grande Jatte. Two years’

preparation, observation of colour, shape,

application of theory delineate an

historical moment, which never occurred.


In shade, a man with a clay pipe reclines, so self-

absorbed he breathes – like the infantry officers

striding this way. The vistas of shadows, sunlight,

water – each coruscating perspective – catch

the city’s portentous murmur… On the Champ de Mars,

Dreyfus is humiliated – in the Place de Grève,

Marie Antoinette… Northward, Prussian howitzers

position. From the Vélodrome d’ Hiver, the Jews

are leaving for Birkenau. Against the high wall

of Pêre Lachaise, the remnant of the Communards

is shot. The citizens are culled in this city

of bloody principle and virtuous

mayhem – thousands in La Semaine Sanglante…

He was of his epoch: diligent, self-

regarding, a scion of the bourgeoisie –

mistress and son secreted in Montmartre.

He conjugated art with science, measured

the golden mean by the chemistry of colour.

He died young of a weakened heart and was buried

in Pêre Lachaise. Light records nothing. Only words

describe past as history. Lozenges of paint

are ignorant of irony, are the colour

of time. One late and sunlit afternoon, a child

follows a butterfly into oblivion.

 

 

 

UNDER NOVEMBER SKIES

The rain has stopped. We can hear only the wind

and a swollen stream – hidden beneath

the high moor’s golden fern – rush through a culvert

under the road, which glistens, after the shower,

in an unexpected shaft of sunlight.

Rain clouds are blackening the mountains

to the west but northwards, beyond bracken

and gorse that stretches seemingly to land’s edge,

through a gap in the hills, we can see the sea,

a sunny blue, and a white ship sailing east –

too far away to recognise her flags.

Chance has brought us here as winter comes. Love

stays us against the dark.

 

Note: this piece has been subsequently published in ‘A Jar of Sticklebacks’ – http://www.armadillocentral.com/general/a-jar-of-sticklebacks-by-david-selzer.

 

 

 

LOVE, AGAIN

Above me, on the slates, pigeons are cooing –

and some already billing, though winter

has many weeks to run. Like a shadow play,

sunlight silhouettes them on the wall

the study window faces. From the desk,

I have looked up, over three decades,

to tease, from bricks, reluctant words of love.

 

Before the allotments were sold off,

by the railway, there were pigeon lofts.

At dawn, out of a livid sky, birds

would home with only guessed at effort, like

the best of words: would touch down in the

empty, wooden rooms, now beating

with feathers, now cooing.