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T.S. Eliot

BLOOMSBURY

David Selzer By David Selzer3 Comments2 min read1.6K views

‘O, there you are,’ Mr Bloom said, turning from the fire.

ULYSSES, James Joyce

 

Joyce read his poems to Lady Gregory

in Dublin. She was impressed and gave him five pounds

to help fund his escape to Paris

from the ‘coherent absurdity’ (his words)

of Catholicism. She wrote to Yeats –

her close friend and patronee, who had lodgings

a five minute walk from Euston – to meet him

off the Holyhead train at six a.m.,

give him breakfast, look after him and then

give him dinner before he took the boat train

from Victoria. She was afraid James

‘would knock his ribs against the earth’. Imagine

these two bespectacled Irishmen,

Orange and Green, very amiably

walking along Woburn Place! No doubt

Yeats introduced him to Bloomsbury neighbours

Eliot and Pound, amongst others,

to ‘help him on his way’. What if James

had torn up his ticket, kept the fiver,

of course, and stayed in this extraordinary

two thirds of a square mile – with its leagues

of floors of books and artefacts,

its revolutionary exiles,

its assorted geniuses, blue plaques,

handsome, greensward squares, cohorts

of multicultural students and tourists?

 

From the window of our budget hotel

we can almost see Yeats’ lodgings.

Before us is St Pancras Parish Church –

in Greek Revival style with terracotta

caryatids and cornices embellished

with lions’ heads. On Euston Road the world

passes – endless pedestrians, black cabs,

red buses. How I longed, as a youth,

to be here – to live and work among these

acres of ideas, the palpable shades

of literary men and women, shakers

and movers in that enduring tradition!

 

Our train passed the same blackened walls

he would have seen – perhaps even the same

stunted buddleia! Not until just before

Bexley did there seem to be some woodland –

or, until after Bletchley, ploughed fields

with murders of crows in the furrows.

We watched a shower of rain move towards us

through the obsolete radio masts

near Rugby, and I thought of James Joyce

creative in exile.

 

 

 

 

 

WILLIE AND THE HARE

David Selzer By David Selzer2 Comments2 min read1.6K views

One had a lovely face,

And two or three had charm,

But charm and face were in vain

Because the mountain grass

Cannot but keep the form

Where the mountain hare has lain.

‘Memory,’ W.B. Yeats

 

Thomas Cubitt, London’s master builder, built

Woburn Buildings (on the Duke of Bedford’s land);

a pedestrianised street from Woburn Place

to what is now Euston Road, and abutting

St Pancras New Church with its caryatids

and ionic columns. Late Georgian London

on the up. Cubitt noted that hares came south

from Primrose Hill and from The Regent’s Park,

in the evenings, to rest on the paving stones.

 

W.B. Yeats, Willie to friends

and family, moved to the second floor

of number 18 ‘to be close to

the people’ or, rather, to further his

short-lived affair with his married mistress.

(That year Oscar Wilde chose not to cut

and run, and so found himself disgraced).

Willie noted a ‘handsome old grey hare’

resting beneath number 6’s bow window.

 

Two more London adoptees, Ezra Pound,

who brought T.S. Eliot, attended

Willie’s Monday ‘At Homes’, where Ezra

soon made himself indispensable,

dispensing his host’s Bushmills and Sweet Aftons,

then becoming his secretary,

marrying his mistress’s daughter

and dumping her in Paris with their son –

meanwhile making Yeats a modern poet.

 

Two geniuses and their mentor, mere

human beans all three, ambitious, amorous,

apprehensive, came and went – past

the shoemaker’s shop on the ground floor,

the workman and his family on the first,

and gossiped about art beneath the attic

where a pedlar painted water colours.

All are lost like the hares. Perhaps the bricks,

the pavings remember.

 

 

 

FIGURES OF SPEECH

She is scooting on the South Bank, her four years
sailing without mishap through the crowds –
multi-national, multi-ethnic, mixed race
– like a skilled UN negotiator.
We stop – her choice – at the Galloper.
She rides sedately, grinning, on a painted
wooden horse. We stop again – our choice –
to watch an Australian with a travelled
face and lived-in voice reprise Houdini’s
cabinet trick. She is unimpressed
but enjoys the fifty metre sand pit
beyond the BFI. At the Tate,
she watches a brief video – over
and over – of Henri Matisse wielding
his draper’s scissors like a pen or brush.
(Later, she will cut us out of paper –
parents, grandparents, herself – and paint us
as cats). We leave for Chinatown and Dim Sum.

Dusk is settling in Trafalgar Square
as she eyes the forbidden pools. ‘Eng-er-lond,
Eng-er-lond,’ chant some youths from a lion’s plinth.
It is the World Cup’s first match at 10.00.
We cross to South Africa House where
a three piece band – drums, lead and bas guitar –
is playing ‘Money for Nothing’. She dances,
a Chinese tourist laughs and a rough sleeper
wakes from his pitch beneath a plane tree
and salutes us all with an empty bottle.

***

On holiday in Crete, à propos of
nothing, pleased with herself, she uttered
her first simile, ‘Sink like guitar.’
I think of that as we cross the river,
to return to our hotel near Waterloo,
and see the shimmering lights – and think of
Eliot’s ‘I had not thought death had undone
so many’ and Spenser’s ‘Sweet Thames, run softly
till I end my song!’ and feel the warmth of
love and mortality, the themes of
this harmonious day.