Tag Archives

Taormina

WITH THE EYES OF THE SUN

For Erika Ricci and Anna Lisa Rosetti

 

i

 

”I am not dumb now,” was Helen Keller’s proud,

challenging statement of fact. Those who can

see, she said, should be “knights of the blind”.

 

ii

 

From the horsemen of the Apocalypse

to the breaking, millennia ago,

of wild horses on the western steppes

beyond Volga-Matushka – Mother Volga –

these beasts are both utility and symbol.

 

In the Aber Valley, where the Afon Goch –

the Red River – falls precipitously

and the princes of Gwynedd rode and hunted,

there have been feral ponies for centuries,

grazing by the river, under the alders,

unmolested. Last year’s snows culled many.

 

In Ireland, where the horse was revered in myth,

the companion of kings and goddesses,

there are thousands abandoned. In Dublin,

on a cut-off estate – workless, drug-peddled –

a man ran over a horse with a quad bike

repeatedly, and others beat it with planks.

 

iii

 

We visited the Palazzo dei Duchi –

near to the site of the town’s small ghetto –

by the Catania Gate, Taormina,

Sicily, once a medieval palace  built by

Spanish nobles, knights of the inquisition,

now the municipal art gallery.

And, by chance, we encountered a tale

of beasts made beautiful, the lost found.

 

Twenty nine paintings hung in the gallery:

an exhibition – that toured Milan,

Rimini, Terra del Sole and Forli –

to celebrate human diversity

and the curative power of horses.

It was inspired by a horse called King,

an Arabian gelding blinded

by corrosive chemicals –

il cavallo daglie occhi di sole,

the horse with the eyes of the sun.

His affliction, his strength, his compliance

rescued a young woman, an addict,

from her darkened, silenced wilderness.

 

 

 

Note: The Horse With The Eyes Of The Sun http://www.kingilcavallodagliocchidisole.it/king.html

 

 

LOVELOCKED

We first saw them in Taormina
on the railings of the piazza
overlooking the Bay of Naxos;
then on the railings at the Albert Dock
behind the Tate opposite Birkenhead;
and on the steps by the old County Hall
from the Embankment up to Waterloo Bridge.

They are usually small padlocks, some
combination although most are keyed,
the sort used for suitcases or garden sheds,
some with names or initials but most seem
anonymous – though perhaps the weathers
have made them so – some obviously purchased
for the occasion, others found in a drawer.

Does one of them keep the key – or is there
a duplicate so each could unlock
eternity? Maybe they throw the keys
into the air. Environmentalists
and authorities are justly concerned.
There were bridges in Paris imperilled
by the weight! Perhaps, if we were young again,
we would – yet we were never ones to
score our names on wood or stone. Love is private.
Who would have thought that there were so many
narcissists! The lovely lock of hair kept
in a locket has been forsaken.
So, let hard won gold and diamond tell
locked on our ring fingers.

 

 

 

VIA SALITA GIAFARI

The street is built into the steep mountainside,

hence ‘salita’, ‘slope’. It is a wide street of steps –

edged with granite, inlaid with pebbles

and set in cement bordered by brick.

 

***

 

From our balcony, there is an impassive,

inscrutable vista of the old town’s

semi-circular, interlocking

clay roof tiles of varying shades of

terracotta and the occasional

Moorish-style chimney – finally

the public gardens’ umbrella pines and

the Ionian Sea becoming sky.

 

***

 

At dusk, Arab street sellers climb the steps

slowly, their wares in torn sheets on their backs.

When the street light comes on a gecko appears

on the wall opposite and waits. Each time

a new video appears on the large

plasma screen in Piazza Vittorio

Emanuele walls even here flash blue.

 

***

 

Ten thousand residents of Taormina,

two million tourists each year – beginning

with Goethe – and such sounds… the commune’s band

on the Corso Umberto – brass playing

nostalgia, drums braggadocio;

enthusiastic French tourists in step

on the Via Don Bosco; petulant,

throaty Vespas on the narrow ring road;

dogs, out of sight in walled yards or hidden

by oleanders, yelping, baying;

a blackbird’s solitary ‘chook, chook’,

beneath the lemon trees and plumbago

on a neighbouring terrace; a quick bell

rung a dozen times for matins; the cruise ships’

sirens sounding, sounding… Tennesse

and Truman with their paramours laughing

freely on the terrace of the Caffé

Wunderbar; Taylor breaking a guitar

over Burton’s head in the Hotel

San Domenica; D.H. Lawrence

beating up Frieda just down the road from us

in the Villa Vecchia Fontana…

 

***

 

We have neighbours: the elegant woman,

opposite, with the basset hound, in a house

with raised grills on the windows and an ornate

wooden door set in an arch of marble;

someone, whom we never see, in the apartment

above, who whistles Vivaldi on the stairs;

in the apartment below, the Arab traders

smoking hash, talking quietly into the night –

their tee-shirts and cut-offs on an airer

outside their front door to dry in the dark;

the elderly owner of the Summer

Bazaar near the beach, who complains of Africans

selling their wares on the gritty sand,

and climbs down eighty steps and back each day

to descend and rise in the Funivia;

the beautiful girl, who, each morning

walks down to work at the alimentari

on the Via Timeo beside

the ruins of the Roman theatre…

***

 

A cloud burst brings water centimetres deep –

and laden with particles of pumice

from the mountain – cascading down the steps.

‘Giafari’ is a variant of

‘jafar’, Arabic for stream. Below us,

by the Arco Dei Cappucini,

a fountain flows from the rock – and watching

over us on the mountain’s edge are

the shrine to the Madonna of the Rock

and the walls of the Saracens’ Castle.