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The Adelphi

SIX DEGREES: THE MAY BLITZ, LIVERPOOL 1941

David Selzer By David Selzer9 Comments2 min read3.7K views

For Lesley Johnson

 

Obviously they were after the docklands –

Liverpool, Wallasey, Birkenhead –

with a week long of raids but many bombs,

as usual, missed their targets entirely,

shrapnelling then burning streets – commercial

and residential – either side of the river,

upstream and down. The photos of acres

of devastation in Liverpool’s

downtown city centre prefigured Dresden.

 

There is a watercolour in the Walker

by Peter Shepheard – ‘Liverpool from Oxton,

4 a.m., 4th May 1941’ –

which depicts, from the leafy Victorian

suburb across the river, the worst raid

of the week. You focus instantly on

six clouds of smoke, billowing in a strong

south easterly, lit lobster pink by the miles

of fires below and silhouetting

a dozen barrage balloons. The glare

shines on the slate roofs of Birkenhead.

Also, in silhouette, are the ‘Three Graces’,

untouched, across the river at the Pier Head,

buildings that were the city’s symbols of wealth,

power – Port of Liverpool, Cunard, Liver.

Dawn is beginning to lighten the sky

to the east, which is free of smoke and flames.

 

We receive a postcard of the picture

from a friend. She tells us she is fully

recovered from her operation

and is ready for lunch – and reminds us that,

when she was two in Shorefields, New Ferry

(a small town on the southern Mersey shore),

that night hot shrapnel pierced the roof of her home,

landing on her pillow, setting it alight.

Her father saved her. And I suddenly

remember, like an epiphany,

that that weekend, my father, en route

to Nigeria, was in Liverpool

staying at The Adelphi and joined the line

of buckets to try to douse the fire

at Lewis’s department store opposite.

They failed, of course. All that remained were

the walls. The rooftop menagerie,

of songbirds, small monkeys and the odd lizard,

had fallen, with the broken, blackened glass,

in amongst the rubble.

 

 

 

SEAMUS HEANEY: A LIVERPOOL MEMORY

After the reading, we strolled down Brownlow Hill

for a Guinness and a chaser at The Vines

next to The Adelphi on Lime Street –

a Walker’s pub in Edwardian baroque.

The westering sun lit the stained glass windows.

 

We were both young men then. He had been married

the year before. I would be married

later that year. His first book had been published

by Faber and Karl Miller’s prescient review

seemed genuinely to bemuse and amuse him.

We talked of the city’s sectarian split –

the Orange annual march, with drums and fifes,

to Newsham Park, their annual outing

by train to Southport past the Scotland Road flats

festooned with green – curtains, tablecloths.

 

The University was generous

with expenses and paid for a taxi

to Speke.  He had a flight booked to Le Touquet

and a hire car there he would drive through the night

into Italy to join his wife.

He was so unostentatious, so

matter-of-fact, that such travel plans

seemed perfectly ordinary to someone

who had no licence and had only

been abroad on a school trip to San Malo!

 

As he got in the cab and we shook hands,

I knew I had met a particularly

memorable person – modest, kind

and witty – who happened also to be

especially, exceptionally talented.

 

When I opened The Door Into The Dark

some three years later and read ‘Night Drive’ –

 

The smells of ordinariness

Were new on the night drive through France;

Rain and hay and woods on the air

Made warm draughts in the open car.

 

Signposts whitened relentlessly.

Montrueil, Abbeville, Beauvais

Were promised, promised, came and went,

Each place granting its name’s fulfilment.

 

A combine groaning its way late

Bled seeds across its work-light.

A forest fire smouldered out.

One by one small cafés shut.

 

I thought of you continuously

A thousand miles south where Italy

Laid its loin to France on the darkened sphere.

Your ordinariness was renewed there.

 

– I knew I had been privileged and lucky

that summer evening to shake hands with

a compassionate genius, romantic,

urbane: a maker of exquisite art

out of the everyday.