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The Groves

THE CYBER DEAD

‘Knock-knock-knockin’ on Heaven’s door,’ a busker

began to sing near to the ice cream kiosk,

just after I had left the public toilet,

its adamantine urinals made

in Burnley. I walked beneath the lime trees,

along the embankment. The brown river

swirled in spate, high with rains from the remnants

of Atlantic storms breaking on shorn

and distant mountains. I thought of those dead friends –

their social media accounts intestate –

forever alive, and orbiting

eternally in cyber space, so close

yet still and always forlornly ‘Knock-knock-

knockin’ on Heaven’s door’.

 

 

THE GROVES

We are sitting on a bench in a peaceful

place popular even on a winter’s day

now lockdown has been eased. This tree-lined

terraced embankment beside the river –

with a bandstand and moorings for pleasure boats –

was commissioned by one of the city’s

Victorian worthies at his own expense

to match the elegant pedestrian

suspension bridge built by a developer.


If we sit here long enough with our take-out

hot chocolates and toasted sandwiches –

counting the passersby wearing masks –

someone we know may saunter past with their dog.

Here there used to be a whiteness of swans,

but a flock of panhandling black-headed gulls,

squawkily scrambling for the odd dry crust,

has, as it were, elbowed out the large mute birds.


When the Roman mercenaries built the camp

on the sandstone bluff behind us, when barques

from Anjou docked downstream with cargoes

of wine and spices, the air, like now,

was multi-lingual. We can hear snatches

of French and Polish, Greek and Arabic.


If we sit here long enough late winter’s

high tide may rise, as now, over the weir,

and begin to cover the embankment’s steps,

propelling various bosky flotsam

upstream at a proverbial rate of knots,

with a couple of mallards and a moorhen

floating past on a wizened trunk the size

of an alligator from the bayous.