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The Red Flag

A PUBLIC MAN

David Selzer By David Selzer1 Comment1 min read448 views

i.m. David Robinson

 

At the celebration of his life –

in an erstwhile garrison church now

educational centre – there was music,

applause, laughter, sadness, his cardboard coffin

with red roses and his panama hat.

And it was as if he were there – as he was,

for sure, in the gathered memories

of the many present and the many,

in absentia, who had written.

The order of service commanded

‘All Sing The Red Flag’, and printed the words –

and most did, not just the comrades like us

who savoured and relished his serious joke.

 

Gathered outside in the soft May light,

greeting friends and colleagues then watching

as the cortège took its gradual leave, we

found ourselves applauding in that public place.

 

There are some you cannot believe are dead.

You would be unsurprised if they turned up

one day and continued a conversation

they had begun a week before, a decade.

So as I walk the Millennium Greenway –

part of the old Cheshire Lines railway

recycled (pun intended) – I can imagine

his cycling towards me, stopping, listening,

laughing richly at ironies then tell me,

with charm and gravitas, what I need to know.

 

 

 

Note: The poem was originally published in May 2015.

 

 

 

A PUBLIC MAN

David Selzer By David Selzer1 Comment1 min read432 views

i.m. David Robinson

At the celebration of his life –
in an erstwhile garrison church now
educational centre – there was music,
applause, laughter, sadness, his cardboard coffin
with red roses and his panama hat.
And it was as if he were there – as he was,
for sure, in the gathered memories
of the many present and the many,
in absentia, who had written.
The order of service commanded
‘All Sing The Red Flag’, and printed the words –
and most did, not just the comrades like us
who savoured and relished his serious joke.

Gathered outside in the soft May light,
greeting friends and colleagues then watching
as the cortège took its gradual leave, we
found ourselves applauding in that public place.

There are some you cannot believe are dead.
You would be unsurprised if they turned up
one day and continued a conversation
they had begun a week before, a decade.
So as I walk the Millennium Greenway –
part of the old Cheshire Lines railway
recycled (pun intended) – I can imagine
his cycling towards me, stopping, listening,
laughing richly at ironies then tell me,
with charm and gravitas, what I need to know.

 

 

 

HEAR THE DRUMS

This full length stage play focuses on Jamila, a sixteen year old girl of mixed Afghani and English parentage: on her struggle to determine her cultural identity, her longing for her father whom she has been brought up to believe is dead but whom she discovers, by chance, is alive and a prisoner of the Americans in Afghanistan – and her confronting the lies and misunderstandings that have had such tragic consequences for her family.

You can download the main text as a pdf:

HEAR THE DRUMS MAIN TEXT

A list of characters, information about where and when the action is set and acknowledgements are also available as a pdf:

HEAR THE DRUMS – CHARACTERS, LOCATION, ACKNOWLEDGEMENTS ETC.

 

 

Note: the play was a prize winner in the Sussex Playwrights’ Club 2009 Full Length Play Competition.