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The Rockies

EMPIRE STATE

Before the viewing galleries were encased

in bullet-proof glass from ceiling to floor

there was wire mesh – with interstices

big enough through which to aim a lens,

and for Manhattan’s airs to freely pass.

Wannabe jumpers were deterred and jokers

keen to fly a kite above Fifth Avenue.

 

Late one sunny October afternoon,

when the leaves had begun to turn, we saw,

as felons might in an exercise yard,

the islands – Roosevelt, Staten, Liberty,

Ellis, and Manhattan itself – reduced,

and the sun begin to set over Jersey,

Ohio, the imperial geometry

of the states, a sentient jigsaw –

and imagined, as prisoners might,

autumnal prairie grass in Kansas,

eagles above the snow-line in the Rockies,

neon-lit diners on Sunset Boulevard.

 

 

THINKING OF AMERICA

‘Unlike any nation in Europe, the United States holds whiteness as the unifying force.’

MAKING AMERICA WHITE AGAIN, Toni Morrison

 

Twenty five years ago – the year of the First

Gulf War, the launching of the World Wide Web,

the repeal of South Africa’s Apartheid Law,

and the ‘End of History’ – one August

Saturday in Godfrey, Illinois –

a town on the Mississippi bluffs –

I watched the wooden New England style

Church of Christ at Monticello cross the road,

on hydraulic jacks, to the Lewis & Clark

Community College campus. The crowd

was affable, and overwhelmingly white.

A marching band played ‘Tie a yellow ribbon’,

and Old Glory was in abundance.

To cheers the steeple bell was rung and rung.

 

The college had been the Monticello

Female Seminary, founded in

1835 by Captain Godfrey –

a retired fisherman from Cape Cod –

for whom the town was named. He believed,

‘When you educate a woman you

educate a family’. He admired

Thomas Jefferson – Founding Father,

president and conflicted slave owner –

so named the finishing school after

his primary Virginia plantation.

 

Meriwether Lewis and William Clark –

U.S. Army officer volunteers –

were commissioned by President Jefferson

to map the West, mind the French, impress the Sioux

and expand the concept of the thirteen states

beyond the confluence of the great rivers.

They set off from the banks of the nearby

Wood River and crossed the Mississippi

to sail up the Missouri to its source

two thousand miles away in the Rockies

across the lush and pristine Great Plains.

 

*

 

In the small town on the limestone bluffs

where bald eagles nest above the river

Adams, Washington, Franklin et al

would have felt at home that August day,

recognising most present as descendants –

collegial,  patriotic, Anglophone,

Protestant and white. Now, across the vast

darkling fields of the republic, they would hear

incessantly Jefferson’s prescient

‘…the knell of the Union…this act

of suicide…of treason against the hopes

of the world…a fire bell in the night…’

clanging, clanging, clanging.

 

 

 

GEORGE GERSHWIN AT CHIRK CASTLE

Chirk Castle from the North, Peter Tillemans, 1725
Chirk Castle from the North, Peter Tillemans, 1725


As we walk up the steep driveway, stopping

for breath at the curve where the castle

comes into sight – raised to block the routes

through the Dee Valley and Glyn Ceiriog

to starve the Welsh – a beribboned Rolls

descends, bride waving, followed, on foot,

by the wedding party in straggles –

black suits and brown shoes, wispy wedding hats –

treading the incline with tipsy effort.


‘The radio and the telephone

And the movies that we know

May just be passing fancies,

And in time may go!’


George Gershwin, born Jacob Gershovitz,

the second son of Russian immigrants,

ex song plugger in Tin Pan Alley

at Remick’s on West 28th Street,

in his thirtieth year visits Europe,

renews acquaintance with Alban Berg,

Ravel, Poulenc,  Milhaud, Prokokiev

and William Walton, hears Rhapsody in Blue

and Concerto in F performed in Paris.


From the grassed walk above the Ha-ha,

we can see the main gates, unused now,

the lane to the station, the Cadbury

and MDF factories, the market town

of Chirk itself and, beyond, the panorama –

from Bickerton Hills to The Long Mynd –

as we follow the trail of illicit confetti

to the Doric Temple aka summerhouse.


‘But, oh my dear,

Our love is here to stay.

Together we’re

Going a long, long way.’


The 8th Lord Howard De Walden – Tommy

to friends and family, Eton and Sandhurst,

Boer War and Great War, race horse owner,

playwright, theatre impresario –

turned its 14th century chapel

into a concert hall and invited George.

The westering sun shines upon us, dreaming

in the Temple, your head upon my shoulder.

A flock of starlings swarms suddenly

above the town – waltzing, deceiving like

a net, substantial, delicate – and is gone.


‘In time the Rockies may crumble,

Gibraltar may tumble,

There’re only made of clay,

But our love is here to stay.’


There is no public record of what he played

or when or how he got here. I like to think

he chose the stopping train from Paddington,

to work on An American in Paris,

and that Tommy met him personally

at Chirk Station, drove him up the hill,

in his Hispano-Suiza, through the baroque

wrought iron gates replete with wolves’ and eagles’ heads –

and as they, genius and renaissance man,

chatted about the history of the place,

along the chestnut lined drive among

the grazing sheep, George thought of Brooklyn’s

geometric streets and of Manhattan’s roar.


Remick's Music Store, 1914
Remick's Music Store, 1914

 

 

Note: an edited version of this piece has been subsequently published in ‘A Jar of Sticklebacks’ – http://www.armadillocentral.com/general/a-jar-of-sticklebacks-by-david-selzer