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‘The Shropshire Lad’

FROM AGINCOURT TO MARIUPOL

David Selzer By David Selzer3 Comments1 min read2.2K views

Much of the history of modern Europe,

from Agincourt to Mariupol,

seems to comprise ignorant, arrogant

purportedly Christian armies – some ragged,

most well financed – advancing, retreating,

slaughtering innocents, telling lies,

with brief respites for rearmament,

and victory’s parades and revenges.

 

Even respectable men who should know

better, scholars and poets, politicos

and hacks, pretend to be soldiers, to ‘Hear

the drums of morning play. Hark the empty

highways crying “Who’ll beyond the hills away?”‘

They broadcast the recruiting sergeant’s drum roll –

for volunteers to step up and play

one of humankind’s most ancient games,

border disputes and the massing of troops.

 

The Soviets created the famine

in Ukraine, as the British did in Ireland,

to chasten the natives, remove them.

Such holodomors need not just a Peel,

a Russell, snug in 10 Downing Street,

or a Stalin, secure in the Kremlin –

choosing which omelettes are on the menu,

which eggs, and how many, should be broken –

but hierarchies of aiders and abetters,

dutiful enablers of iniquity.

 

 

A SHROPSHIRE LAD…

…is the first book of poetry I owned –

a breast pocket sized hardback, slightly foxing.

It was my father’s: his name neatly

in capitals on the inside cover

in indelible pencil – a Londoner,

the son of immigrants. When I was ten

my mother gave it me. I liked the first line

‘From Clee to heaven the beacon burns’,

imagining it set to music.

 

Following his death on active service, the book

was sent back with all his other things.

I never knew him. He never saw me.

He died, an ocean away, three months

after my birth. He could be my grandson now.

He touched this book. I touch it, sniff it.

Old paper smells almost aromatic

like incense, always comforting, always

intriguing. Into my forties, I

thought of him every single day.

 

The book falls open automatically

at poems 35 and 36:

 

…On the idle hill of summer, 

Sleepy with the flow of streams,

Far I hear the steady drummer 

Drumming like a noise in dreams… 

 

…White in the moon the long road lies, 

The moon stands blank above;

White in the moon the long road lies 

That leads me from my love…

 

but this is the one I return to always:

 

Loveliest of trees, the cherry now

Is hung with bloom along the bough,

And stands about the woodland ride

Wearing white for Eastertide.

 

Now, of my three score years and ten,

Twenty will not come again,

And take from seventy springs a score,

It only leaves me fifty more.

 

And since to look at things in bloom

Fifty springs are little room,

About the woodlands I will go

To see the cherry hung with snow.