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the Wirral

THE GREAT AMERICAN NOVEL

David Selzer By David Selzer7 Comments1 min read2.4K views

Nathaniel Hawthorne’s The Scarlet Letter – tale

of adultery and obsession –

was published in 1850. In the year

the Crimean War began, he became

the U.S. Consul in Liverpool,

a post gifted by his friend the President.

He did not like the job despite the fees

from the cargoes of cotton and molasses

hoisted ashore. Whether in a Hansom cab

home to his family in lodgings in the town,

on the steam ferry to the rented villa

in the gated park on the Wirral,

or on the train to the rented house

on Southport’s Esplanade he felt too close

to the piratical-looking tars,

who washed up on the consulate steps.

 

His friend, Herman Melville – whose Moby Dick (tale

of arrogance and obsession) was published

in 1851 – had once been

a young sailor lost in the town’s quayside stews.

When he and his family did the Grand Tour

they set off from Liverpool, staying a week

with the Hawthornes in Southport. One evening

the writers took their cigars among the dunes

and, facing west across the twilight waves

of Liverpool Bay, spoke of providence,

eternity. Courageous innovators

that they were, no doubt each secretly,

that night, thought the other might have penned

the supreme fiction of their elusive land.

But the dark fields of the Republic

were rolling towards them – Little Bighorn

and Wounded Knee, Shiloh and Gettysburg.

 

 

 

LIVERPOOL, 3RD MAY 1941

David Selzer By David Selzer1 Comment2 min read1.8K views

This is one of the great public, civic

spaces of the world – the museum,

the library, the gallery, the court house,

Wellington’s column, the Steble fountain,

the Empire Theatre, Lime Street Station,

St George’s Hall,  St John’s Gardens, vistas

of the river, the Wirral, the Welsh hills…

 

During the worst raid of the Liverpool Blitz

the museum was set ablaze – a bomb,

one of so many, supposedly

for the docks, that razed history, neighbourhoods.

My grandmother, Liverpool Welsh – who took tea

with Buffalo Bill and was offered a place

in a music hall chorus line but refused,

being the eldest of thirteen, her Da

at sea and her Ma at the sherry –

described to me in detail many times

the natural history collection:

stuffed walruses, condors and Don Pedro,

a retired Barnum and Bailey elephant –

all immolated, and washed away.

 

While mummy, daddy, grandma see ‘Evita’,

she and I make our way to the museum,

holding hands. I talk about history,

public and personal – my father,

a stranger, a London Jew, in transit

that May Saturday, joining a line

of desperate buckets. She listens –

in my company a serious,

concerned seven year old – and asks if fires

can ever be put out. ‘Yes, always…

eventually,’ I say. We decide

to explore as many floors as we can

from the top – space, dinosaur poo, bugs

but have no time for masks and totems –

and pause, me for rest, her to draw,

before, leaving a moment for ice cream,

we walk in the dusk, past the statues,

up the incline to the theatre crowds.

 

 

Note: first published April 2017.