Tag Archives

triptych

THE GARDEN OF EARTHLY DELIGHTS

The left, centre and right panels of the tryptch, ‘Garden of Earthly Delights’, by Hieronymous Bosch circa 1510

 

Paradise flocks. Christ is blessing Adam, Eve

and, looking our way, us. We know, we

know – but a dirty trick to make evil

interesting! Lords and ladies teem: nude

armies on sensual manoeuvres.

In the nightmare, penis becomes knife, vulva

a cracked, open egg on tree-like legs –

and a man, elbow on the cut-away edge,

is unmoved. Hells’ punishments become our

crimes: towns burn; refugees drown; a man

is crucified in a harp. Hell’s commandants

play sonatas – and someone watches

and is indifferent.

 

 

 

THE PATH OF LIFE

‘The Path of Life’, the front covers of ‘The Haywain’ triptych by Hieronymous Bosch, circa 1500

 

A traveller, who looks permanently

the other way, cannot see the hanging

on a nearby hill and is about to step

on the first, cracked stone of a footbridge.

A journey is the oldest metaphor,

next to God. Christ, enthroned, transforms the lucent

angels, falling, into winged plagues.

And the next metaphor. Hell’s ceaseless,

all accommodating horrors are almost

more than image. Before God, the sculpting

of fear in black angles of forest, fear’s

picture in another’s eyes – before God,

a sensing of evil.

GARDEN OF EARTHLY DELIGHTS

The left, centre and right panels of the tryptch, ‘Garden of Earthly Delights’, by Hieronymous Bosch circa 1510

 

Paradise flocks. Christ is blessing Adam, Eve

and, looking our way, us. We know, we

know – but a dirty trick to make evil

interesting! Lords and ladies teem: nude

armies on sensual manoeuvres.

In the nightmare, penis becomes knife, vulva

a cracked, open egg on tree-like legs –

and a man, elbow on the cut-away edge,

is unmoved. Hells’ punishments become our

crimes: towns burn; refugees drown; a man

is crucified in a harp. Hell’s commandants

play sonatas – and someone watches

and is indifferent.