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turf

DINAS BRÂN, LLANGOLLEN

'Castell Dinas Bran', Richard Wilson, circa 1771



The path zigzags upwards to the keep, like

smoke or a hare hounded. Magpies lowfly

the gorse, bank to a clump of pine, barks pink

as coral. Ravens wheel. Birds and the wind

disdain the ruins peasants carted, raised,

razed and thieved. Before allegiances, walls

was this hill, that vast, limestone precipice

and, everywhere, silent, ancient waters.

Whoever sees the turf worn with walkers’

traffic and earth’s crust shining, whoever

looks across the vanished sea to the cliff’s

myriad catacombs will imagine the hoe

snick in the furrow, the clangour of arms

and the chough’s triumphant croak.

Defenders,  tousled on the battlements,

watched fields sown, leaves fall, expected Saxons.

Foes were covert. A viaduct terminates

the valley and trim, mechanical

dynasties converge on the smoky plain.

The journey from Powys to the Five Towns

was all of sixteen leagues, as ravens fly,

a thousand years and such optimism.

 

 

 

LA CLEF DES CHAMPS

'La Clef Des Champs,' René Magritte, 1936




When the landscape breaks, shards of painted trees,

clouds, turf cascade in crystal slabs onto

the carpet – and the landscape is there still

on the next pane. Over the brow of the rise

are the world’s kingdoms: deserts silenced

by polished bone; uneasy rooms where

sepia furniture flowers; canvas; wood;

the gallery’s wall solid as money –

asservir le bourgeoisie through draughtmanship.

The artist’s mother was pulled from the Sambre,

a suicide – the night-dress shrouding

her face. When the world breaks…breaks…there is death

only or servitude.