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Ulysses

THE POET AND THE BATTLESHIP

Emperor Augustus exiled the poet

Ovid to Tomis, a Black Sea port

and ancient metropolis, first city

of the Scythian Frontier, a day’s ride

from the Danube delta. Tomis –

in ancient Greek ‘to cut’, ‘to sever’, so called,

Ovid wrote, because Medea, Jason’s

sorceress and lover, dismembered

her brother there, threw the pieces in the sea –

now is Constanta, Romania, renamed

for the consort of Constantine,

and where the mutinous crew of the Potemkin,

after the failed revolution, surrendered

the dreadnought to the Romanian navy.

 

Rumour, however, has it the poet

may have exiled himself from Rome

to this the empire’s then furthest margin,

learning of the Emperor’s prurient wrath

at his Ars Amatoria – ‘Should

anyone here not know the art of love,

read this, and learn by reading how to love.

By art the boat’s set gliding, with oar and sail,

by art the chariot’s swift: love’s ruled by art.’

 

He thought the journey – south through Messina’s straits,

east across the Ionian Sea,

north through the Aegean and the Bosphorus,

tantalisingly past Byzantium  –

seemed to take as long as that of Jason

and the Argonauts. ‘The pine planks thunder,

the rigging is whipped by the wind. The keel

bellows, moaning with my troubles’.

He tells us in his poems from exile –

epistles in rhyming couplets, written

on papyrus, shipped to Rome, to friends,

enemies, and many times to his wife,-

that he fears the barbarians across

the Danube, and complains about the climate

that frequently freezes both river and sea,

and about the citizens of Tomis,

who eschew the toga for Persian trousers,

and mock his Latin. ‘…cano tristia

tristis…sad things I sing in sadness.’

 

In the late 19th century, almost,

as it were, two thousand years too late,

a square was named after him, a bronze statue

commissioned. The sculptor has him pensive,

observing his feet rather than the sea,

not that – compared with Medea’s doings,

and, in Mare Nostrum, the wanderings

of Ulysses and Aeneas,  never mind

the poet’s own modest, bitter travails –

the brief antics of barbarian

sailor boys in stripey jumpers on that

most marginal of seas would have been

of the slightest import.

 

 

 

‘MARILYN MONROE READING ULYSSES’: EVE ARNOLD (1955)

David Selzer By David Selzer3 Comments1 min read558 views

After the shoot on Long Island’s Cedar Beach

they drove next to a local playground.

While Eve loaded her camera, Marilyn sat

on some play equipment and read a book –

her worn copy of James Joyce’s ‘Ulysses’,

which she kept in her car, and had been reading

for some time, often aloud to get it’s sense.

(She looks to be about nine tenths through

so into Molly Bloom’s unpunctuated

soliloquy of love and longing).

This photograph of a pretty woman

in her late twenties, tanned, wearing short shorts

and a stripy top, reading an egghead’s book

was greeted with incredulity, “Oh yeah!” –

and, more harshly, “The thinking man’s shiksa!“.

 

Among the four hundred and thirty books

auctioned after her death were works by Flaubert,

Freud, Aristotle, Housman, as well as Joyce.

She was on Long Island that day visiting

her friend the poet Norman Rosten,

one of the last people she spoke to

the day before she died. Long before they met

he wrote, ‘Morning meets memory/and kills it’.

 

 

 

 

 

THE PROMONTORY

At the landward end of the bronze age site

is a six storey apartment hotel;

right a broad sandy beach with amenities,

left, behind palms, cypresses and olives,

another hotel, vast as a cruise ship,

hiding the property development signs

in Russian and Chinese on the main road.

 

A peloton of young German students,

when we arrive, is being lectured

at the entrance to the museum –

an architect-designed, circular space,

subtly engineered into the sandstone,

with a green dome and copper plated doors.

A Cypriot copper oxhide ingot

is one of the exhibits. They were standard

in weight – and shaped always like a stretched

animal skin – throughout the eastern sea.

 

Precursors of the fictional Ulysses,

exiles, refugees from Mycenae

found this safe haven – with its thirty foot

sandstone cliffs and a fresh water spring

and its crow’s nest view of the sea, north to Troy,

south to Egypt, west to the Hesperides –

three thousand years ago. They survived pirates,

a fire, built defensive walls, stone houses,

but stayed for only two generations

before Hellenising the island,

exploiting its copper.