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urban

THE BELVEDERE

You and I with fifty valentines and

February’s sun pale on the glass!

We count the camellia’s crimson blooms –

and remember, last summer, our grandchild

shivering with ecstasy the day

she chased her daddy with the garden hose.

From here, the house seems sentient, our

remembrancer – the lawns and borders and

parts of neighbours’ houses an urban landscape.

In this wooden hexagon – a half-glazed

gazebo, its blind back turned to a high

Victorian wall festooned with ivy

and clematis – voices are naturally

intimate and revealing, privacy

in an open space. Is it remarkable

we have been friends and lovers so long?

Chance, choice, serendipity or willpower?

We opt for all four. Behind us, in shade

for most of a winter’s day, accidental

primroses are blooming.

 

 

 

 

 

 

 

 

THE MEMORIES OF SLAVES

On Overton Hill, an obelisk

in local sandstone marks the parish war dead.

Fresh graffiti partly obscure Worrall,

Egerton, Massey – names of Cheshire gentry,

villages, labourers. There is a solace

in landscapes, remorseless historians.

Below the hill, the town becomes a toy.

To the horizon, are laid out the pricey,

strategic illusions: refineries

distilling forests and the wide, poisoned

river narrowing to an ashen,

urban haze of broken streets, redundant wharves,

the memories of slaves.