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Venice

THE GULLS OF VENICE

‘Imperfection is in some sort essential to all that we know in life’.

THE STONES OF VENICE John Ruskin

 

Many things are forbidden in Venice:

sitting on the steps in St Mark’s Square;

hailing water taxis from water bus pontoons;

putting out food waste except on the hook

provided between the designated hours

in order to deter gabbiani;

of which there are two species, compatriots,

the black-headed gull and the herring gull,

comune and reale respectively,

‘common’ and ‘royal’ surprisingly,

perched opportunely on bricole,

the stout oak posts that have always marked

the lagoon’s few navigable channels,

or raucous overhead, out of sight, a

remembrance of home, above the still canals,

the silent alleyways.

 

 

 

THE LAGOON

Like most houses over centuries here

this one has been divided. What was its

courtyard is part of a private gallery.

A vine, planted in the yard – perhaps

in the island’s original earth before

alder pilings made the city’s foundations –

has thickened, grown on top of a wall,

almost hiding the broken bottles

embedded in cement, and then up

to our third floor balcony, covering

the pergola. The grapes are pearly, small, sweet.

 

There is no dulling roar to baffle sounds.

Two unseen neighbours greet each other

in the street below. We hear ‘acqua alta’.

Later from the courtyard comes the noise

of prosecco, and earnest chatter.

Distantly a vaporetto changes gear

as it docks. Cases are wheeled through the calle.

On time San Samuele’s single bell

and San Stefano’s leaning campanile

ring out, then fade. The expected storm breaks

with thunder – and drops tap on the leaves.

 

Lightning wakes me. Out of sight, far beyond

the limits of houses and paving stones,

hundreds of thousands of birds are shuffling

through salt marsh, on mud flats, in tidal shallows,

their cries and calls unheard.

 

 

 

RIVA DEI SETTE MARTIRI, VENICE

If you stroll far enough, long enough eastwards

on Riva Degli Schiavoni (Shore

of the Slaves) – before it was a wide,

stone promenade it was sand and mud  –

stroll away from the crowds, past the Danieli,

the Arsenale, the vaporetto stops

and beyond, with San Georgio Majore

across the Bacino Di San Marco –

you come to the Shore of the Seven Martyrs,

where now private yachts and small cruise ships dock.

 

It was the Riva Dell’Imperio –

built by the Fascists in the ’30s –

when the German Kriegsmarine torpedo boats

moored there. The officers were partying

one July night – the carousing loud

through the blacked out canals – when a sentry

disappeared. A crowd of hundreds was forced

to watch the seven murders – men who were

already incarcerated – and children

forced to clean the blood from the stones. Later,

body unmarked, lungs full of sea water,

the sentry’s corpse washed up against the oak piles

that keep the city safe in the lagoon.

 

Nothing extraordinary here. There are

two other sites in Venice, many more

throughout Italy, with greater numbers –

like the bus exchange in Gubbio,

Piazza Dei Quaranta Martiri,

or Rome’s Adreatine massacre.

Nothing remarkable anywhere perhaps

given half a million Italian war dead

except mostly, despite the witnesses,

the crimes are unpunished.

 

 

 

THE ARMENIAN MONASTERY, SAN LAZZARO, VENICE

San Lazzaro island was the city’s

leper colony until the Doge

gave the Armenians sanctuary, no doubt

to annoy the Turks. An antique engraved print

of the monastery, which occupies

the whole island, hangs on the wall above

the small table I use for my laptop.

The monks did the engraving and print.

Their library is Alexandrian in scope.

 

Gordon Lord Byron, escaping the

blandishments of Shelley’s sister-in-law,

took an apartment on the Grand Canal,

in the Palazzo Mocenigo-Nero,

with his attendants – including dog, fox,

wolf and monkey – for two hundred pounds

a year. As always bored and curious,

he visited San Lazzaro, learned

Armenian and helped with translations.

 

The second book of poetry I owned was

a hand-me-down, leather bound, well read,

complete works of Byron – my mother’s father’s.

He was dead of a heart attack years

before my birth: Welsh, from Swansea, bit of a

bully, a whisky drinker, a bibliophile,

a bombardier badly wounded at Mons,

a Post Office Telegram Manager,

a travelling classified ads salesman.

 

I have the other books that survived his

middle daughter’s arson of this auto-

didact’s library:  BP’s ‘The Matabele

Campaign 1896’, ‘The Greatest

Show on Earth,’ ‘The Makers of Florence’, Wilde’s

‘Salomé’, with the Beardsley graphics, a first edition,

‘The Story of Atlantis.’ Imperialist,

circus master, aesthete, voyeur, dreamer,

he died in a boarding house near Altrincham.

 

We caught the 15.10 vaporetto, watched

the white campanile with its onion

cupola draw near. The boat slowed, rolled

in the swell, engines into reverse

with a roar of gears. The tour encompassed

printing press (‘per souvenir’), church, library.

In one corridor, I smelt meat cooking, glanced

through an open window. In the kitchen yard

below, the monks were playing 5-a-side.

 

 

 

EZRA POUND IN VENICE

David Selzer By David Selzer3 Comments1 min read2.5K views



‘But the worst mistake I made was that stupid suburban prejudice of anti-semitism.’ Ezra Pound


Sitting in a traghetto, Olga Rudge

from Ohio and Ezra Pound from

Idaho – together fifty years,

from concert violinist to poet’s helpmate,

poet maker to fascist propagandist,

he, typically, with stick, wide brimmed hat,

floppy collar, she, wearing woollen gloves,

left hand clutching a large, canvas bag, right hand

a carefully folded scarf, dressed, like any

elderly woman, for a chilly day –

look away separately into the distance.



Five years before Pound’s death, Allen Ginsberg,

from New Jersey, on a sort of Grand Tour,

kissed him on the cheek and forgave him,

on behalf of the Jews, for his ‘mistake’.

‘Do you accept my blessing?’ asked Allen.

‘I do’, said Ezra. What closure! What chutzpah!

Held in a cage in Pisa, lit day and night,

jeered at as a traitor and a coward

by GIs who had battled from the south,

he wrote: ‘What thou lovest well remains,

the rest is dross’.

 

 

 

 

 

Note: The poem has subsequently been published at

http://thirdsundaybc.com/2012/03/18/vol-1-no-3/

 

EZRA POUND IN VENICE

David Selzer By David Selzer5 Comments1 min read4.5K views

‘But the worst mistake I made was that stupid suburban prejudice of anti-semitism.’ Ezra Pound

 

Sitting in a traghetto, Olga Rudge

from Ohio and Ezra Pound from

Idaho – together fifty years,

from concert violinist to poet’s helpmate,

poet maker to fascist propagandist,

he, typically, with stick, wide brimmed hat,

floppy collar, she, wearing woollen gloves,

left hand clutching a large, canvas bag, right hand

a carefully folded scarf, dressed, like any

elderly woman, for a chilly day –

look away separately into the distance.

Five years before Pound’s death, Allen Ginsberg,

from New Jersey, on a sort of Grand Tour,

kissed him on the cheek and forgave him,

on behalf of the Jews, for his ‘mistake’.

‘Do you accept my blessing?’ asked Allen.

‘I do’, said Ezra. What closure! What chutzpah!

Held in a cage in Pisa, lit day and night,

jeered at as a traitor and a coward

by GIs who had battled from the south,

he wrote: ‘What thou lovest well remains,

the rest is dross’.