Tag Archives

W.B. Yeats

WILLIE AND THE HARE

David Selzer By David Selzer2 Comments2 min read2.1K views

One had a lovely face,

And two or three had charm,

But charm and face were in vain

Because the mountain grass

Cannot but keep the form

Where the mountain hare has lain.

‘Memory,’ W.B. Yeats

 

Thomas Cubitt, London’s master builder, built

Woburn Buildings (on the Duke of Bedford’s land);

a pedestrianised street from Woburn Place

to what is now Euston Road, and abutting

St Pancras New Church with its caryatids

and ionic columns. Late Georgian London

on the up. Cubitt noted that hares came south

from Primrose Hill and from The Regent’s Park,

in the evenings, to rest on the paving stones.

 

W.B. Yeats, Willie to friends

and family, moved to the second floor

of number 18 ‘to be close to

the people’ or, rather, to further his

short-lived affair with his married mistress.

(That year Oscar Wilde chose not to cut

and run, and so found himself disgraced).

Willie noted a ‘handsome old grey hare’

resting beneath number 6’s bow window.

 

Two more London adoptees, Ezra Pound,

who brought T.S. Eliot, attended

Willie’s Monday ‘At Homes’, where Ezra

soon made himself indispensable,

dispensing his host’s Bushmills and Sweet Aftons,

then becoming his secretary,

marrying his mistress’s daughter

and dumping her in Paris with their son –

meanwhile making Yeats a modern poet.

 

Two geniuses and their mentor, mere

human beans all three, ambitious, amorous,

apprehensive, came and went – past

the shoemaker’s shop on the ground floor,

the workman and his family on the first,

and gossiped about art beneath the attic

where a pedlar painted water colours.

All are lost like the hares. Perhaps the bricks,

the pavings remember.

 

 

 

A POEM FOR MY DAUGHTER

David Selzer By David Selzer3 Comments2 min read2.2K views

To have a child, as you know well, is to have

someone always with you – their shadow,

their echo, their breathing – whatever

has happened, whatever may happen.

To have a daughter is to shape the future.

 

When we lived in a Victorian third floor

attic flat, that had been the nursery

and the children’s bedrooms, and the trees,

planted when the house was built, touched the panes,

and you were only a few weeks old

fifty years ago now, I began

a poem with this title — inspired

by Yeat’s poem ‘A Prayer For My Daughter:

‘Once more the wind is howling, and half hid

Under this cradle-hood and coverlid

My child sleeps on’ – when the Black & Tan War

raged, rampaged:  houses shelled and burned.

A first time father in his fifties,

he wished his daughter a modest beauty,

a becoming wit, and a good marriage!

 

It was a gentle, English May, and Wilson

was keeping us out of Vietnam.

I was a young man proud and fearful

of fatherhood – unmastered in either

the grandeur or simplicity of words.

All I could think to wish for you was health.

The poem stalled, was left unfinished, lost.

 

A few days old, your daughter lay in her crib,

in another Victorian house.

Outside the snow continued to fall

in that provincial city, slowing traffic,

drifting in gardens. Across an ocean

one of the worst earthquakes on record

razed the flimsy houses of the poor.

As you entered the room talking – wittily,

kindly, hopefully – she turned her nascent head

in your direction, hearing that sound

she had heard forever.

 

 

 

EASTER, 1916

David Selzer By David Selzer2 Comments1 min read1.8K views

‘We make out of the quarrel with others, rhetoric,

but of the quarrel with ourselves, poetry’

W.B Yeats, ‘Anima Hominis’, Essays (1924)

 

 

Could he hear the firing squads day after day?

Did the rattle carry from Kilmainham Gaol

to Merrion Square as the poem quickened?

 

Easter had been as late as it could be

that year. Unlikely saviours came forth,

commonplace clerks, scribblers, pedagogues.

The English sent a gunboat up the Liffey.

It hollowed out most of Sackville Street –

Clery’s, Liberty Hall, the GPO –

and the ‘terrible beauty’ was born,

the glare of rebellion, of sacrifice.

 

As the poem grew, swallows and swifts

twittered and screeched over the park in the square

and above the broken stones of the city.

 

The English, as always, overreacted:

turned, through brutality, a revolt – inept,

unpopular – into a decisive,

echoing blow for independence.

 

The swifts had gone when he finished the poem

in late September. He published it widely

four years later – via London and New York –

that murderous autumn when he knew for sure

what he had written had become true.

 

‘MacDonagh and MacBride

And Connolly and Pearse

Now and in time to be,

Wherever green is worn,

Are changed, changed utterly:

A terrible beauty is born.’

 

 

 

TRAFFICKING IN MOCKERY

David Selzer By David Selzer2 Comments1 min read1.8K views

While paupers’ bones receive scant ceremony,

a king’s skeleton toured much of Leicestershire

(excluding its now defunct coal fields) –

received a 21 gun salute,

was borne on a gun carriage, escorted

by Guides and Scouts and chaps ahorse in armour,

lay in state flanked by bowed head veterans

and was entombed in bespoke pride of place

in the restored cathedral with long queues.

 

The remains of a sensitive, serious

fellow portrayed holding his signet ring,

his seal of office, between finger and thumb,

or a witty Machiavell with some

of the best lines the Bard of Avon penned?

 

A Princess Diana moment sans tears!

All about dosh and PR for city,

county, church and varsity, hallowed

by the pretence of the veneration

of history aka monarchy –

the old English disease.