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March 2025

LE CAFÉ-BAR DE PÈRE LACHAISE

David Selzer By David Selzer3 Comments2 min read1.9K views

The cobbled street is slick with the morning’s rain.

My Solex moped slips slightly as I brake

in front of the café-bar. I dismount,

and hurry in. The place is full of smoke –

Gitanes and Gauloise, the odd cigarillo,

pipes – and lookalikes – Simone Signoret,

for example, over there, with Jean Gabin.

The radio is playing ‘Sous les toits

de Paris’. Maurice Chevalier sings,

‘Nous sommes seules ici-bas.’ I remove

my wet cape, and shudder, remembering

walking the paths of the cemetery

in the rain at dawn, searching for hours

in Père Lachaise for a grave I could not find.

 

I notice there is only one seat free –

in the furthest corner next to a man

with a pipe who might be Jean-Paul Sartre

perhaps or even Georges Simenon.

I hang my cape on the pegs near the bar,

order a Ricard, and make my way

to the corner. Sartre-Simenon looks up,

takes his pipe from his mouth and points, with its stem,

to the empty chair. “Merci, monsieur,” I say.

I sit. On the radio Yves Montand

is singing ‘Les Feuilles Mortes’. The double-double,

pointing to the sandy mud on my shoes,

asks if I found the grave I was looking for.

In response to my surprise, ‘Voilà’, he says,

pointing to his own shoes, and the floor tiles

bestrewn with the same detritus, and then

at the other lookalikes in the café-bar.

‘Nous en avons tous marre,’ he says. Each one

is silent, introspective, as Montand sings,

‘Et la mer efface sur le sable.’

 

 

 

 

 

 

 

THE WOMAN IN THE WHEELCHAIR

He had gone to the island to die – or to

disappear. He would decide as the minutes,

the hours, days, weeks unfolded like a map.

He had chosen the month of August

assuming that, because of the tropical

heat, there would be fewer visitors then.

He had chosen to go to that island

in particular because it was where

his ancestors had been taken in chains.

 

Although the noisy air conditioning

in his room was on full power the air smelt

of damp and of plants. He switched the machine off,

opened the balcony doors, and stepped out

into the sunlight, and the heat. Before him,

perhaps no more than fifty feet away,

was what appeared to be pristine jungle.

He could smell the exotic vegetation.

To his left he could see the silvery beach,

and the Caribbean a shining turquoise –

to his right, on the next balcony,

a woman in a wheelchair. Though her face

was mostly obscured by an elegant hat,

he noticed her skin was the colour

of amber – and that, despite the heat,

she was wearing long white cotton gloves.

She seemed to be asleep. He withdrew quickly.

Naively he had not thought about neighbours.

 

The hotel was full of guests. On that island

in the month of August hotels catered

for conferences. The one next to his –

vast, modern, and gleaming with reflective glass –

was hosting Gospel Churches of the Delta.

Though some delegates were accommodated

in his hotel, sleeping and eating there,

morning, afternoon and most of the evening

the place was empty but for members of staff,

himself, and the woman in the wheelchair.

He had hoped therefore to find somewhere tranquil

to think through in detail the whys and wherefores,

the ways and means of his disappearance

or death, but the woman moved her wheelchair –

through dull corridors, across shabby lounges,

on worn pathways between the coconut palms –

like a Para-Olympic athlete,

with speed and precision, being able to stop

and turn on a dime. He understood the gloves

now, giving her extra thrust. She seemed

to wear a different colour every day: blue

yesterday, today red, white tomorrow?

Was she a patriot, or a joker,

in her own private circle of hell?

 

He studied the conference delegates

at breakfast. They did not seem particularly

blessed or enraptured – then suddenly realised

that it had been his obsession with

the minutiae of other people’s souls,

their internal lives, that had brought him here,

and that he was becoming obsessed with his

new neighbour, as he had started to think

of the woman in the wheelchair.

It was not the accumulation per se

of all the years of pettiness, pathos,

horror he had heard in the confessional

which had undone him, but the fact that if he,

only feet away from these suffering souls,

could do nothing to help except regurgitate

platitudes in that mega city, what chance

had an abstraction somewhere beyond.

 

In the early hours of the fourth morning

before the air conditioning was needed

to prevent his room becoming too warm,

using the hotel stationery he began

a mind map – in his precise almost

miniature calligraphy – of the ways

he might disappear or die, and realised

he could only effectively do

the former if he first did the latter.

Unsure how he felt about his choices

reduced by half, he showered, went to breakfast

taking the carefully folded map with him.

 

He decided that if he walked quickly

behind the woman in the wheelchair

she would always be more or less out of sight.

She must have changed direction at some point

because they met on one of the pathways

through the palms. ‘Coming through’, she called out

charmingly, and, smiling, ‘Thank you so much’,

as she passed him. He stood to one side,

like a retainer, unable to speak.

He noticed she was wearing the white gloves.

 

Eventually he found somewhere quiet

to contemplate his destiny. The hotel

was on the south east coast of the island

so faced the sun for much of day.

In the late afternoon, looking for shade,

he walked along the beach towards where the sand

and the jungle met. He found an ancient

baobab tree, took shelter in a vast cleft

in its trunk, and unfolded the mind map.

As he studied it, he remembered reading

that baobabs could live for a thousand,

two thousand years, that they had grown here

from seeds drifting across the Atlantic,

following the currents from West Africa,

on the base line of that triangular trade –

and realised his map took no account

of accidents, coincidents, irony.

He decided to bury it. As he dug

he looked up suddenly. A sting ray,

perhaps twenty feet across, had risen

from the sea barely fifty yards away,

on its giant wings of pectoral cartilage.

As it dived another rose, and another.

He got to his feet. He had to tell someone.

He would tell the woman in the wheelchair.

 

 

 

 

IN THE BEGINNING

David Selzer By David Selzer2 Comments2 min read1.6K views

On the first day of summer she asked the novice

to open the scriptorium’s small casement.

And suddenly the river’s murmurings

became clear, and she could hear curlews

calling from the narrow estuary,

and thought of her family in the village

beyond the river through the woodland

two furlongs away. Then remembered

how nostalgia is a neighbour to regret.

She turned to the sheets of calfskin vellum

pristine on the desk before her, touched them,

smelt the animal scent on her finger tips.

She ruled lines across the first page of parchment,

chose a quill the novice had sharpened,

a pot of black ink they had made from soot,

and began: ‘in principio creavit

Deus caelum et terram…’ When she came

to God’s name she put the quill down and looked up

to ask the novice to fetch the brass-bound box

that held the lapis lazuli and gold leaf.

She saw the girl had not been watching her

attentively as she usually did –

intending always to learn and learn,

as she had herself when a novice – but was pale

and bent over, and realised that Eve’s Curse

was suddenly upon her. ‘Sister,’

she said gently, ‘you will be a bride of Christ.

Go and sit by the window, and pray’.

As she watched her go she thought again

of her own noviciate, and of her nieces

and nephews in the village over the wall

beyond the river – and admonished herself.

The novice, turning, called to her, ‘Please come,

sister’. ‘What is it, child?’ she asked. ‘Sister, please’.

Beneath the casement were the abbey orchards,

a kaleidoscope of apple blossom. The summer air

brought the scent unbidden – and the sounds

of the river, and the distant cries of birds.

 

 

HARD LABOUR

David Selzer By David Selzer3 Comments2 min read1.9K views

An ex-colleague, about whom I have heard nothing

for thirty or forty years, has died

quite recently from prostate cancer

I have learned from a chance encounter

with Miranda, a mutual acquaintance.

Paul had been an able linguist, fluent

in French and German, a charismatic

teacher – and a very heavy drinker.

The last I had heard of him he had gone

to teach English in Isfahan, Iran –

presumably a cold turkey cure

in one of the world’s most beautiful cities.

When he died he was living in Alvor,

in the Algarve, under a pseudonym –

Sebastien Melmotte – Miranda told me,

though she could or would not tell me why

but, chuckling, reminisced about Paul’s

extensive repertoire of bad impressions.

 

Later, a search on the internet told me

that in the 1990s Paul had taught

at a prestigious private girls’ school

in Lagos, and had a large apartment

in the city centre. At his trial

it was alleged he lured street boys there

and prostituted them – which he denied

then, and subsequently. He was sentenced

to twelve years hard labour, and served two

in Kirikiri Prison near Lagos

before being pardoned by the President

and deported to the UK. For a time

he lived in his late mother’s house in Widnes,

which was opposite a primary school.

The local press and the BBC found out.

He was shouted at in the street, went out

only after dark – then disappeared one day.

 

I recalled Miranda’s parting remark.

‘I think, and so do others, that he was

unjustly treated’. Did she mean he was

innocent of the charges and/or

should not have been accosted in Widnes?

From memory, in the staffroom, the only

environment in which I knew him,

he seemed stolidly heterosexual,

and was rumoured to be pursuing

the mother of one of the pupils.

But perhaps that was a front – and a high risk

one at that. Maybe the risk was what

really mattered – in Isfahan, Lagos?

Do some of us deliberately chose

a life of hard labour? I think he got

irony. If so, ending his days

in Alvor – a thirty-minute drive

from the port of Lagos that gave its name

to the Nigerian capital, and was

the centre of the European slave trade,

still preserving the purpose-built market

where African slaves had been sold – might have

made him a tad rueful.

 

 

 

CARNIVAL

David Selzer By David Selzer1 Comment2 min read1.7K views

Sudden heavy rain scatters on the skylights

of the hotel’s restaurant – and finds a small gap

in the putty last summer baked biscuit-dry.

A drop falls then another onto the floor’s tiles.

The apologetic waitress carries

my Pastis, Vittel and Madeleines

to a dry table near the door. I follow

with the ashtray and packet of Gitanes.

She asks me if later I am going to see

the carnival in the square. I say, ‘Peut être’.

 

I have just finished my liqueur, eaten my cakes,

and am about to light up another Gitanes,

when two early, sodden, loud revellers

enter the restaurant. The smoke and noise

of the carnival follows them briefly.

I think of ‘Une Soirée Au Carnaval’,

that surreal painting by Henri Rousseau,

part time artist, full time customs officer.

 

A woman and a man in fancy dress

stand in front of dark, calm, leafless trees.

He looks at us, she at him. He is Pierrot,

she Columbine in a peasant bonnet.

A street lamp has been lit. In the clear, dry sky,

a full moon and scattered stars are shining.

There is only the soft soughing of the wind.

Though they are dressed for joy, there seems to be

no merriment. They are impassive, still.

Meanwhile, in the round window of what might be

a shelter in the wintry copse where

Columbine and Pierrot patiently wait,

lit by the street lamp is an older man’s head.

He has a moustache, and wears a peaked cap.

 

The new customers are dressed in costume too: he

as Marie Antoinette, observing

the crumbs of Madeleine still on my plate,

and winking; she as Louis XV,

smirking at my apparent disapproval

of such contraband merriment. ‘Après nous

– le deluge!’ she guffaws.

 

 

OTHER PEOPLE’S FLOWERS: LESLEY CLIVE, PLAYWRIGHT – BRANWELL JOHNSON

David Selzer By David Selzer1 Comment4 min read2.3K views

My mother Lesley Johnson is an award-winning Wirral playwright with several works under her belt penned under the name Lesley Clive; plays that were professionally produced and brought  to life on the stage and local and national radio in the late 1970s and early 1980s.

Sadly, she has no recall of her creative life – I’m afraid Alzheimer’s Disease casts this distressing spell. But her works were always present on the page and on old recordings waiting to resurface. But if not for David Selzer’s kind prompting, it’s unlikely I would’ve unearthed and digitally copied the original analogue cassette recordings and I’m incredibly grateful for this opportunity to introduce Lesley ‘s plays to a new audience.

My mother was born and bred on the Wirral and despite being a young mum with two fractious kids living in a crowded three-bedroom semi, she somehow found time and space to write. She didn’t have her own study in which to concentrate but worked on a desk in the parental bedroom and she lacked the networks people often forge at college that can help open doors – she didn’t pursue higher education until much later in life when she attended Ruskin College in Oxford for a time to study a particular historical Scots’ event (another fascinating tale to surface one day).

But Lesley did have a deep love of and huge appetite for plays, poetry and literature and a marvellous circle of encouraging friends. These included David and Sylvia Selzer, friends of my parents going way back to when David taught alongside my father way in the early 1970s. All were highly engaged with the creative, cultural life of the Wirral and Merseyside. And Lesley had tenacity in spades. She built her own network among the regional theatre groups and actors, writers and radio producers in Merseyside.

I was fairly oblivious to mum’s creative efforts in childhood and my early teenage years. I often heard the typewriter rattling and clattering and sometimes we’d be ushered out of the front room when the landline rang so she could have long, private conversations about current projects. But I didn’t pay much attention beyond being aware she was ‘writing.’

It’s only when going through her papers and belongings on her move into a nursing home that I realised the extent of her work. It’s a heartbreak that she is still alive but unable to elucidate on her writings – but the cache of official BBC reading scripts, recordings of radio productions and local newspaper cuttings paint a picture of a creative life well-lived ‘in the provinces.’

Lesley’s plays embraced historical dramas and contemporary life, all leavened with dashes of grit and humour. Her radio commissions also took on important Northwest events, such as the tragic sinking of the submarine HMS Thetis in Liverpool Bay, George Stephenson’s tenacious battle to build the first intercity railway from Liverpool to Manchester and the Liverpool policeman’s strike of 1919.

 I only saw one play performed on stage myself, this was Any Way You Want Me about the recollections of an ageing rock’n’roll groupie; it was poignant, funny and rather rude, I recall.

The Daisy Chain also stands out in the memory because I recall the family excitement of its broadcast on Radio 4 back in 1979. It’s an evocative account of the thoughts of Catherine Howard, Henry VIII’s very young fifth wife, on the eve of her execution. It’s a moving story of thwarted passion, the fears and follies of youth and the sacrifices made on the altar of power.

The play was one of her prize-winners and was aired both on Radio Merseyside and Radio 4’s 30 Minute Theatre. Other plays like Back Step told stories of women trying to shake off the restricted roles placed on them by the society, class and poverty of a few decades back and all the stories are shot through with imaginatively biting and amusing lines that prevent them being mere tales of misery.

I have now published the broadcast audio recordings that are salvageable on YouTube as a testament to Lesley’s passions and her unique voice, not quite stilled but no longer that of a storyteller. Among the various casts are actors who were well-known at the time, such as June Barry, or who became recognisable names like Julie Waters. The hard work of all the actors and production teams on all the projects of this not that distant era deserve applause.

Below is the full list of Lesley’s works with clickable links to available plays on YouTube.

Radio Plays

Tie Up – BBC Radio 3 (1976)

The Daisy Chain – Radio Merseyside (1977) – winner of BBC Radio Northwest Playwright’s Competition 1977, Thirty Minute Theatre, BBC Radio 4 (1979 featuring June Barry)

Back Step – Thirty Minute Theatre, BBC Radio 4 June (1980)

Shadow Tick – Thirty Minute Theatre, BBC Radio (1980 featuring Julie Walters)

Wheelbrace – Radio Merseyside (1979)

Radio Drama Documentaries

Sea Of Trouble (story of H.M.S. Thetis) – Radio City (1979)

King Steam (4-part series, George Stephenson) – Radio City (1980)

Part 1

Part 2

Part 3

Part 4

Who Killed Julie (The Julia Wallace Case) – Radio City (1981)

Coppers Out! (Police Strike, 1919) – Radio City (1982)

Stage Plays

Eye – Liverpool Everyman Theatre (1972)

Can’t You See My Face Is Sad – Gateway Theatre Studio, Chester 1972). Prizewinner

Next of Kin – Gateway Theatre Studio, Chester (1973). Prizewinner

Dov – Gateway Theatre Studio, Chester (1973), Prizewinner

Tie Up – London Fringe Production, Playhouse Upstairs (1976)

Any Way You Want Me – King’s Head, London, Birmingham, Liverpool Everyman Theatre, Manchester, Buxton Festival (1981 featuring Linda Beckett) and Edinburgh Festival (1982)

Jam Side Down – Liverpool Playhouse (1983)

A Basket Of Stars – children’s play, Wirral Youth Theatre (1978)