THE PATH OF LIFE

‘The Path of Life’, the front covers of ‘The Haywain’ triptych by Hieronymous Bosch, circa 1500

 

A traveller, who looks permanently

the other way, cannot see the hanging

on a nearby hill and is about to step

on the first, cracked stone of a footbridge.

A journey is the oldest metaphor,

next to God. Christ, enthroned, transforms the lucent

angels, falling, into winged plagues.

And the next metaphor. Hell’s ceaseless,

all accommodating horrors are almost

more than image. Before God, the sculpting

of fear in black angles of forest, fear’s

picture in another’s eyes – before God,

a sensing of evil.

THE CURE OF FOLLY

‘The Cure of Folly’ by Hieronymous Bosch, circa 1490

 

Here is a cure for madness. The patient,

stupid with pain, credulity or

the random gaze of the mad, the distraught, looks

in our direction. He is being trepanned.

The surgeon, having pierced the shaved skull,

looks modestly away. A monk with a jug

of wine or of water and a nun

with a closed book gesture to the consultant

as if to say, “Thus perish all follies”.

A white horse gallops through an orchard. Sheep graze.

A distant gallows is occupied.

Where the landscape ends in blue hills, steeples

rise in an empty sky.

 

GARDEN OF EARTHLY DELIGHTS

The left, centre and right panels of the tryptch, ‘Garden of Earthly Delights’, by Hieronymous Bosch circa 1510

 

Paradise flocks. Christ is blessing Adam, Eve

and, looking our way, us. We know, we

know – but a dirty trick to make evil

interesting! Lords and ladies teem: nude

armies on sensual manoeuvres.

In the nightmare, penis becomes knife, vulva

a cracked, open egg on tree-like legs –

and a man, elbow on the cut-away edge,

is unmoved. Hells’ punishments become our

crimes: towns burn; refugees drown; a man

is crucified in a harp. Hell’s commandants

play sonatas – and someone watches

and is indifferent.

 

ENCOUNTERS WITH HISTORY

In the Hall of Mirrors, many decades

ago, an elderly German couple

asked me to take their photo. I thought of

quoting Heinrich Heine, “’Aus meinem Grossen

Schwerzen, Mach ich die Kleinen Lieder’” –

‘Out of my great sorrows Make I little songs’ –

but weltanschauung trumped chutzpah. I took it.

 

Though the Sun King himself built out of town,

the myth of the metropolis persists.

The city dreams. The world journeys elsewhere

in places too remote for my atlas –

like Belzec, Poland. The year I was born

daily five thousand gassed.

POPPY DAY

Newly returned from Helmand, almost intact,

the Regiment stands to in scattered rain.

City dignatories and citizen privates

remember. They sing: ‘Where, Grave, thy victory?’

The Bishop blesses them all. A boy whimpers.

 

Old men, straight-backed, march singly into town,

medals jingling like choices. November wind

troubles the eye: remembering mates,

remembering merely being young, not dead

merely. This is a willing grief: forgetting

means that, for principle or custom,

death is merely dying, and the so-called

blood and treasure contract merely words.

NORTH WAZIRISTAN, INDIA, 1937

As he lay in a slit trench, in the dark,

next to the howitzer – smelling the gun oil

despite the cold, shivering despite

the army issue blanket and a tribesman’s

sheepskin tunic he’d bartered for – he thought

of tomorrow’s oven heat, turned, looked up.

Before he came to India, he’d never seen

so many stars. He’d eleven months to go

before his discharge – better counted that way

than in days or weeks. But maybe he’d sign on

for another tour. There was still no work

in the cotton towns. His mam and him

had lied about his age. Better that than

hunger and the workhouse. He thought of his dad,

in the madhouse with shell shock, dying there,

gripping his hand, shouting that poem:

‘Up lad, up, ‘tis late’, his mam sobbing…

 

He thought of the Pathans. ‘Ten thousand,’

the officer had said, a moustached Colonel,

who’d cut his teeth as a subaltern

in the Amritsar massacre. ‘And lead

by the mad Fakir of Ipi. By contrast,

we are fifty thousand – British, Gurkha, Sikh.

Ten brigades, five divisions, armoured cars,

tanks and a squadron of Wapiti bombers.

We shall prevail.’ They’d hardly ever seen

the enemy – but caught the endless sniping,

the frequent roadside booby trapped bombs.

When they did get close, the treacherous,

ruthless, suicidally brave buggers

flitted over the Afghan border.

He’d vote Labour when he got home. Change things…

 

He suddenly remembered Quetta, the earthquake –

and felt the guilt like a knife. His unit

was piling corpses from the native quarter

into a two ton Bedford when one of them

moved. He knew him, Kassim, the battery’s

char wallah, a young man his age. They had talked,

laughed. ‘Please. I am not dead, sahib.’ ‘It’s Kassim,

Corp,’ he called to the NCO in charge.

‘He’s alive.’ He watched the Corporal go to the cab,

bring back a pickaxe handle and cleave

Kassim’s skull. ‘He’s dead now, son. One down.’

The Corporal grinned at him. He looked away.

No one had spoken up – one had even laughed…

 

The eastern sky was lightening. He’d sometimes dream

of Kassim, good dreams, from which he’d wake

bereft. There was no one he could tell.

He remembered the end of that poem

his dad recited again and again.

‘Up, lad: when the journey’s over There’ll

be time enough to sleep.’