TRIGGER AT THE ADELPHI, LIVERPOOL, MARCH, 1954

For Alex Cox

 

This is the year Dien Bien Phu falls,

Algeria rises, segregation is

ruled illegal in the USA,

the first kidney is transplanted and UK

wartime food rationing finally ends.

 

Lime Street was filled with thousands of boys and girls,

gathered to greet the singing, celluloid,

Born Again cowpoke, Roy Rogers (erstwhile

Leonard Slye), and his entourage – combining

a promo tour with a Billy Graham

crusade. The youngsters, pinched with cold on that

blitzed and windy street, clutched their copies

of the Roy Rogers Cowboy Annual.

Those with seafaring dads – and there were ships

filling the Mersey then and its docks –

had something from the Sears catalogue

of Roy Rogers Gifts: boots, guitar, holster,

ersatz buckskin fringed shirt. (Roy and his wife, Dale,

had been mobbed in London, fringes ripped from

the genuine article). But Roy and Dale

were in bed with ‘flu in their Adelphi suite –

so Trigger trotted the route alone,

climbed the hotel steps, made his mark at

reception, entered the residents’ lounge,

visited his master’s bedroom and appeared

at a first floor window for a photo op.

 

But was it Trigger or, his double,

Little Trigger? And which rears on its hind legs

stuffed in the Roy Rogers Museum,

Branson, Missouri, the ‘Show Me’ state’?

Or is either or both with Roy and Dale –

and Bullet, the dog, of course – alive, well and

moseying along on the moon’s dark side?

WISHES

For Evelyn b. 13 1.10

 

Born to good music by strong women,

Ella’s ‘isle of joy’, Nina’s ’it’s a new dawn’ –

how you nestle in your parents’ untrammelled

love, how you suck with unrelenting hunger!

 

Born into a world of rubble, with children

buried alive, a world of chicanery

and hatreds – you have entered a difficult

place, little Evie, somewhere remarkable,

full of tears and amazing kindnesses!

 

Born into a world of snow, a fox’s

nocturnal tracks in the white garden

of the tall, Victorian villa, a Blackcap

at the bird feeder, a Redwing sheltering

in the laurel and, away on the Downs,

boys and girls, freed from school, tobogganing

over the fossils and flints on the steep shore

of a palaeolithic sea – how you squirm

with hunger, how you bask in so much love!

 

Three wishes then for you, little bird:

may you be lucky, may you be gracious,

may you always have someone to love!

 

HEAR THE DRUMS

This full length stage play focuses on Jamila, a sixteen year old girl of mixed Afghani and English parentage: on her struggle to determine her cultural identity, her longing for her father whom she has been brought up to believe is dead but whom she discovers, by chance, is alive and a prisoner of the Americans in Afghanistan – and her confronting the lies and misunderstandings that have had such tragic consequences for her family.

You can download the main text as a pdf:

HEAR THE DRUMS MAIN TEXT

A list of characters, information about where and when the action is set and acknowledgements are also available as a pdf:

HEAR THE DRUMS – CHARACTERS, LOCATION, ACKNOWLEDGEMENTS ETC.

 

 

Note: the play was a prize winner in the Sussex Playwrights’ Club 2009 Full Length Play Competition.

 

 

 

 

SAPPHIRE

We came here first maybe fifty years ago –

Porth Trecastell aka Cable Bay

(on Ynys Môn aka Anglesey) –

a small Iron Age hill fort on one headland,

a Neolithic grave on the other,

and a telephone cable to Ireland

in between. This bank holiday the bay

is busy – paddlers, bathers, canoeists.

 

In the gated burial chamber –

Barclodiad y Gawres, which translates,

‘the full apron of the giantess’ –

its prehistoric graffiti secured

against vandals, a pair of swallows

has nested. We can hear the nestlings.

Seeing us, the parents, beaks replete

with insects, perch on the outer gate,

waiting patiently for the lubberly,

flightless giants – one with a movable eye

that shafts like lightning – to depart.

When we do, they fly past, a steel-blue flash,

an iridescence, into the dark tomb.

 

From the dolmen’s entrance, on the horizon

is Holyhead Mountain. If the earth were flat,

we could see to Ireland – where the weathers

and the myths are made. In sunlight as sharp as

wings, the sea is so many shades of blue:

cerulean, aquamarine, cobalt,

amethyst, turquoise – and sapphire,

a token of all our married years.

 

 

PRIMATES

The Cape Point funicular stops. A baboon

is squatting on the track, suckling its young.

Cameras click. We wait. Mother and child lope off

into the fynbos and the proteas.

We trundle down to the visitors’ centre.

 

On a path by the electrified fence

beneath the restaurant terrace, a baboon stalks.

Much further below and beyond is False Bay.

A distant whale breaches, and another –

then a destroyer passes, sailing

from Simons Town for the Southern Ocean.

 

Towards closing time the whole troop gathers

on a knoll above the perimeter fence,

the dominant male at the centre.

They wait. Meanwhile, he copulates twice.

 

There must be gaps in the fence. A young male,

bleeding, clutching packets of sugar,

is chased from the coffee shop, his pursuer

with a padded stick. Suddenly, the big male

is among us with the speed of a sprinter.

He knocks a young woman down, grabs her coke

and crisps, disappears. We are powerless.

ON FIRST READING ‘THE GULAG ARCHIPELAGO’

David Selzer By David Selzer1 Comment1 min read2.5K views

It was time to revise our atlases.

Europe was a river of broken ice,

Russia a mouth widening to a

frozen sea. GULAG was permanent winter.

Innocent, we had traced railways to

romantic ends. The atlas of knowledge showed

obscured crimes, its charts the colours and scale

of blizzards. A new world had been shaping.

Multitudes were shunted across nations.

A chronicle of whispers is the pure

saga, epic of the supreme fiction,

where history is lost, where ten million

lives are broken like glass.